अपनी भाषा में प्लॉट जोड़ेंA cop chases two hippies suspected of a series of Manson family-like murders; unbeknownst to him, the real culprits are the living dead, brought to life with a hunger for human flesh by ultr... सभी पढ़ेंA cop chases two hippies suspected of a series of Manson family-like murders; unbeknownst to him, the real culprits are the living dead, brought to life with a hunger for human flesh by ultrasonic radiation being used for pest control.A cop chases two hippies suspected of a series of Manson family-like murders; unbeknownst to him, the real culprits are the living dead, brought to life with a hunger for human flesh by ultrasonic radiation being used for pest control.
- पुरस्कार
- कुल 4 जीत
- Edna Simmonds
- (as Christine Galbo)
- Martin West
- (as Jose Ruiz Lifante)
फ़ीचर्ड समीक्षाएं
Ray Lovelock takes the title role, and looks the part as a young London man. His style, along with very over the top dubbed in London accent work a treat, and his performance adds something of a sense of humour to the picture. Christina Galbó has less to do opposite Lovelock, but she does well with what she has and makes for a good heroine. The film starts off rather slowly, but the relaxed pace never makes the film boring, but it does add to the film when the horror really starts; as we're sufficiently on the edge of our seats by then. Director Jorge Grau creates a fabulous atmosphere through his English countryside setting, and I personally thought it made a very nice change for the zombie antics to be set in the English countryside rather than America, as they usually are. Despite the fact that this is an Italian film, the filmmakers have managed to implement a great British feel to the movie, and the movie feels something like a fusion between Italian and Hammer horror. This is certainly a plot line that Hammer would have taken on! The gore in the film is few and far between, but when it's on screen, you'll definitely know about it, as it doesn't exactly hold back! On the whole, I think it's criminal that this film hasn't won itself more recognition. Let Sleeping Corpses Lie is a film that I wont hesitate to name as one of the best zombie films ever made, and it therefore comes with the highest recommendation!
Trying to say it doesn't stand up to, say, Titanic, for "quality" is ridiculous...by just rating it within the horror genre, this is a superior effort.
Anchor Bay has released this film recently on DVD with a very informative interview with director Jorge Grau (since released twice on Blue Underground, the 2nd of its releases transferred in HD under the alternate title The Living Dead At The Manchester Morgue). He does admit this film was made because he was asked to do something comparative to Night Of The Living Dead. Fortunately he did something more by actually caring about the project and the result is a film that still terrifies after all these years. For being made in 1974, that's a feat indeed.
The film wastes no time in getting to the fun, and with just the right amount of setup about society's excesses whether it be pollution or morals, and then going further with the 1950s style of saying good 'ole radiation (our fault again) is stirring up trouble. Even though it was made around the same time and may only be a coincidence, the scene where babies are rebelling brings to mind Larry Cohen's film It's Alive!
Aside from a familiar face in actor Arthur Kennedy (who was deliciously grizzled in his behavior), the use of not-so-familiar faces really lets you sit back and absorb the story and thrills. It was actually nice to see a lead actor like Ray Lovelock look, as Kennedy's character exclaimed, a "long-haired hippie" instead of the squeaky clean GQ faces of today's heroes. These characters were very real, very believable, and you did care what happened to them.
Not many films date well, but this one could have easily taken place now as 1974. The locations, atmosphere, and overall look of this film is gorgeous. The acting is very competent, the score accents the mood well, and I was very pleased with the uncompromising ending. What I was probably the most pleased with was the fact that it doesn't feel the need to distract you with heavy cussing and lots of nudity (as in films like Dan O'Bannon's Return Of The Living Dead).
It also does not alienate the "over 35 crowd" like myself by pandering to MTV age boppers, the cast is mature and the characters more involved with their fate instead of being concerned with fashion and scoring some to get wasted (like the recent Idle Hands, don't get me started on THAT one). Most horror films these days just don't leave you feeling very satisfied, and I was ready to watch this one again!
Let Sleeping Corpses Lie is probably the most overlooked and underrated zombie film ever, and do yourself a favor by giving this one a look. Don't try to compare it with others, don't try to dissect the logic. It pays off with it's genuinely creepy mood and you'll find yourself watching it more often than most of any recent favorites you might have.
The Living Dead begins with the serendipitous meeting of George (Ray Lovelock) and Edna (Christina Galbo) at an isolated garage. Two individuals traveling up north from "that London". Already condemned when they arrive in a small village, what with their hippie looks, they would most certainly be crazy drug-addled satanists. But something more sinister is occurring, as the living come back from the dead to eat the living.
Well, of course it's a zombie flick! It's implied in the title! It's not the greatest of films by a long shot. But it is a well-made film. The "message" is ecological; the culprit behind this macabre situation is an experimental machine from the department of agriculture, that emits radiation to combat insects etc for crops. Damn you government, with your ill-conceived ideas of progression!! The film does also produce a pretty amusing line from 'The Inspector', Arthur Kennedy; "I wish the dead could come back to life. Because then I could kill you again".
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क्या आपको पता है
- ट्रिवियाDirector Jorge Grau purposely cast an actress known for having a flat chest in the role of the nurse so that a fake chest piece could be applied that the zombies could tear into for her death scene.
- गूफ़If you look at the lettering on the door while the police and George are at the Old Owl, you can see that owl is mistakenly spelled "Olw".
- भाव
The Inspector: You're all the same, the lot of you, with your long hair and faggot clothes. Drugs, sex, every sort of filth! And you hate the police. Don't you?
George: You make it easy.
- इसके अलावा अन्य वर्जनThe 1987 UK Network video release was pre-cut by 1 minute 27 secs by the distributors before submission (as per the cinema version) and then cut by a further 26 secs by the BBFC
- the edits being made to remove shots of the policeman's mutilated body, Guthrie pulling a stake from his throat, all footage of flesh eating, shots of zombies on fire, the killing of the Doctor with an axe, and a nurse being eviscerated and her breast ripped off. The 2003 Anchor Bay UK DVD features the full uncut version of the film (all previous cuts have finally been waived) and has the added bonus of an alternative opening credit sequence. The aforementioned "eyeball munching scene" has been proved to have never existed as no version of the film contains it and no footage of it can be found. There is still speculation over whether or not the scene was shot but if it was, the footage is now long gone.
- कनेक्शनEdited into Cent une tueries de zombies (2012)
टॉप पसंद
- How long is Let Sleeping Corpses Lie?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- The Living Dead at Manchester Morgue
- फ़िल्माने की जगहें
- Thorpe Cloud, Dovedale, Derbyshire, इंग्लैंड, यूनाइटेड किंगडम(stepping stones/Guthrie's attack)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $40,468
- चलने की अवधि1 घंटा 35 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1