Poltergeist

There are two types of "horror" films:There are the scary ones, which is what the word "horror" means in the first place,and then there is the bloody,gory kind.Perhaps the latter kind should be categorized under another name.At any rate,Poltergeist is a good horror film.It goes beyond the idea of typical ghosts in sheets jumping out of nowhere and saying "boo!".Most of the adventure takes place in their world rather than ours,although we cannot see what is going on there.This is a very thrilling movie.It has great special effects and all of the scare elements that make a horror film what it is supposed to be.The clown in the chair at the foot of the boy's bed was a particularly tense moment for me.This is the only movie I went to see 4 times at the theater,partly to watch others' reactions.I have often heard that the film,and it's two sequels,were the victim of some type of curse,as after each film was released,a member of the cast passed away,including Heather O'Rourke,who played Carol Anne, after the 3rd film.She was only 10.Curse? Coincidence? Who knows? I guess anything is possible.All in all,this is one of the best films ever for the horror genre.

I've read several reviews of Poltergeist and most people (including Siskel & Ebert)don't seem to have seen the same film as i did! All the criticism surrounding the storyline as how ridiculous and unbelievable it is. Well it's a ghost story, although i've always felt it was closer to a modern day fable in which the parents have to prove their love for their daughter going so far as to having to go to another dimension to retrieve her (well, the mother does that). People keep saying that the ghosts are in the TV and that Carol Anne was sucked into the TV, for Christ's sake, have these people actually watched the film? Another thing is that some critics complain that after the film was over they still didn't get what the spirits wanted and why they targeted the little girl. What about the sequence between Steve Freeling and his boss and the monologue delivered by Tangina where she EXPLAINS what is going on?! Sure, the film is not perfect, there's that infamous edit jump, too much cutesy with the burial of the bird and the lack of complaint from the neighbours about the thundering, thumping, screaming sounds that go on in the house, but it is a fable people! The acting is great, we really care about the characters, and because of some great dramatic sequences with Diane Freeling (brilliantly portrayed by JoBeth Williams)we realize that (SURPRISE!) the film isn't so much about the ghosts and (iconic) special effects, as it is about the drama of parents thrown into a supernatural situation they never saw coming and having to bring their daughter, that they hear THROUGH the TV (she's NOT IN the TV), back into our world. The action sequences are greatly imaginative and entertaining, Jerry Goldsmith's score is his best, being horrific, tense, spectral, childlike and such a masterpiece. I do love this film and wish that people would actually see it instead of making erroneous assumptions about it.

I left the lights on the night I saw it. Because this does not take place in some classic looking haunted house, with some scary mythology attached to it. This happens in a modern house in a typical suburb. It looked like a house in my neighborhood. That nobody could afford to own at the time because of 18% interest rates in 1982, but that's another story.

It involves a typical family. The wife is a homemaker. The husband sells new houses in the same neighborhood that the family lives in. It must have been a slow work day for him because who could have afforded these houses in 1982 with 18% interest rates? But I digress. There is a teen daughter from some unmentioned first marriage because she only looks 15 years younger or so than Jo Beth Williams who plays the mother. There are two kids age 7 and 6 that belong to the second wife. The youngest, Carol Ann, was born in the house.

So the horror starts with harmless stuff like the kitchen chairs rearranging themselves when you're not looking but escalates quickly. And the movie tag line "It knows what scares you" turns out to be so true. Remember when you were a kid. What scared you? Lightning storms? Big leafless trees that looked like some kind of being with lots of arms? Clown dolls with macabre smiles? It all plays into it.

Stephen Spielberg "ghost" directed this one. You could always tell by the preponderance of wind machines and seemingly meaningless close ups - hallmarks of 80s Spielberg.

The one thing that really dates this - The poltergeist originally gets into the house when the husband falls asleep in front of the TV late at night, the Star Spangled Banner plays, the channel signs off, and then there is no signal. Cue the poltergeist. Today, channels never sign off. There is always some infomercial, with the set dressed like the old CNN Larry King Live show to add credibility, yelling at you how you can have product X for only 19.99 a month. The poor poltergeists of today are trapped listening to this nonsense, waiting for a chance to escape that will never come! Oh the humanity.

It doesn't hit me like it did when it first came out, but it is still good enough with a very shocking ending that it is still worth a a look.

Horror films often do not get their do, and the 7.1 rating for Poltergeist shows that this trend will most likely continue. Clearly an influential film by Chainsaw director Tobe Hooper, Poltergeist reached for, and achieved, everything that the earlier Amityville Horror failed to be; namely, scary, credible, and well acted.

Poltergeist, in a nutshell, is a story of suburban California family that discovers the darker side of the American Dream when their youngest daughter, Carol Ann, makes contact with evil spirits through the family television set. "They're here", never fails to send chills down my spine as I recall seeing this film for the first time as a teenager.

Perhaps 10 to 15 more years will finally lend the credibility to this film to finally place it among the classics in modern horror cinema.

Imagine the archetypal middle class family - mum, dad and three kids - all muddling along nicely in their home next to a graveyard, until things really do start going bump in the night! Doors, chairs and drawers start having minds of their own; the lights come on when it suits them, not you... Well initially, the "Freeling" family think this is just a bit of a giggle - that is until their daughter "Carol Anne" (Heather O'Rourke) disappears and when the paranormal investigators discover she is in an other dimension, only able to communicate via the white noise of the television screen, the battle is truly on to retrieve her from her truly malevolent captors. Zelda Rubinstein is super as the medium "Tangina" and Tone Hooper really does manage to use her character, and that of the little girl - as well as some pretty eery light works to create a suspenseful couple of hours that have you on the edge of the chair. Not, I have to say, because I particularly wanted the child back - I'm a bit with Ian Fleming on that front; but because these evil spirits could easily subsume the whole of humanity! Chilling stuff!