जैग्ड एज

San Francisco heiress Forrester is cruelly killed by a black suit clad murderer . Her husband Jack (Jeff Bridges) , a known publishing magnate , is convicted for cold blooded murder . He contracts an advocate-in-law , Teddy Barnes (Glenn Close) , former prosecutor , and now at charge of the criminal defense , in spite of the fact she has not taken a criminal case long time . The widower is allegedly considered guilt , though freed by means a bail until trial celebration presided by an expeditious judge (John Dhener) . Then they fall in love and she's defending the man she loves . The trial takes place and there appears an accusation lawyer (Peter Coyote) , an ambitious district attorney who previously worked for her ...

This court-room drama is a Neo-noir movie with tension , mystery , surprises and , of course , a suspenseful twist in the end . Despite of the fashion-able sex and violence , this is a satisfyingly old-fashioned sort of film that avid fans of the genre will love . Jeff Bridges and Glenn Close are frankly well , there's enjoyable chemical between them . Interesting writing credits by Joe Eszterhas , a successful screenwriter (Basic instinct , Jade , Sliver , Showgirls). The flick is rated ¨R¨ for sexual scenes and some violence . Colorful cinematography by Matthew F. Leonetti and sensitive musical score by John Barry . The motion picture was professionally directed by Richard Marquand . He was hired by George Lucas after seeing ¨Eye of the needle¨ and only non-American to direct a Star Wars film: ¨The return of the Jedi¨, though his career failed with flops such as , ¨Until September¨ and ¨Hearts of fire¨ until his early death.

JAGGED EDGE (1985)-- Grade: B

I don't know why JAGGED EDGE is known as one of the best mystery films of the '80s. Let's face that this decade was not amazingly great for movies, but of course there were better mystery films: DRESSED TO KILL, BLOW OUT, HOUSE OF GAMES, BODY HEAT, just a few that come to mind. JAGGED EDGE is not able to escape from most of the clichés of courtroom drama and what it's worst: it shamelessly manipulates the audience. The main comment here has the same complaint, so I think many people agree with me. The one that should be blamed is Joe Eszterhas, who would write the screenplay for BASIC INSTINCT, a worldwide success, seven years later. He knows how to manipulate audiences, to make them stay aware and to keep their attention tightly without a shame, purposing questions with only two answers: yes or no. Did he kill her or didn't he? Eszterhas makes us believe in both possibilities several times during less than two hours. Using, of course, not very credible plot twists. ....... OK! So JAGGED EDGE is cliched and manipulative. It's difficult to forgive the first, but why shouldn't we forgive the latter? Don't we like to be cheated in some cases?

If you think it's difficult to forgive the way this film grabs you, there are other ways to like it. The story, even cliched, is still interesting and suspenseful. The directing is great and the actors are pretty good. Glenn Close is reliable as the lawyer and Jeff Bridges, who has made a career of hits (ARLINGTON ROAD) and misses (KISS ME GOODBYE), is convincing as the mysterious client.

JAGGED EDGE is a flawed film, but its manipulation has a good side. At least we care about the characters and the story. This is not a good way to write screenplays. This is not the best thriller of the '80s. But it is far ahead of some cheap productions of the '90s (BODY OF EVIDENCE, SLIVER, both with similar situations to JAGGED EDGE).

******SPOILERS****** A brutal double-murder of prominent socialite and newspaper heiress Mrs. Paige Forrester, Maria Mayenzet, and her house-maid Consuela Martinez occurs one rainy evening at the Forrester Estate outside San Francisco.

Page's husband Jack, Jeff Bridges, who was also injured in the attack, is indited for murder by the San Francisco DA Thomas Kersny, Peter Coyote. DA Kersn feels that Jack not only murdered his wife and her house-maid but also faked his own injury to throw off the police's suspicions about him being the killer. DA Kersny also has it in for Jack personally in that being the owner as well as editor of the influential San Francisco Times he's been writing unrelentingly negative editorials about him.

Being indited for his wife's murder Jack seeks out former DA Teddy Barnes, Glenn Close, who used to work with Thomas Kersny at the DA's office. Teddy quit some four years ago because of a case that she helped him with in which a defendant Henry Styles was convicted. Teddy later found out that Kersny withheld vital evidence that would have found Styles innocent. Later in the movie Teddy finds out that Styles hung himself in his cell from non other then Kersny himself! This got her even more upset then she already was about that case.

This sets up the movies storyline: A brutal double-murder is committed and a DA who has it in for the murder suspect jumps into the case for personal more then for professional reasons. The lawyer who defends the murder suspect has guilt feelings for working with the DA prosecuting the case against her client. Added to all that she's almost driven into a serious depression when she finds out that the person that she helped the DA convict, who she later found out was innocent, has just killed himself. With all the "red herrings" flying around in the movie does the murder weapon a hunting knife with a jagged edge belong to Jack? Most of all did the affairs, by both Jack and Page, one or both lead to Page's murder?

It's also a mystery if the dashing and handsome tennis gigolo Bobby Slade (Marshall Colt),who was having an affair with Page, killed her when she threatened to leave him and then frame her husband Jack for her murder?

The movie "Jagged Edge" holds itself together pretty well until the final fifteen minutes and then just falls apart like a house of cards. The totally contrived as well as unrealistic ending hits the viewer like a solid punch right in the stomach and knocks all the wind out of him or her. It's hard to believe that the killer would end up being so careless and stupid after bing so smart and cunning during the entire movie. This after he got away with the crime Scot-free and having nothing at all to fear from the law, why did he have to blow it all in the end?

"Jagged Edge" is not a bad movie it's a very good murder/mystery/court thriller but with a terrible ending and it's a good ending that's the most important thing in a movie like it.

If you have never seen this film, then stop reading reviews and watch it because the film really works better if you don't know anything about it.

Now, the film is certainly flawed, but it's still interesting to watch.

I love courtroom thrillers, and there's plenty of court drama here, but not enough to make the picture work. I think another 20 minutes would've added much more depth to courtroom sequences.

The acting is excellent, but the direction could've been sharper. I found the romance to be contrived, never had a flow to it, it just happened.

Some blame must go to the screenplay, it wasn't strong, not enough depth to the characters, and some of the courtroom stuff was unrealistic.

The photography is excellent, it hooked me into the picture.

Overall, a good film, but I think the writing was a bit lazy.

Teddy Barnes is a conflicted lawyer, still reeling from the dubious methods of a colleague, she takes on the defence of Jack Forrester, who is accused of murdering his wife with a jagged edged knife. Gradually falling for Jack's seductive powers, Teddy falls in love with the man she now has to defend, her problems it seems, are about to become far far worse.

Jagged Edge, directed by Richard Marquand, starring Glenn Close (Teddy), Jeff Bridges (Jack), Robert Loggia (Sam Ransom) and Peter Coyote (Thomas Krasny), is bringing nothing new to the table of a much replicated genre. It does however boast brilliant acting, a tremendous screenplay (Joe Eszterhas) and a production value that demands it be viewed with less than cynical eyes. That it is written by Eszterhas is obvious when looking at the structure of the picture, death, sex, troubled romance, greed and that old devil called obsession (Basic Instinct anyone?), yet aided by a competent director and an exemplary cast, Jagged Edge shines brighter than most other films of its ilk.

It looks a little frayed (not jagged) around the edges now, but that is purely because of the advent of time and the ream of thrillers using this format that have followed this piece. If one (such as I) can transport oneself back to the 80s and view Jagged Edge on its original terms, then its easy to recognise just what a well put together picture it is. Close and Bridges are superb, whilst Robert Loggia steals the picture from under their noses, his interplay with Close is a particular highlight. In spite of some less than great twists and unsubtle scapegoat placings, Jagged Edge succeeds because you are there at the finale, and because its held you in its grip all along, you (hopefully) have invested yourself with these characters, you simply just have to know, for better or worse!

The ending was cause for much discussion back in the day, and viewing it now it still feels like a moment of cheek mixed in with some form of clarity, but rest assured it works well, as does, funnily enough, the whole film. No world beater here, but highly accomplished and worth the time of any thriller obsessed movie fan. 7/10