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Jana Aranya

  • 1975
  • A
  • 2 घं 11 मि
IMDb रेटिंग
8.3/10
1.9 हज़ार
आपकी रेटिंग
Jana Aranya (1975)
Drama

अपनी भाषा में प्लॉट जोड़ेंA bright and idealistic young man steels himself for the dog-eat-dog business world, only to flounder in a job market packed with thousands of other hopefuls.A bright and idealistic young man steels himself for the dog-eat-dog business world, only to flounder in a job market packed with thousands of other hopefuls.A bright and idealistic young man steels himself for the dog-eat-dog business world, only to flounder in a job market packed with thousands of other hopefuls.

  • निर्देशक
    • Satyajit Ray
  • लेखक
    • Mani Shankar Mukherjee
    • Satyajit Ray
  • स्टार
    • Pradip Mukherjee
    • Rafique Ahmed
    • S. Bagchi
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    8.3/10
    1.9 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Satyajit Ray
    • लेखक
      • Mani Shankar Mukherjee
      • Satyajit Ray
    • स्टार
      • Pradip Mukherjee
      • Rafique Ahmed
      • S. Bagchi
    • 15यूज़र समीक्षाएं
    • 13आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 3 जीत

    फ़ोटो5

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार58

    बदलाव करें
    Pradip Mukherjee
    • Somnath
    • (as Pradip Mukhopadhyay)
    Rafique Ahmed
      S. Bagchi
      Ajit Banerjee
      Krishna Banerjee
      Sachin Banerjee
      Samaresh Banerjee
      Sudip Banerjee
      Satya Bannerjee
      • Somnath's Father
      Gita Basu
      Arati Bhattacharya
      • Mrs. Ganguli
      Sachin Bhattacharya
      Umanath Bhattacharya
      Jatish Bhora
      Rajen Brijnath
      Anup Chakraborty
      Bijon Chakraborty
        Gautam Chakraborty
        • Sukumar
        • निर्देशक
          • Satyajit Ray
        • लेखक
          • Mani Shankar Mukherjee
          • Satyajit Ray
        • सभी कास्ट और क्रू
        • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

        उपयोगकर्ता समीक्षाएं15

        8.31.9K
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        10

        फ़ीचर्ड समीक्षाएं

        8rtoac1

        Brooding and Thought-provoking..

        This is a Bengali film by Satyajit Ray.

        The film is about how the promising youth in the country go stumbling for lack of opportunity. In a country where thus references and under-the-hand options rule the roost than merit.

        Here the film progresses well with the protagonist meeting, giving up on the lack of jobs, meets up with an old acquaintance and starts a business. However to land a big project, he has to compromise on his morals..

        But the thought-provoking part is how while his business itself is of a middleman, he loaths those middlemen who don't think twice of pimping if needed to get the job done.

        It shows in the end that those who work, no matter what the work, will always get to hold their head higher.

        I rated it 8/10 on IMDB.
        9murtaza_mma

        As bleak a film as Satyajit Ray ever made

        As bleak a film as Ray ever made and as brutally honest and disturbing as a film can be, Jana Aranya aka The Middleman, the final chapter in the master Indian filmmaker's highly acclaimed Calcutta Trilogy, jabs us in the small of our backs, rudely reminding us of the moral corruption that surrounds our society at large.

        And, like most Satyajit Ray films, it is as relevant today as it was back then. Jana Aranya is not an easy film to watch and is certainly not meant for the faint-hearted.

        For more on the world of cinema, please visit my film blog "A Potpourri of Vestiges".
        7anirban-ghatak

        An attempted review for Jana Aranya - The middleman

        " The middleman is the last film on the Calcutta trilogy if we do not consider Mahanagar along the same genres. The protagonist Somnath is an educated unemployed youth struggling with his life in Calcutta. Somnath fails to get the distinctions in his BA because his answer scripts from university exam goes to a professor who had problems in reading his small hand writings with his broken borrowed specs. The result of which is a mere pass marks in literature much to the irk of his retired father. Somnath's quest with job in corporate Calcutta develops a chain of frustration, regrets, new relationships and dark humors to the amusement of the audience. He finds no answers to stupid questions asked by interview board as "what is the weight of the moon". The only support he gets is from his affectionate sister in law who gifts him a new watch as he enters the challenging phase of job search.

        To add to his worry his long term girl friend dumps him in order to seek stability for her by an arranged marriage. There is a strong melodrama on the break up scene which catches the audience. Probably women always break up with a sense of encouragement with the dumped men and Ray brilliantly uses Aprana Sen for this role of Somnath's ex girl friend. Destiny chances upon Somnath when he meets an old football game friend who offers him support to start his own business and to leave the false illusion of cracking a job interview. The rest of the story involves Somnath learning the business rules as an order supplier or middleman.

        The script is adapted from the story of Sankar and portraits the missing ethics in corporate world very strongly. The use of PRO (public relations officer) and tricks for luring procurement managers forms the main learning curve for Somnath as his middle class values are put to test for these tricks. Finally Somnath gives up and decides to follow the road ahead at the cost of his internal soul sufferings.

        Ray brilliantly uses the plot in a simple and lucid way and this film is not a complex film as "The competitor". The climax is the last 20 minutes when Somnath struggles with his PRO to get a women (escort) for the client manager and ends up hiring his best friend's sister who has unfortunately turned into an underground call girl forced by sheer poverty. Somnath commercial success and his moral failure marks the end of the film as he fails to make an eye contact with his sister in law in the last scene. Somnath's win's in the end but fails to earn the respect and admiration from himself or from his sister in law. Somnath is definitely gray in shades or rather gets converted from a white shade to gray as he fights back the whole system for his own metabolism and future of a better tomorrow. For sure this contrast makes the end of the Calcutta trilogy".
        10smkbsws

        "In an universe where there is no Apu series, I would call this Ray's best.. can be used as a textbook of ensemble cast"

        Last movie from the city series. This was the second novel by Shankar which Ray adapted. But these are just mere trivia. In an universe where there is no Apu series, I would call this Ray's best. What do you need in a super cool film. Dark comedy - this is overflowing with it. Fuzzy ending; you will get shocked with the climax and will understand the meaning of depression from the last sequence. And, I had to mention it, ensemble. This flick can be used as a textbook of ensemble cast for those directors who celebrates the guest and cameo appearances. The character actors are so powerful in their scenes, you will even not be interested in what the hero is saying. And that is done purposefully here. References of growing interest for maoism in the veins of a city were shot in guerrilla style makes this a documents of time too. In that way, Ray completes his 'Socialist Trilogy' too :P.
        6planktonrules

        The story gets much better later in the film but the pacing is like lead.

        Before I get to the movie, there are a few things I should mention about the DVD for "The Middleman" ("Jana Aranya"). Like many other Satyajit Ray films I have seen from the 60s and 70s, it's in black & white. Apparently color films were very, very late coming to the Indian film industry--just like the Japanese and Chinese were still making silent films up until WWII. The print is also pretty fuzzy and has an annoying 'Shradha' (the distributing company) pasted across it. It's a pretty ugly looking film, that's for sure.

        The film is about a young man named Somnath has taken a college exam. By a weird chance occurrence he's cheated out of the grade he's learned. This element of chance is something that will come into play a bit later in the film. In the meantime, he's graduated but finds the job marked glutted. Considering he didn't graduate with top honors, he's unable to stand out from the crowd and he spends a year looking for work. By chance, later he slips on a banana peel--and this ushers in an unusual opportunity. Now the non-Indian viewer might not understand the significance, but Somnath is from a Brahman family (from the top of the caste system) and the job he takes is NOT one a Brahman would normally do--it would be beneath him and dishonor his family. But he needs work and goes into business becoming a 'middleman'--a schemer who buys and sells practically anything to make a buck. The work isn't really bad at first, but later when he needs to give kickbacks and twist the truth, Somnath's father is heartbroken. But Somnath can live with this--after all, it's business. But, when he learns what he needs to do with one big client, it tests his mettle--what is he willing to do and not willing to do to make it in business?

        There were some very positive things about the film. I agree with another reviewer who felt the father was an excellent and well-acted character. I also loved the big moral dilemma--this made the film end exceptionally well. However, I also should point out that this is a Ray film that is NOT for those unfamiliar with the man's work. That's because it's far from his best work--mostly because the pacing is like lead through the first half of the film. Slow and, I must add, it's hard to really like the main character, as he just seems to exist--and there's little with which to connect. Worth seeing and close to a 7, but it's not quite there.

        इस तरह के और

        Pratidwandi
        8.1
        Pratidwandi
        आगंतुक
        8.0
        आगंतुक
        Seemabaddha
        7.8
        Seemabaddha
        Days and Nights in the Forest
        8.1
        Days and Nights in the Forest
        Nayak
        8.3
        Nayak
        Mahanagar
        8.3
        Mahanagar
        Distant Thunder
        7.9
        Distant Thunder
        Teen Kanya
        7.9
        Teen Kanya
        Kanchenjungha
        7.9
        Kanchenjungha
        Charulata
        8.1
        Charulata
        Parash Pathar
        7.6
        Parash Pathar
        Devi
        7.7
        Devi

        कहानी

        बदलाव करें

        क्या आपको पता है

        बदलाव करें
        • ट्रिविया
          One of the films of the Calcutta Trilogy, the others being Pratidwandi (1970) and Seemabaddha (1971).

        टॉप पसंद

        रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
        साइन इन करें

        अक्सर पूछे जाने वाला सवाल15

        • How long is The Middleman?Alexa द्वारा संचालित

        विवरण

        बदलाव करें
        • रिलीज़ की तारीख़
          • मार्च 1979 (यूनाइटेड स्टेट्स)
        • कंट्री ऑफ़ ओरिजिन
          • भारत
        • भाषा
          • बंगाली
        • इस रूप में भी जाना जाता है
          • The Middleman
        • उत्पादन कंपनी
          • Indus Films
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        तकनीकी विशेषताएं

        बदलाव करें
        • चलने की अवधि
          2 घंटे 11 मिनट
        • रंग
          • Black and White
        • ध्वनि मिश्रण
          • Mono

        इस पेज में योगदान दें

        किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
        Jana Aranya (1975)
        टॉप गैप
        By what name was Jana Aranya (1975) officially released in Canada in English?
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