Paroxismus

Jazz musician Jimmy Logan finds the dead body of a beautiful girl Wanda Reed on the beach outside his home in Istanbul, a girl he recognizes from a party he was at the previous night. Jimmy is haunted by her vision and memories of how she was raped and tortured at the party and how he didn't step in to help. Two years later he is now living in Rio and finally has his musical career back on track, but he is stopped in his tracks when a woman who appears to be Wanda walks in to the club where he is playing, is it really her, can she still be alive or is it all a dream. Bizarre, trippy, love story with some Noir overtones, it has a fantastic jazzy score that creates a hypnotic mood, its beautifully filmed with a striking use of colour, touches of sadomasochism and lesbianism add even more to the mix, there's even time for a great twist or two at the end.

In Istanbul, the trumpet player Jimmy Logan (James Darren) is dazed and confused on the beach and finds his musical instrument buried in the sand. Then he sees a woman in the sea and he pulls her body from the surf. He recognizes her as Wanda Reed (Maria Rohm), a gorgeous woman that he saw in the party of the playboy Ahmed Kortobawi (Klaus Kinski). Then he saw her being whipped and raped by Ahmed and his friends Percival Kapp (Dennis Price) and Olga (Margaret Lee).

Jimmy travels to Rio de Janeiro and spends the Carnival playing with a jazz band and his girlfriend Rita (Barbara McNair) in the nightclub of Herman. One night, Wanda Reed comes to the club and Jimmy becomes obsessed on her. Sooner he leaves Rita and stays with Wanda. Meanwhile, she kills Percival, Olga and Ahmed dressed in furs. When the police seek out the woman, Jimmy discovers a secret about Wanda Reed and him.

"Venus in Furs" is a surrealistic film by Jess Franco with James Darren (from The Time Tunnel) and his muse Maria Rohm in the lead roles and Klaus Kinski in a minor role. James Darren's narrative is boring and the annoying music may please jazz fans only. A jazz band playing in a club in the Carnival of Rio is a joke from someone that does not even know the Carnival in Rio. The resolution of the plot is actually a senseless mess but the atmosphere is intriguing. My vote is five.

Title (Brazil): "Venus in Furs"

Trumpet player, Jimmy Logan (James Darren) is haunted by an enigmatic woman who looks identical to a woman named Wanda Reed (Maria Rohm). Jimmy knows it can't be Wanda, because she was murdered. A nightmarish mystery unfolds, as Wanda's killers are "visited" by this woman, and Jimmy is swept away by her. Is any of this really happening?

Arguably, one of Director Jess Franco's best films, VENUS IN FURS is a sort of surrealistic, erotic noir / revenge / ghost story. The jazzy soundtrack also plays a big role, nearly making this a musical! The lyrics, "Venus in furs will be smiling!" will pop into your head for weeks after seeing this movie! Ms. Rohm is utterly captivating, dominating every scene she's in.

Co-stars Klaus Kinski as the perverse Ahmed, Margaret Lee as the wicked Olga, and Barbara McNair as the long-suffering Rita...

Surrealistic erotic shocker from Jess Franco – the film is often incoherent but Franco's style has such verve and flavor that it overcomes this. The storyline remains intentionally vague, adding to the film's overall dreamlike sensibility. Maria Rohm – another of Franco's amazing female stars, every bit as intoxicating as Soledad Miranda – stars as a woman seeking revenge who becomes acquainted with a disillusioned jazz trumpeter (the plot, Franco says in his interview on the DVD, was based on something trumpeter Chet Baker told him, about being lost in fantasy when he plays). The storyline was modified slightly to accommodate an association with the then-popular Venus In Furs book, but is otherwise an original tale. Often distorted, this sadistic sex thriller remains a compelling stylistic piece of storytelling, set in exotic locales with mesmerizingly exotic women and a visual style (despite some heavy handed flash editing that Franco has later claimed he didn't care for) that is quite intriguing – wrapped in a neat 60's jazz score by English rocket Manfred Mann.

Anyone claiming that cult filmmaker Jess (Jesus) Franco was a hack, obviously has never seen his masterpiece, "Venus In Furs" aka "Paroxismus." Mind-bending, visually stunning tale of a jazz musician obsessed with the beautiful blonde woman, murdered as he watched, during an S&M session that went too far. Already haunted by her memory, he becomes lost in a hallucinatory World when her nude body washes up on shore. and the world in which he finds himself might..or might not be Hell. Very original concept at the time, an idea that has been imitated countless times since, in such films as David Lynch's "Lost Highway." The dreamlike jazz score is as sensual as the images on screen. The scenes in Istanbul, where the adventure begins and ends, are beautiful and chilling, and sexually charged images played against the backdrop of Mosques and Islamic chanting make for a bizarre and unsettling experience. Actor James Darren is perfectly cast in the main role of the trumpet player. Darren, who was an acquaintance of jazz legend Chet Baker, based his character on the horn player, imitating his mannerisms and way of speaking. Barbara McNair is wonderful as the lounge singer, who tries to save Jimmy Logan from his inescapable fate, and of course Maria Rohm inhabits her role as the 'Venus in furs,' back from hell to avenge her death. And who can forget the piercing blue eyes of Klaus Kinski, as Ahmed..the Turk with a taste for sadomasochistic sex. What a cast! "Paroxismus," with it's unique editing, camera work, framing, lighting etc is something that should be studied in film classes; it is that good. This is what cinema is all about.