IMDb रेटिंग
4.5/10
1.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA Sherlock Holmes spoof about a family that has been haunted for years by the curse of a horrible hound.A Sherlock Holmes spoof about a family that has been haunted for years by the curse of a horrible hound.A Sherlock Holmes spoof about a family that has been haunted for years by the curse of a horrible hound.
- पुरस्कार
- 1 जीत और कुल 3 नामांकन
फ़ीचर्ड समीक्षाएं
This story sees Holmes being approached by Dr Mortimer to investigate the death of the owner of Baskerville Hall. While the death is officially natural causes it is suspected that the real cause may be a beast known as the Hound of the Baskervilles. Holmes declines the case but passes it on to Dr Watson; it is to be his first solo case. Watson, Mortimer and Sir Henry Baskerville, the dead man's heir, head to the hall on a bleak moor. Once there Watson and Sir Henry meet the locals, all of whom are more than a little strange and rather suspicious. Inevitably Watson eventually has to call Holmes for help.
Given the array of comic talent on display one might expect this to be a comedy classic... unfortunately it isn't. There are a few funny moments but elsewhere gags aren't particularly funny or go on far too long. The script feels like something rejected by the Carry On team, even they never sank to having gags about urinating Chihuahuas. The cast was solid enough given the material, although I'm not sure why Dudley Moore played Watson with a Welsh accent. All of them have been in better films. Overall I wouldn't recommend going out of your way to see this; it is just about worth watching on TV if there is nothing else of interest on or if the DVD is in the bargain bin at a charity shop.
Given the array of comic talent on display one might expect this to be a comedy classic... unfortunately it isn't. There are a few funny moments but elsewhere gags aren't particularly funny or go on far too long. The script feels like something rejected by the Carry On team, even they never sank to having gags about urinating Chihuahuas. The cast was solid enough given the material, although I'm not sure why Dudley Moore played Watson with a Welsh accent. All of them have been in better films. Overall I wouldn't recommend going out of your way to see this; it is just about worth watching on TV if there is nothing else of interest on or if the DVD is in the bargain bin at a charity shop.
A misguided attempt to present a comic parody of the Conan Doyle tale, with Peter Cook as Sherlock Holmes and Dudley Moore as Dr Watson. Moore also plays Holmes' mother (!) and in this guise, is possibly the best thing in the film. Otherwise there is a spoof of the spinning head in The Exorcist, Denholm Elliot and a constantly urinating dog, and lame excuses for jokes' and funny situations' which really aren't.
Although it has one or two moments which provoke a smile, the original source material isn't such that it survives being tweaked to this extent. Perhaps not the point, but the rest of the inspiration for this turkey must have been written on the back of a postage stamp. Skip this and watch Bedazzled and Not Only But Also instead.
Although it has one or two moments which provoke a smile, the original source material isn't such that it survives being tweaked to this extent. Perhaps not the point, but the rest of the inspiration for this turkey must have been written on the back of a postage stamp. Skip this and watch Bedazzled and Not Only But Also instead.
A wonderful cast are here involved in what must be the lowest point in all their careers.For some reason Dudley Moore plays Dr.Watson as a high voiced Welshman,and Peter Cook gives Holmes a "stage Jewish" accent!Made up of series of draggy sketches,everything but the kitchen sink gets thrown into the pot-including "The Exorcist" and Pete and Dud's "one leg short" sketch;the result is an incoherent mess.Most potentially amusing moments are killed dead by the sloppy approach of Paul Morrissey's direction.No attempt is made to capture the mystery of the original story, and the players shout,mug and flail around among pathetic threadbare sets.According to Harry Thompson's biography of Cook,Pete and Dud were deeply unhappy about Morrissey's approach to the material,and saw they'd got themselves into a disaster.
No wonder the off screen audience throw rotten vegetables at Dudley at the end.A truly stupid film. .....that rumbling noise whenever this film is shown is old Sir Arthur spinning in his grave!
No wonder the off screen audience throw rotten vegetables at Dudley at the end.A truly stupid film. .....that rumbling noise whenever this film is shown is old Sir Arthur spinning in his grave!
I have thousands of films in my library. This includes hundreds of Laserdiscs, VHS tapes, and thousands of DVDs and BLURAYs. Much to my wife's displeasure I NEVER fail to watch anything from start to finish - I feel I owe it to the filmmaker to give them a fair chance by seeing it through. As a result I watch a lot of films alone for the second half (or more).
This was the ONLY exception I ever made.
I had no more cringes left to cringe after about 40 minutes.
I just could not take it any more.
I kept hoping it would improve but it never did in the 40 or so minutes we endured.
We are big fans of Cook and Moore - their "Bedazzled" is genius.
I don't know how this went so far off the rails - great source material ripe for humor - two great British comic actors - but it's just painful to watch.
Spare yourself the agony.
Looking at today's conveyor belt of mind-numbing remakes of old shows, idiot teen comedies and action fests that have great special effects but little else, it's easy to get very nostalgic about the 1970s. But the decade of Coppola, Scorcese, Altman, Malik, Bogdanovic etc produced its fair share of cow pats and what an 'Annis Mirablis' 1978 was for truly wretched cinema. Hot on the heals of 'Sergeant Pepper's Lonely Hearts Club Band' (with the Bee Gees), 'Carry on Emmanuelle' and 'Renaldo and Clara' (a Bob Dylan vehicle..don't ask), came this fetid attempt to satire Holmes and Watson. First off, it has to said that the Cook-Moore contribution to postwar British comedy is immeasurable and would probably fit in third place after the Pythons and Goons. But even the greats have their off days and Pete and Dud were well off when they agreed to let Paul Morrisey direct a comedy that manages to bungle every comic moment. The falsetto Welsh accent of Watson (Moore) and the stage Jewish accent of Holmes (Cook) simply irritate and a very strong cast is completely wasted. Why, for example, is Spike Milligan only afforded a 'fleeting appearance'? Others do their best with lamentable gags. The urinating dog of Denholm Elliot isn't funny, simply disgusting and Roy Kinnear's flasher could have been funny but simply falls flat. Morrisey doesn't know whether to be clever and satiric, akin to 'Life of Brian', or cheerfully bawdy like a Carry On movie. The result is a movie that's neither seaside postcard humour nor the anarchistic satire that Pete and Dud had presented so well a decade before. A truly washed out Kenneth Williams, fresh off 'Emmanuelle' (Jesus wept) is slotted in, his usual flared-nostril, bulgy eyed caricature demolishing the myth that he was a great actor trapped by the Carry Ons. Better artistes like Henry 'Arthur Sultan' Woolf and Prunella 'Sybil' Scales simply have walk ons. Meanwhile, the look of the movie is cheap and stagey while Moore's piano score is out of place in a comedy. Given that he and Cook were successfully belting out the punk humour of Derek and Clive at the same time, this dog can't be explained by the fact that Cook was by then alcoholic and depressed. Perhaps Morrisey was really Moriarty in disguise.
क्या आपको पता है
- ट्रिवियाFinal English language cinema movie of actor-comedian Terry-Thomas.
- गूफ़(52:03) The chihuahua Watson walks past is clearly tethered to the set (in the one opening shot of the sequence) to keep it on-camera.
- भाव
Sir Henry Baskerville: All the Baskervilles have hearty dicks... dicky hearts, I mean.
- इसके अलावा अन्य वर्जनThe UK R2 DVD contains 2 versions of this film. The original 1978 theatrical print that runs 85 mins and a re-edited re-release print that runs 74m. The major differences are (a) in the theatrical print the opening credits are postioned after the scene with the 3 nuns and roll over various amusing shots of Holmes and Watson in their Baker Street study (Holmes is reading a book by Freud called Guilt without Sex). In the re-edited print, the credits are positioned over the pages of the book after the intro scene with Dudley Moore on the piano. These credits are much abbreviated compared to the theatrical print and run much shorter. (b) When Holmes is first seen in shadow playing the violin the re-edited version then cuts back to Watson with the nuns saying he is Budapest and Holmes appearing behind him. The theatrical print extends the footage of Holmes in shadow so he now gets up, turns a light on, turns off a gramophone player and spits out his coffee before meeting the nuns. (c) the scene in which Watson meets Dr Franklin is much abbreviated in the re-edited version. In this version the scene ends after a brief conversation between the two in front of Franklin's shack. The theatrical print continues on with the scene for several minutes as Watson enters the hut with Franklin, views various stuffed animals' heads, and they have a conversation about why Franklin hated the late Sir Charles - jealously over his mistress. Franklin's mistress then enters the hut, the conversation continues, and then Franklin gets insanely jealous and starts strangling his young mistress as Watson crawls out of the building. The longer theatrical cut makes more sense and is better than the shorter print.
- कनेक्शनFeatured in Paul Morrissey - Trans-Human Flesh & Blood (2025)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि1 घंटा 25 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें