Dead of Night

A young soldier called Andy is shot and killed in action, not mentioned by name but presumably in Vietnam. His family are notified of his death but then he appears at their house, only his personality has been drained and he has a murderous craving for human blood. He has become some kind of vampire/zombie hybrid, he has no fangs and sunlight doesn't burn him up, however he physically deteriorates over time and towards the end he turns into a monster. Quite how this all came about is not explained, other than his mother wishing him to come home. This was my first viewing and despite an initial doubt I was very impressed, the movie is genuinely unsettling and frightening. Director Bob Clark also made the classic "Black Christmas", both released in 1974, and the two movies use the same creepy music. Tom Savini did the special effects, which are pretty gruesome. And I will point out that this was made several years before George Romero's modern vampire movie "Martin" (1977). Highly Recommended.

This is a horror film that expands the boundaries of the genre.

Put simply, it is a film about a dead man walking, but this dead man "died" in Vietnam before he returned home and his unexpected arrival opens many wounds within his family and amongst old flames and acquaintances.

Director Bob Clark is not satisfied depicting returned vet "Andy" as a zombie. Although he does crave human flesh and speaks infrequently, part of the film's charm is the reaction of people to the dead man's less-than-chipper mood.

Shots of Andy rocking like an autistic child are priceless, as is a "conversation" Andy has with the mailman who laments the returned boys "we should have lost". The family pet is not exactly Andy's best friend anymore, either.

John Marley as Charles Brooks, Andy's dad, is really great here. Although he tries hard to accept the new Andy, we really experience his gradual realization and disappointment that Andy is not the same Andy anymore.

Jim Backus is brilliant as the undead vet. He uses his voice to convey Andy's apparent indifference to life back home and adopts a strange, somnambulistic gait.

Technically adequate for a low budgeter, the film's richness of character and situation never shifts our attention to any production deficits.

One of the best horror films ever.

Truly creepy and, ultimately, very sad.

When the twenty-one year-old soldier Andrew "Andy" Brooks (Richard Backus) is murdered in Vietnam, his mother Christine (Lynn Carlin) is summoning him asking him to come back home. Andy is the pride and joy of Christine that has eyes only for him. When the Brooks family is having dinner, they receive an Army´s letter telling that Andy died in the war. However a couple of days later, Andy arrives at home late night surprising his father Charles (John Marley), his sister Cathy (Anya Ormsby) and Christine. In the same night, a truck driver that is giving a rider to a hitchhiker is murdered in his truck. Soon Charles suspects that Andy is the killer and he has a conversation with his friend Doctor Allman (Henderson Forsythe) that agrees with him. Does Andy really come back home?

"Dead of Night" is a creepy and depressing horror movie directed by Bob Clark. The story is sad, with family, friends and girlfriend missing a twenty-one year-old missing in Vietnam. His return as an undead killer is depressing and bringing tragedy for those who loves him. Richard Backus is creepy in the role of Andy. My vote is seven.

Title (Brazil): "Sonho de Morte" ("Deathdream")

I've heard about this movie for years and read the praise heaped on it, and I knew it couldn't be as good as all that. I could never get my hands on it anyway, so I figured I'd never know. But I just watched it yesterday, and it is as good as all that.

Though filmed in the early 1970s, Deathdream doesn't come off as hopelessly dated. Its themes resonate strongly even today.

As an allegory, the film makes its anti-war points bluntly. This war (thought it is never named it's obviously Vietnam) is killing too many of our boys and making zombies out of the ones that make it home. But the movie is not generally anti-war -- it manages to contrast Vietnam with WWII, represented as a good war (in the person and words of the mailman), where there was little doubt what we were doing was right and that our military forces were being led authoritatively to absolute victory. The same couldn't be said for Vietnam, and by 1972, no one really remembered what we were fighting for anymore. Deathdream was filmed before Vietnam ended and released after, making its timing perfect.

There are a few criticisms, hardly worth noting -- some scenes are poorly staged and lighted, and Clark doesn't always get the best out of his actors (and has little to work with in some cases). Early scenes are a bit stilted (Was the movie shot in sequence with the story? That might explain it), but the movie finds its groove at about the 30 minute mark.

Don't expect a slick production. It's a small, claustrophobic, personal movie with rough edges to spare. Some scenes of violence are cartoonish and others are brutal. Also, the effects and makeup are much better than we have any right to expect. Poor, rotting Andy is a heck of a sight, and a sad sight in the scene where he is led down the stairs by his mother.

Deathdream is an amazing accomplishment all things considered.

"Everything's fine, Bob."

Bob Clark was such a fantastic and visionary filmmaker during the early 70's and directed no less than three very important and hugely influential horror movies in a row. Unfortunately, he reverted to making lame & mainstream comedies during the 80's and 90's and - even more unfortunate of course - was his untimely death earlier this year 2007 as a result of a car accident. But back then he definitely was the man, because he was single-handedly responsible for one genre-defining slasher ("Black Christmas"), one playful yet creepy zombie classic ("Children Shouldn't Play with Dead Things") and then this one: a unique and genuinely intriguing horror-sleeper. "Deathdream" is primarily an unsettling shocker, but it definitely also qualifies as a subtly powerful anti-war protest and even as a depressing middle-class family drama. Right from the excruciatingly sober opening credits, showing the frozen image of a soldier dying in agony after taking a bullet in the chest, you immediately realize this won't become just another outrageous splatter flick with zombie-soldiers and gratuitous massacres. Rightly so, because the story then cuts to the dinner table of a seemingly random American family who are very busy making plans for when their son Andy returns home from Vietnam, and you literally sense tragic news is about to knock them down. Andy is indeed reported killed in action shortly after, and the drama affects both the parents differently. Especially the mother refuses to accept her beloved son's departure and stays up entire nights, praying & wishing for Andy to come home. And then suddenly he DOES come home … but not as his family and friends remember him. Andy doesn't talk or eat, he spends the whole day in a rocking-chair whilst staring in the distance and his body rapidly starts decomposing if not regularly supplied with fresh doses of human blood!

Andy Brooks isn't just a pitiable character in a 70's horror gem. No, he presumably represents every young soldier who reluctantly enlisted to serve in Vietnam, only because their fathers and the small-town communities they lived in expected them to. Rather than to feast on the blood of innocent bystanders, Andy returns to raise feelings of guilt and anguish among his former friends and particularly his dad. "Deathdream" clearly features some harsh social undertones, and they're magnificently supported by the realistic characters (and, respectively, the terrific acting performances). The relationships between Andy's mother, Andy's father and Andy himself are perhaps the best achievement of the entire film. The pacing is quite slow, but it works efficiently, and the overall ambiance of "Deathdream" is very creepy. The images of Andy in his rocking-chair (complete with screeching sound) and his grimaces when chocking the family dog in front of several young children are unforgettable. Considering the main themes and, undeniably, the budgets Bob Clark disposed of, you shouldn't expect a lot of gore, but still there are some nasty and convincingly unsettling make-up effects to enjoy. If they weren't interested just yet, all horror fans will unquestionably want to see the film because it marked Tom Savini's debut as a SFX-guru. In my humble personal opinion the ending could have been a bit better and less abrupt, but that's just a small detail. This film ranks high amongst the best genre achievements of the 1970's and it's fundamental viewing for all fans.