Zombi Holocaust

Another film known by many names (eight, to be precise, that IMDB has been able to track down), Zombi Holocaust is probably best known by American cult-film devotees as Dr. Butcher, MD. I ended up picking this one up because there are a rather large number of crossovers with Lucio Fulci's brilliant splatterfest Zombie-- writer Fabrizio DeAngelis was one of the producers of Fulci's film, male lead Ian McCulloch was the lead in Zombie, character actor Dakkar plays a native guide in both, etc. (Most interesting, one of the film's actors, Walter Patriarca, was Zombie's costume designer. Go figger.)

Simple plot, which should sound familiar to anyone who's seen Fulci's film; a number of deaths occur in New York City, and Ian McCollouch, a beautiful sidekick, and two of their pals end up going to a remote Caribbean island where there's an English-speaking doctor who treats the natives. Sound familiar?

For about the first forty-five minutes of this film, I was too busy thinking that it was exactly like Zombie to be impressed. (No one, these days, is sure which film came out first, and most people also draw parallels to another classic of the genre that came out the same year, Ruggero Deodato's Cannibal Holocaust.) Then Ian McCollouch disposes of a zombie with a motorboat motor, and suddenly things started getting a whole lot more fun. Rather like The Evil Dead, this is a film where there's a whole lot of setup (though Raimi pulled it off miles better), but when the gore starts, the director lays it on thick, fast, and ugly. And while death-by-propeller is probably the funniest and nastiest scene in the film, there's certainly more than enough blood flowing/spraying/dripping/being drunk/etc. to please most fans of hardcore horror. Pound for pound, though, in comparison to Zombie, the latter stands up as the better film. As one reviewer put it, "Fulci... might have had the sauce, but [he] passed on the cheese." Fulci's obsessive attention to detail, better scriptwriting, and stunning score give Fulci the edge over Girolami. But man, it's fun to be the judge. ***

A splatter classic, Marino Girolami's "Zombi Holocaust" of 1980 doesn't scant with blood and gore. A true B-movie and pure exploitation, this movie is probably not high art, however, I don't suppose that anybody who is about to watch a movie entitled "Zombie Holocaust" is gonna expect Citizen Kane.

After several mutilations of corpses in the morgue of a New York hospital, and the appearance of a mysterious cannibal sign, a group of people, amongst them a beautiful female doctor and a bitchy journalist, decide to go on an expedition to a tropical island, where they expect to find out about the sign's origin. This is, of course, not a very good idea. Not only is the island inhabited by cannibals, but it is also haunted by the living dead.

One of the classic Italian splatter flicks, "Zombi Holocaust", is a fun and entertaining, although not very thrilling movie, that mainly concentrates on the enormous amounts of blood and gore and on constant very graphical violence. The acting in this movie differs. As a huge fan of Spaghetti Westerns, I found it cool to see Donal O'Brien, who delivers a great performance as a mad scientist in this, in a non-western role. The Italian and English title is maybe not the best to describe the movie, since its the Cannibals, and not the Zombies who kill the most people. The German title "Zombies Unter Kannibalen" ("Zombies Amongst Cannibals") is probably better to describe the film's content.

All things considered, "Zombie Holocaust" is a highly entertaining and very bloody Gorefest that fans of the Cannibal subgenre should not miss. Entertainment guaranteed!

At a hospital happens strange deaths related with canníbal practices of immigrants from remote locations . That's why an expedition formed by Doctor Ian McCulloch , Alexandra Delli Colli and a reporter : Sherry Buchanan travel to East Indians, arriving in a particular island . There they meet a rare scientist undergoing weird experiments and doing his own research . Along the way , they come across bizarre people , ghastly incidents , a tribe of cannibals who attack them and living dead too.

Extremely gory film with thrils , chills , violence and lots of gore and blood, in fact , it isn't recommended for the faint-hearted . This bloody film follows the ordinary plot about a mad doctor operating weird experiments that go wrong , alongside sadistic cannibal natives and hungry zombies . Stars the Scottish Ian McCulloch as a stubborn Doctor , Sherry Buchanan as a journalist and Alexandra Delli Colli who married cameraman Tonino Delli Colli and played a few films as Gayarre and Fulci's New York Ripper. While Donald O'Brien is the mad doctor with dark purports that will stop at nothing to bring to life his fantastic experiments and at whatever cost .

The motion picture was regular but professionally Marino Girolami , under pseudonym Frank Martin. He was a prolific craftsman who wrote and directed several films from the 50s to the 80s . He was father of director Enzo G Castelari and actor Ennio Girilami who often played his movies . Marino directed all kinds of genres as Peplum, Spaghetti Western , Euro Spy , Sex Comedy , Poliziesco , terror and providing acceptable films , getting boxoffice enough . As he directed Spaghetti Westerns : Bullets and the flesh , Reverend Colt , Badmen of the West , two Ringos from Texas , God was in the West too at one time . Poliziesco and Thriller : Rome Violent , The other side of violence , Eros and Thanatos , African Story , A Special Cop in action . Peplum : Warth of Achilles . Comedy : Las Otoñales, Casanova Jekill , Ragazza Vía Veneto, Ferragosto in Bikini , among others .

I first saw this in the late 80s on a vhs. Revisited it recently. Found the film very shocking then due to the gore but aft revisiting it, found it to be boring cos almost for 34 mins nothing happens. We have lots of nudity by Alexandra Delli Colli, who in her short career is noted for the kinky female from New York Ripper. In this movie, there is nothing new except for the gore. Even the plot is stale - A team of scientists travel to a remote island aft witnessing cannibalism in various city hospitals by immigrants from a particular island. On the island, the team is shocked to come across cannibals n zombies. The make up effects of the zombies is lol. Jus plain human in torn, raggy clothes. Till now, i haven't been able to fathom how can u pierce someone's belly by a bamboo. In this movie, a female falls into a trapping pit laden with pointed sticks but survives.

Being an obsessive-compulsive fan of old-fashioned Euro-gore for several years now, I've come to expect the absurd (and usually nonsensical) plots, the constant 'borrowing' from other films, and the over-the-top gore, all mixed together to form what is usually an enjoyably trashy cocktail. I picked up "Zombie Holocaust" with some optimism and a little knowledge of its reputation, and after watching it, could only help but wonder what had just happened. No, it wasn't the incoherently surreal thrill of watching "City of the Living Dead," but a general, head-scratching confusion that raised questions such as: "How was this awful waste of time ever released?" As Tom Servo would say: "Meanwhile, in YET ANOTHER MOVIE..." "Zombie Holocaust" doesn't have a brain in its head (even though the title Doctor is a deranged neurosurgeon)--it's a low-budget splatter flick without even the slightest hint of innovation. It borrows settings and characters from Fulci's "Zombie" (not to mention a few actual snippets from that film), jungle savages from "Make Them Die Slowly," and a couple bronze-faced zombies that look an awful lot like the wooden-toothed wonders in "Burial Ground." Sounds like a swinging good time, but the movie is downright distracting in its own indecisiveness, flipping back and forth between these awkwardly, incompetently blended genres without a hint of wit or style. Perhaps this is attributable to Fabrizio de Angelis, who is known less for his screen writing capabilities than as a producer on Lucio Fulci's most notable works. It is conceivable that the producers wanted to churn out a genre-bending smörgåsbord knowing they would get some return on it, but the utter ridiculousness of the finished product is an endurance test for the viewer's patience.

Ian McCulloch (his usual stuffy self) and Alexandra Delli Colli ("New York Ripper") venture off to some faraway island to investigate a doctor's odd practices. Along the way, they encounter hostile natives, zombies, and an climax that looks suspiciously like another, better zombie flick. Eyeballs are gouged out, entrails are eaten, and Delli Colli is painted in the nude for a "Laugh-In" audition.

There's ultimately nothing in "Zombie Holocaust" that hasn't been done before, and better. Pass.