अपनी भाषा में प्लॉट जोड़ेंDuring the Ming dynasty, a courageous swordsman gathers five other fighters and rallies the local fishermen to fight off a band of Japanese invaders.During the Ming dynasty, a courageous swordsman gathers five other fighters and rallies the local fishermen to fight off a band of Japanese invaders.During the Ming dynasty, a courageous swordsman gathers five other fighters and rallies the local fishermen to fight off a band of Japanese invaders.
फ़ीचर्ड समीक्षाएं
The narrator explains the political and social problems of the times as we see waves crash over the rocks. Jimmy walks alone to the city gate. The people are packing up and leaving. Some want to stay and fight but it seems hopeless. The Japanese are already there and demanding a ransom to spare the city.
Jimmy only needs one chopstick to kill one of the Japanese. He scratches his nose with the other then draws his sword to kill all the others except Shan Mao who flees.
Fabulous opening fight sequence. I consider this the best opening fight sequence of any martial arts movie up until 7/13/1973 the date of this movie's release.
This movie is famous for the lengthy battle sequence and has the record for the longest uninterrupted fight. Jimmy got it right by using a variety of weapons, plus props and other parts of the set manipulated into the fights. A battle this long has to be like a roller coaster ride or else it gets repetitive and boring. Like a roller coaster means twists and turns, speed up and slow down, left and right and every direction incessantly. Jimmy and the action directors got it just right here for an unforgettable and possibly unbeatable feature fight.
Is there anything to criticize about it? The fight sequence with the men using woven rattan shields and swords could have been choreographed better. It did not come across as effective or realistic but more as flashy acrobatics. This is a legitimate fighting style including the forward rolls. The Grand Master of All Martial arts Movie - Sifu Chia Liu-Liang- used these fighters and their techniques in a few Shaw Brothers movies and did it more realistically as to the fighting impact. My only other complaint was the flashy and blinding special effect in the last sword fight. I felt it was just not needed and added only a hokey element to it.
I rate this movie as one of the best martial arts movies of all times. My recommendation is meaningless as anyone who knows anything about this genre already knows about this movie.
Fabulous opening fight sequence. I consider this the best opening fight sequence of any martial arts movie up until 7/13/1973 the date of this movie's release.
This movie is famous for the lengthy battle sequence and has the record for the longest uninterrupted fight. Jimmy got it right by using a variety of weapons, plus props and other parts of the set manipulated into the fights. A battle this long has to be like a roller coaster ride or else it gets repetitive and boring. Like a roller coaster means twists and turns, speed up and slow down, left and right and every direction incessantly. Jimmy and the action directors got it just right here for an unforgettable and possibly unbeatable feature fight.
Is there anything to criticize about it? The fight sequence with the men using woven rattan shields and swords could have been choreographed better. It did not come across as effective or realistic but more as flashy acrobatics. This is a legitimate fighting style including the forward rolls. The Grand Master of All Martial arts Movie - Sifu Chia Liu-Liang- used these fighters and their techniques in a few Shaw Brothers movies and did it more realistically as to the fighting impact. My only other complaint was the flashy and blinding special effect in the last sword fight. I felt it was just not needed and added only a hokey element to it.
I rate this movie as one of the best martial arts movies of all times. My recommendation is meaningless as anyone who knows anything about this genre already knows about this movie.
I love when you watch a film for the first time and are so surprised how good it is. I heard about this film from Quentin Tarantino talking about it on his podcast. I was totally enthralled the whole time and didn't want it to end. Top notch script and beautifully shot. One of my favorite shots is when the Japanese are on the beach holding torches in complete darkness. You get a sense of doom watching this and you are just hoping that the good guys can pull through. Great performances as well. Jimmy Wang Yu is a very talented director and I'll definitely be exploring more of his catalog. Everyone loves a good underdog story and this is one of the bests. Highly recommended!
I have forgotten the name of this film, then thx to my cousin I found it and watched it again. Great film, and a great performance.
I watched this film 30 times or more when I was 7-10 years old.
Real historical defence systems have been used in the film. That was very cool. For example, boiling oil. Traps in the coast. I have read about these methods in history.
Key figures in the war were accurately shown. Especially Leng Ping - a mercenary expert in throwing flying daggers. I liked his role in the war.
Wang Yu is a legend. Her charismatic stance in the movie impressed me a lot. Choosing black and white dresses for fighters was a good one. It's a beautiful film shot under the limited conditions of that time.
I watched this film 30 times or more when I was 7-10 years old.
Real historical defence systems have been used in the film. That was very cool. For example, boiling oil. Traps in the coast. I have read about these methods in history.
Key figures in the war were accurately shown. Especially Leng Ping - a mercenary expert in throwing flying daggers. I liked his role in the war.
Wang Yu is a legend. Her charismatic stance in the movie impressed me a lot. Choosing black and white dresses for fighters was a good one. It's a beautiful film shot under the limited conditions of that time.
This is one of many, of my favourite Jimmy Wang Yu films. Written and directed by the man himself, this early Golden Harvest production has always sat strong with me and is a classic that I would love to see cleaned up and restored for a Blu-ray release. A take on the classic Seven Samurai, Wang Yu plays a stranger who turns up at a coastal town and offers to protect it from an army of Japanese invaders. Setting out to gather his own small army of fighters, Wang Yu finds its not as easy as he had hoped, but soon finds the people he needs to help defend the town one of which is the mysterious knife-throwing killer played by Tin Yau, co-star of many Wang Yu films!
Nicely shot and neatly directed, the only main flaw of the awesomely titled Beach Of The War Gods would be the lack of characterisation. While hardly a major downfall, the clear focus is on the fighting here which comes fast and often, in a barrage of hand-to-hand combat, samurai-inspired swordplay, and other wild weapons. The fights are handled by Hsiao Pao who also choreographed the action in one of my guilty pleasures, Vampire Settled On Police Camp (with Sandra Ng), who is joined by veteran Kuan Hung who worked with Wang Yu on the One Armed Boxer 1 & 2 as well as many more of his classics...
Wang Yu directs as Wang Yu does. While it may have the polish of a high-end production, there's still a rawness to his style. The sets and costumes are fantastic, and the most (if not all) of the cast do a great job. There are plenty of great visuals that, again, would look amazing in a restored version.
The Japanese are led by Wang Yu film regular Lung Fei, bad guy of a thousand classics, who (at the 50 minute mark) leads his men on the beach for battle at night, resulting in a major loss of men due to Wang's preparation. A second attempt the following morning begins a breathtaking, half hour of constant fighting which does not disappoint!
Literally 30 minutes of wonderful action rushes by, inspired by the classic Samurai films of Japanese cinema, with Wang Yu's unique touch and a body count equal on both sides. As the battle spreads out and the enemy get lost in the streets of the town, the newly trained local fighters do their best to take them down. Make no mistake, there is no holding back here as tens of men leap from rooftops in unison, a thousand blades flash across the screen, and lengthy one-shots track through the carnage without a hiccup.
Wang Yu is just brilliant here as he cuts through the enemy with more speed and ferocity than usual - his white robes gradually getting redder with blood as he fights on. It seems that with this action-packed-half-hour, that every 10 minutes that pass, Wang Yu ramps things up even more with harder violence, faster fights, and the carnage that ensues once Lung Fei joins the battle. It is an ending that, alone, rivals the greatest Shaw Brothers masterpiece!
Believe it or not, after all that and a 2 minute breather, the film closes with a lengthy one-to-one as the awesome Jimmy Wang Yu takes on Lung Fei in a fight to the death. Its a fantastically choreographed fight scene on and around a windmill on the beach (including a great WTF moment), and overall, a highly impressive, action-packed 40 minute finale...
Overall: An incredible piece of martial arts cinema, Beach Of The War Gods is one of Wang Yu's greatest moments, and an absolute classic!
Nicely shot and neatly directed, the only main flaw of the awesomely titled Beach Of The War Gods would be the lack of characterisation. While hardly a major downfall, the clear focus is on the fighting here which comes fast and often, in a barrage of hand-to-hand combat, samurai-inspired swordplay, and other wild weapons. The fights are handled by Hsiao Pao who also choreographed the action in one of my guilty pleasures, Vampire Settled On Police Camp (with Sandra Ng), who is joined by veteran Kuan Hung who worked with Wang Yu on the One Armed Boxer 1 & 2 as well as many more of his classics...
Wang Yu directs as Wang Yu does. While it may have the polish of a high-end production, there's still a rawness to his style. The sets and costumes are fantastic, and the most (if not all) of the cast do a great job. There are plenty of great visuals that, again, would look amazing in a restored version.
The Japanese are led by Wang Yu film regular Lung Fei, bad guy of a thousand classics, who (at the 50 minute mark) leads his men on the beach for battle at night, resulting in a major loss of men due to Wang's preparation. A second attempt the following morning begins a breathtaking, half hour of constant fighting which does not disappoint!
Literally 30 minutes of wonderful action rushes by, inspired by the classic Samurai films of Japanese cinema, with Wang Yu's unique touch and a body count equal on both sides. As the battle spreads out and the enemy get lost in the streets of the town, the newly trained local fighters do their best to take them down. Make no mistake, there is no holding back here as tens of men leap from rooftops in unison, a thousand blades flash across the screen, and lengthy one-shots track through the carnage without a hiccup.
Wang Yu is just brilliant here as he cuts through the enemy with more speed and ferocity than usual - his white robes gradually getting redder with blood as he fights on. It seems that with this action-packed-half-hour, that every 10 minutes that pass, Wang Yu ramps things up even more with harder violence, faster fights, and the carnage that ensues once Lung Fei joins the battle. It is an ending that, alone, rivals the greatest Shaw Brothers masterpiece!
Believe it or not, after all that and a 2 minute breather, the film closes with a lengthy one-to-one as the awesome Jimmy Wang Yu takes on Lung Fei in a fight to the death. Its a fantastically choreographed fight scene on and around a windmill on the beach (including a great WTF moment), and overall, a highly impressive, action-packed 40 minute finale...
Overall: An incredible piece of martial arts cinema, Beach Of The War Gods is one of Wang Yu's greatest moments, and an absolute classic!
One of the best kung fu movies I seen i a while. Learnt about it on the video archives podcast.
I rank it up there with Lonewolf and Baby Cart series for sword fighting and fight choreography.
There's a full range of inventive swords men and fighting techniques, maybe more than most other films (especially of this generation). That's really what makes this film stand out, is its relentless creativity.
They also use a lot of trampolines (its pretty obvious but it works) and reverse cinematography, to really great effect. Slow motion also, and really make it work.
Its a hong kong/ taiwan collaboration, non-stop action movie.
What keeps it interesting is the constant troop formations, traps, unique weaponry etc. It makes it stand out and more entertaining than other movies in the genre by far. Interesting it is so far undiscovered in the West, looking at the low reviews on IMDB.
The sets are very nice. When you compare it to the top genre cowboy/ western movies being made in 1973, this movie certainly holds its own. Film sets equally top notch.
Fast paced and action packed, I must also commend the costume design, which is meticulously detailed.
With over the top action like this, you either make the fight scenes work, or its a fail. It has to be plausible to an extent. Its a fine line, and it all comes down to the skills of the cast and director. Here they do a fine job. You don't make a move like this without devoting time and effort in to making the scenes work.
It is easy to criticise the lack of story depth, as it is a standard war movie in this respect. The war strategy is basically the story development. There really isn't much more to it than that.
The script I quite enjoy, for what it is. At least the english dubbed version of the script I watched. Again, it plays second fiddle to the other elements of the film that really shine. Its really theatrical.
What I like about movies that have 360 (at this time) ratings on IMDB, is you can watch i with little to no expectations.
I rank it up there with Lonewolf and Baby Cart series for sword fighting and fight choreography.
There's a full range of inventive swords men and fighting techniques, maybe more than most other films (especially of this generation). That's really what makes this film stand out, is its relentless creativity.
They also use a lot of trampolines (its pretty obvious but it works) and reverse cinematography, to really great effect. Slow motion also, and really make it work.
Its a hong kong/ taiwan collaboration, non-stop action movie.
What keeps it interesting is the constant troop formations, traps, unique weaponry etc. It makes it stand out and more entertaining than other movies in the genre by far. Interesting it is so far undiscovered in the West, looking at the low reviews on IMDB.
The sets are very nice. When you compare it to the top genre cowboy/ western movies being made in 1973, this movie certainly holds its own. Film sets equally top notch.
Fast paced and action packed, I must also commend the costume design, which is meticulously detailed.
With over the top action like this, you either make the fight scenes work, or its a fail. It has to be plausible to an extent. Its a fine line, and it all comes down to the skills of the cast and director. Here they do a fine job. You don't make a move like this without devoting time and effort in to making the scenes work.
It is easy to criticise the lack of story depth, as it is a standard war movie in this respect. The war strategy is basically the story development. There really isn't much more to it than that.
The script I quite enjoy, for what it is. At least the english dubbed version of the script I watched. Again, it plays second fiddle to the other elements of the film that really shine. Its really theatrical.
What I like about movies that have 360 (at this time) ratings on IMDB, is you can watch i with little to no expectations.
क्या आपको पता है
- ट्रिवियाApart from the occasional order, the Japanese characters are actually speaking Cantonese.
- कनेक्शनReferenced in Gangsters: Enter the White Devil (1978)
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