Greta - Haus ohne Männer

Today, I watched another 2 Jess Franco titles from the Anchor Bay UK 8-Disc Set (which I rented from my local DVD outlet): ILSA, THE WICKED WARDEN (1977) and JACK THE RIPPER*** (1976).

Though I wouldn't say that ILSA is exactly a good film, I was still quite surprised by how it managed to hold my interest throughout. Not that it made particularly inspired use of the various subtexts suggested in the script (the snuff movie angle, for instance, is not dealt with in any depth) – apart from its over-the-top, and undeniably horrific, conclusion – but it was certainly above-average for an Erwin C. Dietrich production with adequate scenery, an evocative if repetitive score and competent performances. The dialogue of the German-language version, however, was pretty hilarious (the various odes to Greta/Ilsa recited by the inmates, the sanitation officials who arrive for a surprise inspection complaining that the rumors of the supposedly corrupt management inside the prison are unfounded – for obvious reasons, they may not have been taken to see the dungeons where the female convicts are tortured, but did they even question themselves why these were forbidden the use of underwear while serving their sentence?!); still, the English dubbing (heard during the interview section of the supplements) makes it sound even worse!

I haven't seen the 'original' Ilsa films but, while Dyanne Thorne seemed to be relatively at ease inhabiting the Jess Franco movieworld, I also feel that her character was pretty one-dimensional and not really the main focus of the film; Lina Romay, on the other hand, has a lot of fun with one of her better roles; even Tania Busselier (in her third and last film for Franco) seems to have matured somewhat and here makes for a creditable heroine (for whom Franco boldly reserves an unexpected tragic fate, though this was perhaps done so as not to involve her in the film's cannibalistic climax).

Unfortunately, this edition was cut by more than 2 minutes by the BBFC: the death-by-asphyxiation of Rosa Philips was evidently trimmed as it now occurs in a split-second; I may be wrong but I reckon that the remainder of the censored footage involved the lobotomy performed on the Tania Busselier character (did they even show this?) as her sudden appearance as a 'vegetable' is most jarring…

Anyway, I look forward now to renting and watching another of Franco's notorious 'Women-In-Prison' films for Dietrich, namely BARBED WIRE DOLLS (1975).

There are tens of thousands of DVDs out there for the customer to purchase or rent, but viewers will have to look long and hard before finding a sleazier one than Jess Franco's contribution to the Ilsa saga, "Ilsa the Wicked Warden" (1977). Here, Dyanne Thorne, who thrice before portrayed everyone's favorite buxom blond sadist, plays a buxom redheaded (her natural color...who knew?) sadist who's in charge of a women's mental hospital in some unnamed tropical country. (Though filmed in Portugal, the picture seems to be set somewhere in Central or South America.) Franco, an incredibly prolific, oftentimes slapdash director in many film genres, with over 140 (!) titles to his credit, throws quite a bit into this Ilsa story to guarantee a good time (well, better make that "memorable experience"). Thus, we get to see electroshockings, a human pin cushion, cannibalism, feces eating, shower fights, vaginal cauterization (yikes!), transgendered lesbianism, gang rape, bloody whippings and so on. While the tortures on display are not as hard to take as the ones in Ilsa's first foray, "She Wolf of the SS" (1973), this picture somehow feels...well, "sleazier" is the only word that keeps coming to mind. Ilsa herself, monster that she is, looks absolutely outstanding here, and her just deserts at film's end will long linger sickeningly in the viewer's memory. The DVD that I just watched looks terrific--a first-rate transfer job from the fine folks at Anchor Bay--although the execrable dubbing throughout the film is a significant drawback. I suppose this picture is best recommended for Jess Franco or Ilsa completists only; needless to say, it is NOT the movie to watch with Aunt Petunia! It is as sick and, well, sleazy as can be, but for lots of folks out there...hey, that's entertainment!

I´ve always been a huge fan of the wonderful depraved Ilsa-series: "She Wolf of the SS" is a classic sexploitation sicko, "Harem Keeper" a funny desert adventure and "Tigress" a silly but entertaining secret agent story. However, Jess Franco´s more indirect sequel is the most disturbing one, because "The Wicked Warden" is most realistic installment and the silly humor of the other parts is totally missing. The WIP-part of the series.

So get ready for a range of all thinkable sickness like violent torture with whips and electro shocks, snuff movies or a gruesome mass rape sequence, which brings director Jess Franco almost on the same level as a Joe D´Amato or a Bruno Mattei! The final Ilsa-munch is one of the most disgusting scenes ever, although it reminded me somehow on the showdown in William Lustig´s "Maniac" (1980)...

Not to forget its unique main actress Dyanne Thorne who is damn hot, even with over forty! Dyanne makes the whole film, ever scene is hers! God, how I love that woman! Franco´s darling Lina Romay looks pretty pale in comparison..!

"The Wicked Warden" is a sicko de luxe: realistic background, disturbing violence and hot sex! What do you want more?!? Go and see it now!!!

ILSA--THE WICKED WARDEN (aka any one of the dozen other titles it goes under) is not the most disturbing, brutal or violent of the infamous series, but it is by far the sleaziest.

Dependably twisted schlockmeister Jess Franco dishes up enough nastiness, violence, sex, nudity and sleaze for a dozen average exploitation pictures. A female journalist infiltrates a women's prison to expose the corruption within. Once inside (posing as a prisoner), she is exposed to the grim, vile world that is a women's prison.

Ilsa (Greta? Wanda?), played by Diane Thorne, is the vicious warden, who puts her prisoners through all sorts of physical and psychological abuse, although the prisoners manage some pretty outrageous behavior on their own. There's a nice, long, voyeuristic catfight in the showers, as well as an unspeakably tacky scene in which self-appointed lead prisoner Lina Romay forces the reporter to lick her ass clean after a bout of diarrhea. That pretty much sets the standard for taste in this movie.

Franco shows an odd Tinto Brass-like fetish for female buttocks in this movie, as every prisoner's standard uniform is knee high boots and a prison shirt--no pants or underwear--thus giving the viewer plenty of glimpses of bare bottoms.

Overall, THE WICKED WARDEN is about as sick and twisted a movie as the average viewer is ever likely to find. There are nastier movies out there, even nastier women in prison movies, but this will more than acquaint you with the subgenre.

I have seen all of the Ilsa movies several times and this one is by far the best. First, a warning: if you are easily shocked, offended, or disturbed, you won't make it through this (or any other Ilsa)movie. It takes a lot to disturb me, but this movie did the trick. If you love campy women's prison movies, this is also a must-see, though it is darker than most of them.Yes, this is an exploitation flick and does not try to hide this fact, but it has a plot, and characters you care about. A woman's sister is being held in a women's prison, so she goes 'undercover' to try to rescue her. The b*tch in charge of the prison is the most twisted, sick, evil, sadistic warden you will ever find in any women's prison movie--Ilsa, (or Wanda, depending on which version you see) the Wicked Warden. Her idea of a nice relaxing evening is using one of the female inmates for a pincushion, and I am describing the scene tactfully. Others she lobotomizes when they get out of line. The woman's plan to infiltrate the prison and her sister goes horribly awry when she realizes things in there are much, much worse than she could have dreamed of and there is no escape. The movie's ending is a total show-stopper, when Ilsa comes to one of the most fitting, vividly grisly, ugly endings that you will ever see. Not the most pleasant movie to watch--the first time I saw it, I felt sick for not turning it off and continuing to watch the horrible acts being committed. However, I've seen a lot of really bad horror/shock/exploitation films, and this one really stands out amongst the rest, with realistic characters, the courage to have a very downbeat ending, and no glamourization of the violence. The images in this movie will stay with you for a long, long time. For some people, that's a warning, for others, a strong recommendation. You think you've seen it all? You haven't, till you've seen this.