Ransom

Many critics have called the Sean Connery thriller Ransom a stinker. It's not all that good, but to label it as bottom-of-the-barrel rubbish is possibly a bit harsh.

The story is old hat. It concerns a plane hijacking in Scandinavia, carried out by a gang of suit-clad Englismhmen led by the charismatic Ian McShane. Connery is introduced as a Scandinavian police chief (still with the familiar Scottish accent, however) who is hired to end the siege. His mission is complicated further when a second hostage situation arises at the nearby residence of the British Ambassador.

The snowy landscapes fit nicely with the cold, cynical plot. There are infrequent tense sequences, such as the bit where a team of counter-terrorist soldiers make a bungled attempt to seize the aircraft. Connery and McShane have a few well played scenes in which they taunt and torment each other over the readio transmitter. The reason that the film fails to take off is that it is too low key, and suffers from a bad twist ending which renders the entire film a bit pointless. Too many of the scenes are flat, and Caspar Wrede (the director) doesn't get interesting performances out of any of the secondary characters.

Not a full-on catastrophe, then, but not a great film either.

Sean Connery plays a tough, uncompromising security chief who just happens to be a Swede with a distinctive Scottish burr in this forgotten thriller from the mid-70s. It's probably forgotten because it's all a bit hum-drum and consistently fails to thrill at any level. These were sort of Connery's wilderness years when he made a number of stinkers post-Bond (this, Zardoz, The Next Man) before finally hitting his stride. Having said that, he's still the best thing in this. Ian McShane can't compare and, sporting a three piece-suit and footballer's hair-do, makes a completely unconvincing terrorist.

The story is unnecessarily convoluted and – at less than 90 minutes – overlong, with a number of superfluous scenes. Characterisation is non-existent, the terrorist's ideology and objectives sketchily described, and the climax is badly bungled as black-and-white suddenly becomes a murky grey which grows even muddier when two (presumably) good guys come to blows.

The picture's one saving grace is Sven Nykvist's terrific photography. He captures some incredible images during the plane chase sequence which are simply staggering when viewed in high definition.

This film is also called The ransom, not to be confused with the mild action film with Mel Gibson.

The film set in the Scandinavian country (called Scandinavia in the movie, while it is shot in Norway), the snow atmosphere and the heavily dressed characters somehow dictated the slowness of the pace in the movie. Nevertheless, it's exciting. The whole look is not your conventional Hollywood actioner, while at the same time deserves the same class as that of the late sixties/early seventies crime/caper movies like Bullit, French Connection, Taking Pelham One, Two and Three and Dirty Harry.

Connery is fun to watch. He really adds to the atmosphere of the movie and the relatively tame climax looks good with his presence. Good movie. 7/10

Sadly neglected 70's thriller shot on location in Oslo, Norway. Sean Connery looks great as "Scandinavian Security Chief" Nils Tahlvik, and director Caspar Wrede has made some great use of Oslo scenery including a West Side residential area, Oslo's City Hall and Fornebu International Airport (which closed down in 1998). It's also nice to see one of Norway's greatest stage actors, Knut Wigert, as Connery's commanding officer.

All though slow-moving at times this gritty looking thriller has a nice realistic flair to it, including some surprising plot twists along the way.

One final note: from a Norwegian point-of-view it's fun to see how much this British production has the look and feel of a 70's Norwegian film!

Update/comment on Mike's user comment with the headline "Boring Swedish hijacking action": I don't know where he gets all this "Swedish"-stuff as the movie is mainly shot on location in Norway, it has Norwegian actors in some of the supporting roles (most notably Knut Wigert and Alf Malland) and not one Swedish actor, and as IMDb states it is a British production. Sweden had nothing to do with it.

In a Scandinavian country, -name given to the three countries of Norway, Denmark and Sweden- , there a national security chief Colonel called Tahlvik (Sean Connery) is tasked to rescue the passengers of a high-jacked British airliner , only to discover that all is not what it seems . The gang of hijackers is led by Ray Petrie (Ian McShane) who seize the British plane as it is landing in Scandinavia . Meanwhile , the British Ambassador is being held hostage at his Embassy by another terrorist team. Skyjack , kidnap : A time-bomb of suspense has started ticking. Two nations are being held for ransom and... Sean Connery is the agent who takes on The Terrorists . Connery Won't Pay Ransom .Hijackers. Kidnappers. Killers. Only one man can stop them.

The action is set in Scandinavia and it concerns two terrorist events : the hijack of a passenger plane on the tarmac of a nearby airport and the kidnap of the British Ambassador whose Embassy residence has been seized by a second group of terrorists . A simple and modest thriller in the same mould as ¨The Intercine Project¨ by Ken Hughes and others at the time , which seems similarly intent on dealing with issues of contemporary relevance as grisly ¨Terrorism¨ during the violent 70s ; however all roles and events in this film are fictitious and any similarity to actual events or persons living or dead is purely coincidental . Generic title betrays its poor as well as sloppy execution . Some stock roles and formula dialogue don't help either . It turns into a straightforward , pretty enjoyable , but slow-moving and complex thriller . It results in a twisted kidnapping movie , being a decent story but middlingly adapted , if somewhat implausible terrorism tale . The movie gains in weight thanks to its typical implications and plot twists . All in all , a neat and unpretentious intrigue movie that offers more food for thought than most such unshamedly commercial movies . Although director Wrede and his cameraman Sven Nykvist are more than compelling , the film nevertheless has a distinct air of triviality due mainly to the made-for-TV ethos that seems to surround the whole production . Sean Connery gives an a decent acting as tough , law and order , Military Police Chief Colonel Tahlvik assigned to rescue the plane and its passengers but he must also deal with several problems . Just like he was a Scottish Lithuanian subcommander in ¨The hunt for Red October¨ (1990) , here Sean is a Scottish Norwegian Securirity Chief . He is very well accompanied by Ian McShane , a veteran actor still working . And a good but unknown support cast , such as : Isabel Dean , John Quentin , Robert Harris , James Maxwell , John Cording, Christopher Ellison , and other Norwegian local actors dubbed with familiar sounding British voice-over players credited at the closing credits , among others.

Good photography by Sven Nykvist , Woody Allen and Ingmar Bergman's ordinary cameraman , being shot on location in Norway , and breathtaking musical score by Jerry Goldsmith are wasted . The motion picture was professional but regularly directed by Caspar Wrede . He was a director , writer , and producer, usually for TV , known for One Day in the Life of Ivan Denisovich , The Barber of Stamford Hill , The New Inferno , No No ,No ¡ , Private Potter (1962), ITV Play of the Week (1955) and BBC Sunday-Night Theatre (1950) . Wrede was married to actress Dilys Hamlett and he had short but prestigious career . Rating : 5.5/10 . Acceptable and passable .