Carry on Emmannuelle

As the 'last' carry on it is often cited as the worst of the series (Along with the awful Carry on England). There's plenty of really bad d*** jokes, theres a couple of (very) soft porn scenes and some peeping toms. On the plus side there is a rather nifty pop tune 'love crazy' sounding very 70's. Kenneth Williams puts in a good performance even though it is an embarrassing movie (Credibility wise) however the rest of the remaining (whats left of the) carry on crew don't do much. I actually enjoyed this as a 'so bad its fairly good!' movie, plus any movie that sends up the 70's porn movie genre deserves a quick look!

I have to say 'Carry On Behind' ranks as the last great 'Carry On' film; after that, they really do go downhill. But this one, I can't even think of many words to describe it. It's so bad that it's almost unwatchable.

Thomas and Rogers must have been disappointed with the final outcome. They were so used to brilliance, and so were the cast. What they made was a cheap, desperate attempt to suit a change in society.

I'm scarred by the look on Joan Sims's face as she tries to deliver her lines. When I read that Beryl Reid was in it, I was really excited to see it. A fabulous comedy actress-what a shame this was her first and last.

The worst film of all time? It's truly embarrassing, and it's just crude, but not even funny crude. I can't believe I got to the end. Hated it.

1/10.

By the time that Carry On Emmannuelle rolled around, the boom in smutty sex comedies in the UK reached it's zenith and the comparatively innocent double-entendres of the Carry On movies were looking increasingly dated with audiences preferring to seek out something with strong nudity and some crude laughs, rather than watch another Carry On movie in the hope that there might be a fleeting glimpse of a pair of breasts.

With the Confession movies pulling in the punters, and with David Sullivan muscling into the scene with movies like Come Play With Me & Playbirds, Gerald Thomas & Peter Rogers ventured into previously unexplored territory and plunged into spoofing adult movies.

The result was ghastly.

Featuring only a handful of the regular cast, most of them had flown the coup by this time. Kenneth Williams only appeared in the movie as a favour to Gerald Thomas, Kenneth Conner (the unsung hero of the Carry On series in our opinion) tries to have fun with the appalling material, but just ends up making himself look foolish - a great pity. Of the others, only Joan Sims, Peter Butterworth & belated regular Jack Douglas are on hand to help tie this car-crash of a movie to the Carry On series.

One joke that will have a modern audience spitting their drinks across the room involves Dino "Mind Your Language" Shafeek as an immigration officer at an airport.

The saddest slight of all in this non-starter of a movie has Kenneth Conner as Leyland, the Ambassador's chauffeur, showing Suzanne Danielle around London, in a bid to get her sexually excited - driving past Nelson's Column, he starts gurning and emoting "corr", or terms along those lines. Dear oh dear...

Ultimately, Carry On Emmannuelle was too tame for the Dirty Mac Brigade and too strong for those who loved the more innocent Carry On movies. No wonder this was the last regular entry in the series.

During the rehearsal stage for this film Barbara Windsor walked out. Who can blame her, this amusing british film series had been reduced to a pathetic joke.

Kenneth Williams and Co labour as best they can with the woeful script. The editing sloppy and a totally abysmal performance from Suzanne Danielle as Emmannuelle Pervert.

Considering the fun the "Carry ons" have given so many of us this is frankly just pathetic.

Emmannuelle Prevert is the wife of the French Ambassador to the UK. After a separation of some time, she returns to the UK on Concorde to give it another chance. However her husband is only interested in body building and is unwilling to satisfy her very high sex drive. After much pleading, Emmannuelle goes out to see the sights of London and hopefully get some satisfaction along the way.

With the opening of the film on Concorde (spoofing Emmanuelle's own plane moment) we have the height of intelligence of this film (in the reference to that film) but a split second later we are in the territory of crude and obvious jokes starting as it continues with an erect Concorde and the predictable 'are you coming' joke. The material basically continues like this for the rest of the film, with only a very vague (and uninteresting) plot to provide a loose structure. Within this structure are hung endless sex jokes and titillating material (for the period) that started out being lame but ended up being pathetic and just plain stupid. They are totally lacking in the wit that the best of the Carry On films have, instead it is obvious and crude – there is no sparkle to the deliver, it is just plodding and lacking in anything of value.

The accents in the film are pretty awful but I think that's the point as the French people are played by English actors. Danielle is quite sexy and could almost pass as French but she can't act and her sexuality is wasted due to the tame standards required of the film (a group orgy with a football team involves her kissing each of them slightly and that's it – no nudity from her!). The rest of the cast is made up of famous Carry On stars and you can see it in their delivery that they know their glory days are gone and they are not too taken by the material, but it is to their credit that many of them still put on a brave face. Williams has no good lines to work with even if his character is amusing, Connor hams it up rather a lot but enjoys himself, Butterworth is wasted totally while Joan Sims only contribution seems to be having a crude name (Mrs Dangle). Douglas is so-so but Larry Dann is pretty rubbish which is a shame since he is supposed to be a big part of the 'plot'.

Overall, this is rubbish. I wanted to find some silly laughs in it but I found nothing of any value here. The 'jokes' are crude and obvious and there are no moments of clever writing in it at all: the Carry-On series may never have been the height of wit but this entry (oh-err missus) in the series makes some of the early films look like the pinnacle of modern humour. I love many of the Carry On movies and even I hated this one – silly, banal and a disgrace even by the less than high standards of the series.