Laberinto de pasiones

In his two first movies (and I would count the third one too -Entre Tinieblas-) Almodóvar was more a kind of outsider, someone who needed to express himself freely in a country that had suffered a Dictatorship for almost 40 years. Neither "Pepi, Luci..." nor "Laberinto de pasiones" tell any story in particular, at least none that's interesting. They're rather a collection of gags and sketches that are meant to scandalize and to drive up the wall all that right-winged people. Almodovar uses topics such as incest, gay power, Islamic terrorism, drugs abuse... 100% punk attitude, basically. And though Spain is much more liberal nowadays some of the passages of Almodovar's first movies couldn't be accepted by the society. How come? Well, because of the "political correction" stuff (isn't it some kind of censorship too?? I mean, self-censorship).

Anyway, this movies have to be understood in the right context (just like John Water's first films). If you don't take that into account you'd better go and watch any other thing.

5.5/10

Very typical Almodóvar of the time and, in its own way, no less funny than many of his later works. And why is that? There is nothing to be provoked or shocked about, and I guess any such effect is more coincidental than intentional. No, the great humor stems from an underlying, almost surreal, absurdity that is woven into the scenery: The characters' nearly complete lack of taboo. It's the same kind of 'comic suspense' you find in his later works, though you'll find it in a more rough version here. He's building up for masterpieces to come, but is not yet there.

The sole reviewer who commented on this movie before I did, claimed that it had to be a "very select" group of people who'd find this movie hilarious. I do.

I'm not surprised that more people have not seen and commented on this tragic testament to the real Almodovar, since he would most likely prefer it this way. Laberinto de Pasiones is proof that Almodovar was simply a wannabe Spanish version of John Waters, the latter gaining his mainstream fame from "Serial Mom". "Pink Flamingos". With campy acting, full-frontal male nudity, incest, drug references and an unhealthy dose of toilet humor for good measure, it's safe to say Laberinto de Pasiones is Almodovar's "Pink Flamingos"; an exercise in camp and shock-value over substance.

I was delighted when I saw that my husband rented "Labyrinth of Passion". I love Almodovar's films. We both loved the movie. We both couldn't stop laughing. We especially enjoyed the scene in which the transvestite is shooting a photo novel, and while supposedly being menaced by a killer with an electric drill, is told to answer the phone and say, "I can't talk to you right now, I'm being attacked by a sadistic serial killer. If I survive I will call you back". (That would make a great answering machine message come to think of it). We also loved the lady telling her new found beloved, "I went to an orgy after the concert but I couldn't stop thinking of you." (I'm waiting to use that line on Twitter). "Labyrinth of Passion" is a rollicking farce with plenty of high jinks, hilarious dialog and eye candy for everyone. The film has aged well: the 1980s costumes and hairdos add to the wackiness. I would give it a 10 out of 10 rating but I am giving it a 8 for two reasons. The first is the scene which involves laxatives which includes a shot of a lady soiling herself: totally unnecessary, and it brings down the tone of the film to Hollywood gross-out comedy for a moment. The second is the suggestion that Queti is sleeping with her father: shocking, yes, but again, it ruins the tone of the film. Still, I would recommend the film to anyone who wants a sophisticated, spicy, and fun time.

Pedro Almodóvar's third feature is a collection of shock jokes involving incest, homosexuality, nymphomania, Arab terrorists and bad rock groups. It's roughly centered on the adventures of Cecilia Roth, Helga Liné, and Marta Fernández Muro as they seek orgasmic self-awareness. While Almodóvar has continued his fascination with the kinks of the world, he seems to have become more interested in actual issues with alternative life styles as he has.... well, I'd like to write 'matured' but that's not the right word. At this stage, he seems to have been more interested in shocking the conservative, like John Waters, albeit without much sympathy for his subjects, all of whom seem less interested in anything except their own pleasures.

Still, he certainly has an eye for the visual aspects of film making at this stage, which makes this less of a freak show than Waters' movies. Is that a good thing?