Sweet Revenge

Some film critics labeled this film a bomb. I feel, however, the only thing exploding with such rash comments are their lack of true experience in and with the real, down and dirty, world.

Upon exiting the theater to find their cars stolen, do these critics even wonder about the innate nature of the person who has absconded with their vehicles.

Stockard Channing enters the role and world of a dedicated car thief with such deft character acting, that many of the true criminal element were (reportedly) able to bond with her. And for that reason alone, the viewer has to watch this film with their focus solely limited to the character being depicted. Disregard everything else in the film with the notable exception of her motive, methods and single minded determination to achieve one single soul driving goal.

Listening to Channing spew out the dialect of the seasoned criminal with such convincing force and believability, one might easily suspect she had at one time actually been such a person who lived in such an environment. Most definitely, one would never guess she had attended the socially acclaimed Radcliff College. If character acting is what acting is all about, then Ms. Channing is one hell of an actress.

This highly underrated cinematic character study is well worth the renting for the true film buff.

Haven't seen Sweet Revenge since the early 80s. I remember finding it very entertaining, and was really drawn into the two lead characters: The thief and the investigator. Perhaps the premise is thin, all the effort just for a car, but surely many people have obsessions with cars. I know people who seem to love their car more than their spouse.

Stockard Channing was amazing, as was Sam Waterston. I'd love to see it again.

Sadly this movie is not available on VHS/DVD nor on cable. Any interest in reviving it for a discount renter have probably gotten thwarted by the fact there are 6 other movies by this exact name listed on IMDb, so just knowing which Sweet Revenge one is talking about is tough. The 1984 movie of the same name plays on cable all the time, but never this 1977 title. Like other movies from the slightly pre-VCR-boom era that I'd like to see again, including 'A Man, a Woman, and a Bank' and 'The Manitou' (which was bad/silly but worth a rewatch), it may not pass this way again.

If you should actually come across it, it's worth checking out. (And then let me know where the heck you found it!)

If you're looking for a movie with meaning, this isn't it. But, if you're looking for about 2 hours of car-stealing fun, this is the movie for you. The plot is easy to follow (she steals cars to buy her dream car) and the acting is wonderful. I'm surprised at how much chemistry Stockard Channing and Sam Waterston have together (of course, you could put Stockard Channing opposite a hot dog and she would have find a way to make the scene work.) I'd never heard of this movie before and didn't know what to expect. I was pleasantly surprised by it. I wonder why this film wasn't considered good when it came out. It really isn't a bad little film. If you need only one reason to see this movie, watch it to see the development of Stockard Channing's acting technique. This woman should have a mantle full of Academy Awards. She slips into Vurrla and her different aliases so easily that you wonder (at least I did) if she has some type of personality disorder. I don't mean that in a cruel way, but her transformation into the character is so complete that you forget you're watching Stockard Channing playing a character and feel as if you're peeping in on Vurrla. When you're so engrossed in a movie that you forget that you're watching a movie, that is the hallmark of a great acting (think Olivier in "Othello" or Davis in "The Little Foxes).

Looking for a copy of the movie to see if my wife was actually in the movie or a second. Sweet Revenge was filmed at our houseboat and I was a little irate because I couldn't get home from work. Stockard Channing used our bathroom to freshen up and signed her name in lipstick on the mirror; which I thought was a little presumptuous. My wife was watching the production with her hair in curlers which the director liked and wanted to keep her in the film, but since we were going out that night she skipped the last couple of takes. We always wondered if she was in the print or not. We couldn't really tell from the showing. I would sure like to see it one more time. I thought the funniest scene was transposition of the police siren with the ice cream loudspeaker. Otherwise, I agree the plot was a little thin.

Stockard Channing is a young woman who decides to steal the same car again and again, so she can get her dream ride. Sam Waterston is her court-appointed lawyer -- of course -- who finds her low-rent free spirit irresistibly challenging.

This is the 1970s, and in the aftermath of the 1960s, the free spirit, bursting from the bonds of conventionality, is no longer seen as a personal choice, of how an individual kook's defiance of convention can make her happier and give those near to her a new and valid view of the world. We don't get Katherine Hepburn gushing about Cary Grant: "You've got no faith in Johnny, have you, Julia? His little dream may fall flat, you think. Well, so it may, what if it should? There'll be another. Oh, I've got all the faith in the world in Johnny. Whatever he does is all right with me. If he wants to dream for a while, he can dream for a while, and if he wants to come back and sell peanuts, oh, how I'll believe in those peanuts!"

The downside is no longer just the people making bad choices; we get to see the elderly couple talking about how much they love their son, and imagine how they feel when they find out what has actually. Choices have consequences for other people.