Max Headroom

I grew up as a teen in the 80s being a HUGE computer geek back when the term wasn't popular. There was something special about Max Headroom, & I still to this day (1/24/2005) think it was one of the BEST TV shows made! It was the only show I made time for...otherwise I was outside with friends or doing some programming with my Commodore 64 (once I found out Amiga computers were used in the show I **wanted** one. Sometime later I bought one, I still believe the Amiga IS the BEST computer platform there has ever been. Windows just doesn't match up. Anyway, I digress...

I loved the humor of Max Headroom/Edison Carter. Matt pulled the characters off very well. The show really did inspire the young hacker in me as well as the fantasy idea (of the time) for computer generating a Computer Character like Bryce did. ;) Hehe. The sense of humor was awesome, the character roles were very good & it touched very WELL on the Truth of TV!!! :D

I would love to see all of the episodes, commercials U.S & U.K., talk shows, & the Paranomia music video by The Art Of Noise come out on DVDs. Everything that was Max Headroom should be on DVD by *NOW*!! A lot of other junk TV like Sienfeld, Friends, etc have made it to DVD & they don't have the loyal following that MAX does. Common, we're WAITING to spend our hard earned $$ on MAX HEADROOM DVDs Loaded with EXTRAS, interviews, the Car Commercial, & so MUCH MORE. Get that stuttering dude on DVDs!!!! It's WAAAAAAAAY past time, Folks!!

As we used to say in the 80s... MAX HEADROOM for President!! At least THAT talking Head says something worth hearing!! :D

Bravo to Bravo for when they aired MAX HEADROOM without commercials. I miss MAX on Cinemax, too!

The original version of this film, which was titled 120 minutes into the Future (I believe) was by far one of the most impressive and subversive things I have seen on TV. The premise involves the idea that Blipverts, or high-speed advertisements, are allowing the TV stations to create more ad time, but are also at risk of causing the most indolent members of society to spontaneously combust.

This is absolutely wonderful!

The whole Max Headroom angle was never really exploited until this became a (too short lived) TV series shortly after. However, this movie is nothing short of being among the most impressive and visionary movies ever made, and by far one of the most interesting (and underrated) cyberpunk tales told.

The low-budget enhances the bleakness of this dystopic future, and the utter pessimism about the future of mankind is palpable at every moment. Watching the TV zombies wander the streets in search of more TV, the dark rooms where the future of man (and media) is decided... the burnt-out buildings, the police-state siege mentality. I have rarely seen anything this ambitious attempted in the past.

This movie warned us about the dangers of mass media, and managed to do it in a way that was not ironic and was highly entertaining. Run out and find this movie if you can (I have seen it on tape, and Sci-Fi channel runs it occasionally). Go... NOW!

I loved this film back in the 80s, and its story of CGI characters to replace real people for TV is easily a possibility now. This is my favourite film ever, infact I only found out today that the its less than an hour long - theres so much going on Id swear it was 90 mins plus.

Anyone who is remotely into Sci Fi or computer graphics should see this, or anyone who just likes unusual films and fancies a break from the norm without being bored.

If this was a Manga cartoon instead of a British film, it would be massive!

I've been long overdue to watch this. One hears the name 'Max Headroom', and sees star Matt Frewer all over the place, long before knowing anything else about the character, or the associated film or TV programs. I assumed a cheeky cyber sci-fi comedy; what I didn't anticipate was how stunningly dark the underlying ideas are, however sardonically they're approached. True, in the broad strokes it's a familiar dystopia of wealth, power, and extreme corporate malfeasance without one shred of humanity; one recognizes glimmers in every aspect of the production of similar fare from all throughout the 80s, and the reality of how much Network 23 has in common with real-life organizations in 2022. For that matter, one also has to consider the equivalence between the development in-universe of the talking head, and how there's a certain oblique correspondence to present-day discussions of artificial intelligence in online spaces. This picture is unquestionably an original creation all its own, though, and even in a runtime of just under one hour, the result is reliably outstanding. '20 minutes into the future' is fantastic!

It may be "just" a TV movie, and a veritable prologue to introduce a character, yet in every regard the feature benefits from care and craftsmanship recalling major studio films instead of its actual kin. In various ways I'm reminded of John Carpenter, David Cronenberg, Ridley Scott, James Cameron, or other big name filmmakers: the digital additions, practical effects, production design and art direction, hair and makeup, costume design, and even Phil Meheux's vibrant cinematography. The original score of Midge Ure and Chris Cross, lending somber atmosphere, would feel right at home in the works of any of those mentioned, and sounds in turn like it could have been penned just as well by Carpenter, Howard Shore, Jerry Goldsmith, or any such composer. Directors Annabel Jankel and Rocky Morton, and screenwriter Steve Roberts, all demonstrate a spark of ingenuity that lets every component part of their contributions and the picture at large resonate with unexpectedly rich, imaginative spirit. It's at once both delightfully tongue-in-cheek and astoundingly grim, and always wonderfully smart and sharp with every idea to present.

One is quite accustomed to any film of such an abbreviated length, and made for TV movies too, coming across as very direct, and possibly rushed and forced. It would be very easy as a viewer to feel shortchanged by such a production, nevermind that Channel 4 ordered this simply as an origin for the title character. Yet the writing and direction is marvelously keen, the crew turned in work just as fine as any picture one could point to as a comparison, and the entire cast - even those in small supporting roles - bring their parts to life with such incredible, gratifying personality. It seems an impossible task, but 'Max Headroom' comes off as a complete, balanced, well-rounded feature, more than can be claimed by some Silver Screen blockbusters with the all the resources of Hollywood behind them. Even if every constituent element weren't so stupendously well done in and of itself, the film as whole is a rather impressive accomplishment given what it pulled off within its chosen medium. I don't think it's at all unreasonable to suggest that when all is said and done, frankly this is a must-see. Whether one goes on to watch the programs that followed from this introduction, or just takes in '20 minutes into the future' of its own accord, it's a tremendous, intelligent, witty, and highly entertaining genre piece that not only continues to hold up but is arguably more relevant than ever. However one must go about watching it, this is worth far more than sixty mere minutes of one's time!

Max Headroom is an excellent Sci-Fi movie that has a great story, interesting characters and very witty dialogue. The dreary futuristic world it depicts is the hook that caught me and it's a movie all Sci-Fi fans should warmly embrace.

Amanda Pays, worth the price of admission all by herself, as Theora Jones and Matt Frewer as both Edison Carter and the title character Max both really make this film work. The supporting cast with the likes of William Morgan Sheppard and Hilary Tindall as "Reg" and "Dominique", the quirky owners of Bigtime Television, and Nickolas Grace who nails the part of "Grossman", head honcho at Network 23, also give great performances here. Hilton McRae along with his sidekick George Rossi, "Breugal" and "Mahler", add a humorous yet scary touch while doing the dirty work for computer nerd "Bryce" who is well played by Paul Spurrier. All-in-all this is a movie which shouldn't be missed.

Luckily I recorded Max Headroom on VHS during one of the times it was shown on Cinemax but I've watched it so many times since, it's getting fuzzier every time I see it. For the powers that be, PLEASE PUT THIS OUT ON DVD!!!