Two-Minute Warning

A lone gunman has his sights set on a sell-out crowd at a championship football game. Captain Peter Holly leads the desperate fight to try and stop the maniac from picking people off at will. Perched high on top of the Los Angeles Memorial Coliseum, the gunman has his pick of the targets, the Mayor -the President - or merely the innocent? Either way he has to be stopped before all hell breaks loose.

Much like "Rollercoaster" a year later, Two-Minute Warning is wrongly lumped in with the disaster movie genre that flooded the 1970s, and just like Rollercoaster, Two-Minute Warning is an excellently taut thriller. The build up is paced to precision, all characters are introduced to us to give us something to associate with should things go very wrong. As this is happening we get little POV snippets of our killer, accompanied by Charles Fox's harshly impacting music, the killer is never seen but we feel the dread, the impending sense of murder is a constant presence.

Once we are at the game and the authorities are aware that a sniper is on the roof, the film shifts up a gear and lays on the suspense thick and heavy. Captain Holly (Charlton Heston in authoritative scene commanding form) is joined by the SWAT team, led by the cool and serious Sgt. Chris Button (John Cassavetes), whilst stadium security manager Sam McKeever (Martin Balsam) prays that disaster can be averted. Then the final third of the picture is a ripper of heart pounding stuff, a final third that rewards the viewers patience for having invested in the film and the key characters. Filling out the cast is Gena Rowlands, Jack Klugman (brilliant interplay with Mitch Ryan's priest), Beau Bridges, Walter Pidgeon and David Jansen.

Two-Minute Warning is a quality thriller that is sadly undervalued on the big IMDb site, go on, give it a go and you might just be pleasantly surprised. 7.5/10

Footnote: I should point out that my thoughts are on the original unedited cut of this film, I have never seen the watered down TV cut and have no plans to ever do so.have never seen the watered down TV cut and have no plans to ever do so.

I remember the made for TV version as a kid. Today was the first time I'd seen the original theater version. The differences were striking. I'm amazed at how many people let their politics color their views of these movies. I also think people over think things rather than just allowing themselves to be entertained. I for one am glad they didn't tell us much of anything about the sniper. While apparently unfathomable in the 70's it seems pretty plausible today. I was not present when this happened but a gunman came into my church and killed 6 or 7 people before killing himself. The authorities came to learn a lot of useless details about the shooter but little or nothing to explain his motives or would give any type of solace to the grieving survivors. It was just random, senseless violence, like the shooter in this movie. I'd liked to have had some more sympathetic victims and I couldn't get over how ill prepared the police where, but otherwise I liked this movie.

A psychotic sniper plans a massive killing spree in a Los Angeles football stadium during a major championship game. The police, led by Captain Peter Holly (Charlton Heston) and SWAT commander Sergeant Button (John Cassavetes), learn of the plot and rush to the scene.

This film probably maintains a level of popularity (if it has one) due to its cast, as the film itself is largely forgotten. But it should not be, as it takes the threat of a sniper (much like with Dirty Harry) and puts him into a crowded, confined area:a football stadium. Security today may never allow such things to happen, but the thought is scary.

There is plenty of action, but even more suspense. And that is what makes it more than just an action film. Who will be targeted? What is the sniper's motive? So much unknown.

"Two-Minute Warning" is a good, enjoyable thriller made in the style of the popular "disaster film" cycle of the 1970's, with a large cast of familiar faces, playing characters with their own little stories. Many of them, however, take a back seat to the action in this story (based on a novel by George LaFountaine) about a sniper spotted above the scoreboard in L.A. Coliseum during a championship football game. The cops can't be sure of who this person is targeting, and have to figure out how best to approach the situation. It's only towards the end, in the last half hour, when the action really gets cranked up, the stakes are raised, and things get pretty violent. One nice element of mystery is that we never get that good a look at this sniper (Warren Miller); we learn his name at the end but little else about him (although one of the characters believes that information will come out soon enough). People can take issue with the inefficient security at this place, or the fact that the cops are most often not too effective here, but the movie is basically decently made entertainment, with a very good music score by Charles Fox. Some of the actors get a good showcase: Charlton Heston as take-charge police captain Peter Holly, John Cassavetes as S.W.A.T. team commander Sgt. Button, Martin Balsam as stadium security head Sam McKeever, Beau Bridges as family man Mike Ramsay, Jack Klugman as shameless gambler Sandman, and David Janssen & Gena Rowlands as argumentative couple Steve & Janet. Other familiar faces and prominent character players in the cast include Brock Peters, David Groh, Mitch Ryan, real-life football star Joe Kapp, Robert Ginty, Tom Bower, Carmen Argenziano, Michael Gregory, and Harry Northup. Unfortunately, the great Walter Pidgeon is wasted as an elderly pickpocket. Filmmaker Andy Sidaris ("Stacey", "Malibu Express", etc.) plays the TV director, and TV personality Merv Griffin sings the national anthem! A sufficient amount of tension and excitement is created, the aerial photography is very good, and the visceral quality of the movie is undeniable; things get effectively bloody before the movie ends. There's even a touch of grim irony to the proceedings. The climactic action is both gripping and frightening, showing how bad things can get when a lot of people are in a panic. Overall, this movie is a decent diversion, if not terribly substantial, and keeps from ever getting boring. Seven out of 10.

"Two-Minute Warning" is one of those films that has a great premise--91,000 people gathered at the L.A. Coliseum are terrorized by an anonymous sniper during a championship football game--that is undone by one of the stupidest, most incompetent scripts in the history of motion pictures. Add to that the fact that the filmmakers spared every expense possible in telling the story, and you have a cheap, cheesy film that has to rank as one of the most disappointing films of the 1970's.

How incompetent is it? How about this for a setup: on Super Bowl Sunday (or Championship X as its referred to in the film), a sniper guns down a bicyclist from a nearby hotel, then escapes to the Coliseum, where he hides out in the belltower for the game to start, and evidently to start shooting. How does he get in? He simply breaks open a couple of locks, feeds the guard dogs some hamburger and climbs the ladder into the tower. There is no security, no police, no media, nobody around except one maintenance man the morning of the biggest football game of the year. Now, I was 13 in 1976 and I can tell you security was a concern even then. There is simply no possible way anyone could enter a facility that easily on such an important day.

Then there's the flimsy cast of characters: Charlton Heston as the police chief, John Cassavetes the SWAT leader, Martin Balsam the coliseum manager, Beau Bridges a father of two bratty boys, Pamela Bellwood as his wife, Marilyn Hassett as a college coed, David Janssen a car salesman and Gena Rowlands his girlfriend, Jack Klugman a sleazy gambler, Walter Pidgeon a sleazy pickpocket, and David Groh as a doctor who hits on the coed. There is no need to describe the characters any more because that is all there is to any of their personalities. These stereotypical cardboard cutouts are so one-dimensional they resemble nothing more than ducks in a shooting gallery, which in effect is all they are anyway.

And how about the ridiculous plot? When the sniper is finally seen and the police called, the wheels really start to turn, with the main conflict between the straight-laced captain and the flaky SWAT leader. The SWAT leader wants to put sharpshooters in the light towers without 91,000 people (or the sniper) noticing. The captain's plan? Evacuate the coliseum without the sniper noticing. They finally agree to man the light towers but to wait until the two-minute warning until any action is taken. Why? Because the sniper obviously wants to wait to see who wins the game before opening fire!

Honestly, the movie goes downhill from there. I can suspend disbelief up to a point. But this is the type of flick where a man can be shot and left dangling behind a thousand people and no one notices for five minutes. Or that the nosy father can see the sniper (he's evidently the only one in the stadium with eyes) and go to alert the police, but tell his wife and kids to stay in their seats (in the line of fire) so he can find them later. Or that the maintenance man can be knocked off a forty-foot ladder in full view of the crowd and not be seen by anyone but the policemen. Or that-- Well, you get the idea.

Then there's the annoying fact that the filmmakers were obviously too cheap to pay the NFL for use of their football uniforms and the Super Bowl logo, so we have the dubiously named "Championship X" between Los Angeles and Baltimore, but not the Rams and the Colts, as they were known back then. (Since 1977's "Black Sunday," which was also set partially at the Super Bowl, actually used the name "Super Bowl" and real teams, I have to believe money and not the NFL were behind the decision not to use the name.) And instead of paying for a top-notch recording star to sing the National Anthem, here we get Merv Griffin(!) warbling the anthem in one of the most laughable scenes in modern movie history.

And let's not even discuss the acting; suffice it to say that a lot of talented actors are wasted in roles that they took obviously to pay the bills until something better came along. And the direction is just pitiful. Can I nominate Larry Peerce (whose filmography includes such classic stinkers as "A Separate Peace," "The Sporting Club," "Why Would I Lie," and "Wired," the John Belushi biopic that ruined the careers of everybody involved) as second worst director of all time, right behind Ed Wood? In two hours he establishes no mood, no style, no urgency and no suspense whatsoever. And the miserable script by Ed Hume deserves placement alongside Eric Roth's "The Concorde--Airport '79" as the single worst piece of film writing of all time.

Incidentally, when NBC bought broadcasting rights to "Two Minute Warning," it must have been sight unseen because by the time they cut the violence and profanity out, only about 80 of 115 minutes remained, so they reshot the film, adding an hour of new footage in which the sniper went from an anonymous threat to a decoy for a jewelry heist next door, which simply made things even more ludicrous. After it's initial three-hour showing, the film was cut back to two hours with most of the new footage left intact, but only about 30 original minutes left, mostly with Chuck Heston and Cassavetes as the only original cast members left with any screen time. However, all of the names were left in the opening credits, even though Hassett and Pidgeon were completely cut out of the film and the other supporting characters reduced to cameos. Which should serve as a further indicator of how bad this film really is.

So, consider yourself warned and proceed at your own risk. And let's depart with this classic exchange of dialog: Coed (to doctor): Are you a doctor? Doctor (surprised): Yes, I am. How did you know? Coed: Dirty shoes. Nice, clean hands. Only a doctor would have hands that clean. Or another: Coed: I hate football. Doctor: I do, too. Coed: Well, then why did you come? Doctor: To meet you! Coed giggles uncontrollably. Viewer runs screaming from room. * (out of *****)