The Legend of the 7 Golden Vampires

By the beginning of the 1970s, Hammer Studios, once a world leader in horror, found itself struggling to compete with the harder hitting, more explicit fare coming out of the US. In a last ditch effort to appeal to a wider audience, the ailing studio began to experiment with horror 'cross-overs', injecting their traditional Gothic fare with elements from whatever other genres were enjoying global success at the time.

In 1974, the studio released two such genre-bending 'mash-ups': The Satanic Rites of Dracula, an espionage/vampire film in which Dracula was reinvented as a Blofeld-style villain intent on destroying the world, and The Legend Of The 7 Golden Vampires, which saw Hammer join forces with Hong Kong's Shaw Brothers for some martial-arts monster fun.

For a Hammer film, Satanic Rites was an uncharacteristically drab affair, lacking visual flair and any sense of excitement; in fact, rather than turn the studio's fortune around, it probably helped to drive a few more nails firmly into its coffin. Legend Of The 7 Golden Vampires, on the other hand, was a much more enjoyable effort: helmed by Roy Ward Baker, it delivered stylish colourful photography, great fight choreography by kung fu legend Liu Chia-Liang, sexy ladies from around the world (Norwegian babe Julie Ege and Taiwanese cutie Szu Shih), as well as blood, boobs, bats and bonkers action set-pieces. Despite the high fun-factor, however, AND another quality performance from Peter Cushing, it too failed to lure back the fans.

Count Dracula, it seemed, had finally met his match, not in Van Helsing, but in chainsaw wielding maniacs and possessed girls vomiting pea soup—a pity, because I would have loved to have seen more joint ventures from Hammer and Shaw Brothers, two of the greatest studios in the history of cinema.

I usually try to avoid "defending" movies that I like. If people get it fine, if they don't, well them's the breaks. However I too profess to having been unsold on the charms of LEGEND OF THE 7 GOLDEN VAMPIRES for ages. But now after finally having seen a restored widescreen presentation courtesy of Anchor Bay I am convinced that one of the reasons why the effort left me cold the first few times through was due to the miserable, scrappy, fullscreen home video versions available previously which excluded as much as 12 minutes of footage.

I came of age during the home video years and heading out every week to the various rental shops in our area to see what Hammer or Hammer related flicks we could find became a regular past time. Certain movies were relatively easy to locate but we'd always heard about this legendary kung-fu/Dracula hybrid by Hammer that was made significant by Peter Cushing's final appearance as Professor Van Helsing, the world expert on the Undead. Rumor had it that the movie involved Van Helsing tracing the elusive Count Dracula to colonial era China where he'd set up shop and acquired a taste for the local food. Hijinx awaited in the form of supernatural kung-fu battles with a band of seven specialist martial arts masters, who were of course brothers, fighting off legions of vampiric barbarians. Somehow the combination sounded like trying to mix oil with water and when I finally managed to find the meager VHS release of the film my apprehension was proved well- founded by a muddled mix of Gothic horror chills with difficult to follow chop-socky interludes. The pan-and-scan compression of the widescreen shots was dizzying, the vampire interludes were anything but the dreamy "foggy castle on a hill" variety that Hammer had become specialists in, with lots of insert shots of Peter Cushing standing around looking concerned while Julie Ege's bosoms heaved, cruelly encased in her cleavage baring tops.

It turns out however that much of this muddling and cockamamie mish-mashing was due to the confinement of Roy Ward Baker (directing the talking scenes) and Cheh Chang's (directing the martial arts scenes) marvelous widescreen 2:35:1 Techniscope photography into a claustrophobic, nappy lookin' fullscreen image. Fading of color and reduction print distortions didn't help much, and my opinion now after seeing the widescreen print is that much of the disdain aimed at the film is in fact aimed at the miserable presentations that have been available until now.

Sure, it's still a bit cobbled together. Hammer's grip on the marketplace was tenuous at best by 1974, THE EXORCIST and NIGHT OF THE LIVING DEAD had happened and they were still banking on Gothic shenanigans to sell movie tickets. One result was the creation of these genre crossing hybrids like LEGEND OF THE 7 GOLDEN VAMPIRES mixing martial arts mayhem with Gothic chills, and CAPTAIN KRONOS - VAMPIRE HUNTER which effectively blended the Spaghetti Western, swashbuckling high-adventure and the Gothic nightgowns blowing in the wind. The public didn't seem to care but the result were two very charming movies that had the gall to be different, even if horror fans had moved on. Hammer was hoping to extend their life by coming up with some new series and their collaboration with Shaw Brothers productions was perhaps both ahead of its times while a year or three too late to save the company. It was a glorious failure that deserves to be seen again now that present day technology can give viewers a better estimation of the movie's intended form. It is surprisingly entertaining and compulsively watchable.

What I would recommend is that anybody who may have heard of LEGEND OF THE 7 GOLDEN VAMPIRES should give it a try, and anyone who had dismissed it before as a crummy home video oddity to try it again now that the original full-length widescreen version is readily available. It's still somewhat confusing if you are looking for a discreet, beginning-middle- end story progression. But when taken as it's individual moments strung together into a greater whole some of it is actually quite compelling: Slow-motion legions of the Undead riding horseback whilst slaughtering the populace & making off with all the hot chicks (the Blind Dead, anyone?), torture chambers with topless girls strapped down to a bizarre rack designed to drain their blood, the re-insertion of some amusingly clever gore shots, James Bernard's at times utterly surreal & way under-appreciated musical score recalling some of his Dracula themes while experimenting with more Eastern inspired sounds, traditional non-wire guided kung fu fights with all the bravado and forced sentiment of a classic martial arts film, and rest assured, plenty of insert shots of Peter Cushing standing there looking concerned.

Just by turning his head slightly to the side and raising an eyebrow Peter Cushing is a treat, nobody can look concerned or impart a sense of dire urgency into an audience like Peter Cushing: It may be an odd movie but it does feature some of his best work at appearing concerned and some of the urgencies that he imparts within viewers are the most dire of his career. Yeah, he was getting old and tired and probably looked upon the movie as an expense paid trip to China to help him forget the sorrow of his wife's passing. But by golly he made the movie and if he means anything to you it simply must be seen because it is his last screen turn as one of his classic Gothic horror characters. Try it again, make sure it's a widescreen version, pop plenty of popcorn, perhaps an adult beverage or two, and put down the lights. Turns out it's not a bad movie after all.

7/10

This lovely Hammer Horror blending of the traditional vampire tale with martial arts stars Peter Cushing as Professor Van Helsing. The plot follows Van Helsing, who is drawn into a plot involving a legendary seven golden vampires, the prince of darkness; Dracula himself, the undead and a load of martial artists. Our hero must, along with his son and an escort of kung fu fighters travel to a cursed village somewhere in China to rid it of the vampire curse that holds it. One of the reasons why Hammer horror is so brilliant is that it isn't afraid to make a film that most other film studios would regard as stupid and then make it work. The main reason why Hammer horror does work is that the films, despite showing many macabre images, are always good natured and made with a lot of heart so they're easy to like; and this one is no different.

The Eastern style makes for a very different vampire film to what we're used to, and Legend of the 7 Golden Vampires seems keen to capitalise on that as it changes many of the traditional vampire rules to suit the east (for example, the traditional cross to ward off vampires is replaced by the image of Budha). As usual with Hammer, the effects are hokey to say the least, the production values are low and everyone except Peter Cushing leaves a lot to be desired acting-wise...but without these traits, this film wouldn't be Hammer, so these things are not only forgivable, but welcome. Peter Cushing's performance in this movie isn't his best, but fans of his will still relish it. There's something about Cushing's persona that makes him very watchable, and every film with him in it is worth watching, if only for that reason. He also gets involved in some of the martial arts fights, which is nice to see. The fights themselves are very well staged, much better than I was expecting with this being a horror film with kung fu elements, rather than a full blown fight-fest.

This is the fifth film I've seen by Hammer director Roy Ward Baker and although it's not the best, it's still a very solid offering from the man who was probably Hammer's finest director. This film is a lot of fun, and I don't doubt that it will delight anyone who sees it, and therefore it comes with the highest recommendations from me.

Vintage Kung Fu/Dracula flick with very well staged scenes , colorful ambient and stunningly directed . Hammer Film's last Dracula yarn was a co-production with Hong Kong's Run Run Shaw Brothers known mainly for their Chop-Socky pictures . Transylvania 1804 : Kah (Shen Chan), High Priest of a temple in Pang Kwei in the Szechuan province of China, has obviously traveled a long way on foot to look for the Prince of Darkness . Kah's temple has fallen out and he asks for Dracula's help (John Forbes-Robertson was furious when he discovered that he had been dubbed by another actor . Chung King 1904 , while lecturing in the Far East, Professor Van Helsing (Peter Cushing) tells his students of a doomed village in China that becomes cursed every year at the time of the 7th moon . Van Helsing is persuaded by Hsi Ching (David Chiang) and his brothers , all of them Kung Fu experts , to rid the village of the 7 vampires that torment its citizens . Then , Van Helsing , his son (Robin Stewart) , a gorgeous wealthy woman (Julie Ege) and the Chinese brothers set out in pursuit Dracula and the seven golden vampires . As the motley group fighting a vampire cult located on a cursed village in China .

This classic flick was well produced by the famous British production company along with Run Shaw Brothers , as Hammer Films meets Chop-Socky Hong Kong . It displays creepy scenes , lots of violence , nudity , action filled , zooms , thrills and fierce combats . It is an exciting as well as original attempt to revive the Dracula long series , mainly played by Peter Cushing and Christophel Lee . This luxurious Kung Fu/horror film was wonderfully filmed with good production design , glimmer cinematography by John Wilcox , impressive combats and breathtaking scenes . This is a colourful , Hong-Kong set , mostly filmed in outdoors and quite budget movie ; leave no cliché untouched , though the fighting are magnificently staged . The picture is full of tumultuous sequences with terror scenes , frenetic action , surprises , climatic combats and groundbreaking struggles . Overwhelming and rousing fights with deadly use of fists , feet and palms , along with such weapons as swords, sticks , and lances . Highlights of the film are the notorious struggle between Kung Fu brothers and the seven golden vampires and and of course , the breathtaking final confrontation between Dracula and Van Helsing . Some critics have panned this film explaining that unless you are Kung Fu aficionado this outing will seem all too silly . This is the first of two Hammer productions shot back-to-back in Hong Kong, and the fifth and last time Peter Cushing would play Van Helsing. Although Christopher Lee was offered the role of Dracula, he declined after reading the script and he is is sorely lost . This is the first Dracula film from Hammer Film Productions to feature an actor other than Christopher Lee playing Dracula, although Lee was also absent for ¨The brides of Dracula , which did not feature the character . ¨The Legend of the 7 Golden Vampires" also titled "Dracula and the Seven Golden Vampires" or "The 7 Brothers Meet Dracula" is a fine horror movie but isn't as good as the precedent films . It's the sixth part of Dracula series , the first is ¨Horror of Dracula¨ , the second is ¨Dracula , prince of darkness¨, the third ¨Brides of Dracula¨ and is followed by ¨Taste the blood of Dracula¨ and ¨Dracula has risen from the grave¨, continuing with two low budgeted , TV sequels directed by Alan Gibson : ¨The satanic rites of Dracula¨ and ¨Dracula A.D. 72¨ , most of them starred by the great Christopher Lee and Peter Cushing .

The cinematography by John Wilcox and Roy Ford is excellent and brilliant . James Bernard musical score is rousing as well as eerie and spooky . This Hammer film was rightly directed by Roy Ward Baker . Roy was a good professional , his first opportunity to direct a film, The October Man (1947). He then went to Hollywood in 1952 and stayed for seven years, returning to Britain in 1958, when he directed one of his best films, A night to remember (1958). During the 1960s and 1970s, Baker directed a number of horror films for Hammer and Amicus. He also directed in British television, especially during the latter part of his career.

Although Hammer's audiences [and budgets] were declining in the 70s, they still made some interesting movies which are ripe for reappraisal. This film is a case in point. A collaboration with the Hong Kong martial arts film studio Shaw Brothers[ there was also another one, the very poor Shatter, a routine modern day thriller], it mixes horror and martial arts to extremely entertaining effect. Yes, the idea of mixing the two genres was done better in later Hong Kong films like Spooky Encounters, but there is a great deal of trashy fun to be had here.

Shot in extremely lurid colour, the first half hour has two amazingly vivid scenes- Dracula possessing a Chinese priest in Transylvania, and a terrific setpiece in China soon after with a peasant trying to rescue some women from a castle and encountering the wonderfully decrepit looking Seven Golden Vampires and than an army of zombies who come out of the ground in a stunning sequence, the use of speeded up film to convey their movement oddly effective. Thereafter, as our bunch of protagonists sets off to rid China of this evil, the film does tend to become a series of very bloody battles, but they are blisteringly staged. David Chiang has little charisma as the main hero, but Peter Cushing is solid as ever as Van Helsing ,and does look as if he his having fun. John Forbes-Robertson has quite a bit of presence as Dracula, but he's only in the opening and ending, and after all the terrific action beforehand, his death at the hands of Van Helsing is something of a damp squib. There are some somewhat stilted dialogue scenes, but James Bernard's music is typically exciting [Hammer fans will spot the cues from Taste The Blood Of Dracula though!].

Hardly classic Hammer, or Shaw Brothers for that matter, but this just sets out to provide a fun gory time, and succeeds.