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Teen Kanya

  • 1961
  • Passed
  • 2 घं 53 मि
IMDb रेटिंग
7.9/10
1.8 हज़ार
आपकी रेटिंग
Teen Kanya (1961)
ComedyDramaFantasyHorror

अपनी भाषा में प्लॉट जोड़ेंBased on popular Indian stories of the great writer Rabindranath Tagore, these short films reveal definitive moments in the lives of three young girls.Based on popular Indian stories of the great writer Rabindranath Tagore, these short films reveal definitive moments in the lives of three young girls.Based on popular Indian stories of the great writer Rabindranath Tagore, these short films reveal definitive moments in the lives of three young girls.

  • निर्देशक
    • Satyajit Ray
  • लेखक
    • Satyajit Ray
    • Rabindranath Tagore
  • स्टार
    • Anil Chatterjee
    • Chandana Banerjee
    • Aparna Sen
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.9/10
    1.8 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Satyajit Ray
    • लेखक
      • Satyajit Ray
      • Rabindranath Tagore
    • स्टार
      • Anil Chatterjee
      • Chandana Banerjee
      • Aparna Sen
    • 10यूज़र समीक्षाएं
    • 9आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 4 जीत

    फ़ोटो5

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार24

    बदलाव करें
    Anil Chatterjee
    Anil Chatterjee
    • Nandal (segment "Postmaster")
    • (as Anil Chattopadhyay)
    Chandana Banerjee
    • Ratan (segment "Postmaster")
    • (as Chandana Bandyopadhyay)
    Aparna Sen
    Aparna Sen
    • Mrinmoyee (segment "Samapti")
    • (as Aparna Das Gupta)
    Sita Mukherjee
    • Jogmaya (segment "Samapti")
    • (as Sita Mukhopadhyay)
    Nripati Chatterjee
    • Bishey (segment "Postmaster")
    • (as Nripati Chattopadhyay)
    Khagen Pathak
    • Khagen (segment "Postmaster")
    Gopal Sen
    • Bilash (segment "Postmaster")
    Krishnakamal Bhattacharya
    • (segment "Postmaster")
    Haridhan Nag
    • (segment "Postmaster")
    Narayan Ghosh
    • (segment "Postmaster")
    Batakrishna Nandan
    • (segment "Postmaster")
    Haricharan Nag
    • (segment "Postmaster")
    Khana Roy Chowdhury
    • (narrator) (segment "Postmaster")
    Kali Bannerjee
    Kali Bannerjee
    • Phanibhushan Saha (segment "Monihara")
    • (as Kali Bannerji)
    Kanika Majumdar
    • Manimalika (segment "Monihara")
    Kumar Roy
    • Madhusudan (segment "Monihara")
    Govinda Chakravarti
    • Schoolmaster and narrator (segment "Monihara")
    • (as Gobinda Chakrabarti)
    Soumitra Chatterjee
    Soumitra Chatterjee
    • Amulya (segment "Samapti")
    • (as Soumitra Chattopadhyay)
    • निर्देशक
      • Satyajit Ray
    • लेखक
      • Satyajit Ray
      • Rabindranath Tagore
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं10

    7.91.7K
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    10

    फ़ीचर्ड समीक्षाएं

    10robert-temple-1

    Magnificent, emotionally wrenching early film by the great Satyajit Ray

    This film, called TEEN KANYA in Bengali and TWO DAUGHTERS in English, was made six years after Ray's first film, PATHER PANCHALI (1955), which was the first of the famous APU TRILOGY. Having finished that trilogy as well as another of his haunting masterpieces, THE MUSIC ROOM, Ray turned his attention to two wonderful short stories by Rabindranath Tagore, so that this film is therefore a diptych, composed of two separate films of those two stories. The first of them is entitled THE POSTMASTER, and most of it is filmed in and around a small hut inhabited by a young man who has just become a village postmaster. Along with the hut and the job, he has acquired a servant named Ratan who is a 10 year-old orphan girl who never knew her mother and father. The previous postmaster beat her and treated her badly, but the new one is very kind, and she becomes attached to him. This is the first time she has ever allowed herself to feel anything for anyone, in her harsh young life. The story is one of the saddest and most heart-breaking ever filmed. The intensity of the acting by the young girl, played by Chandana Banerjee, is one of the most powerful child screen performances in the history of world cinema. This young girl only made one other film, KAA, in 1966, and after that, nothing is recorded of her life or her fate. She was able to convey so much with her eyes without speaking, that it was like cinematic telepathy. The ending of this film is unforgettable, and will haunt any sensitive person always. The second film is not a sad story but an odd and amusing one. It concerns a girl in her late teens who is a wildly eccentric tomboy. She and her family live in a shack by the river bank, having lost their home and all their possessions in one of the many floods which continually afflict Bengal (the stories are set in Bengal). She likes to run wild and free, swing from the trees, play with the boys, run and hide in the forest, and always goes barefoot. She is brilliantly played by the young actress Aparna Sen, whose first adult part it was (she had appeared in one film previously as a child). She went on to become one of India's most famous serious film actresses, and has appeared in 62 films, including others by Satyajit Ray such as DAYS AND NIGHTS IN THE FOREST (1970) and THE MIDDLEMAN (1976). She also appeared in James Ivory's THE GURU (1969) with Michael York and Rita Tushingham, as well as James Ivory's BOMBAY TALKIE (1970) with Felicity Kendal. In this film, Sen evokes the mystery and the animal energy of the wild young creature in an unforgettable portrayal of a girl in rebellion at becoming a woman and a wife and thus forfeiting her freedom. These days the film should be adopted by feminists as a manifesto statement. Satyajit Ray was notable for making many films sympathetic to women, girls, and children, and he had a rare understanding of the vagaries of feminine psychology. His films are often as much psychology lessons as they are high art. And he had the ability to get his actors and actresses to give of their best, and then more besides. Certainly, Ray's films are some of the most emotionally moving and psychologically profound works of cinema ever made. But in addition to that, they are technical masterpieces as well. For this film, Ray was director, producer, writer, and composer of the music. Ray was certainly one of the three great Bengali geniuses of the 20th century, another being Rabindranath Tagore himself, and the third being unquestionably Sir Jagadish Chandra Bose, the scientist who collaborated with Albert Einstein, and after whom Bose-Einstein Condensates are named. (But if you have never heard of Bose-Einstein Condensates, you are forgiven, as they are highly technical, and even most physicists have never heard of them.)
    8SAMTHEBESTEST

    A Classic Poetic and Artistic Woman oriented Anthology by Satyajit Ray.

    Teen Kanya / Three Daughters (1961) : Brief Review -

    A Classic Poetic and Artistic Woman oriented Anthology by Satyajit Ray. I never knew that Indian Cinema has seen Anthology during 60s decade (please spare me if I'm wrong) before modern filmmaking got recognition in India. So, this idea of making Anthology in early 60s had already left stunned and additionally it has 3 wonderful stories to tell and every single one has got a powerful storyline. Based on popular Indian stories of the great writer Rabindranath Tagore, these short films reveal definitive moments in the lives of three young girls. First is The Postmaster, a story of a pre-adolescent orphan girl who shares a warm bond with the new postmaster who teaches her to write and read. This story ends on such a heart-wrenching note that will definitely leave you dazed. The second one is kind of psychological drama of a married woman who is obsessed with Jewels and her husband who is desperate to get loved by her. This one is titled Monihara and it's very gripping and thrilling ride. The final one is Samapti. Mrinmoyee, a funky teenage girl is married against her choice to a good fella Amu. After marriage she disown this relationship but when husband goes away, she realises the real meaning of Husband-Wife's relationship. If i have to rank these 3 quality wise, then The Postmaster will top the list. Sampati and Monihara to be be followed. Acting, writing, execution and cinematography everything is absolutely Classy. Hats off to Satyajit Ray for giving that much needed experimental Cinematic Classic to Indian Cinema even before Indian Cinema was ready to accept it. This is Indian Cinema's answer to Hollywood filmmaking that how to create a Magical Classic Film out of simple short stories. Overall, a Cult that started another new wave in Indian Cinema.

    RATING - 8/10*

    By - #samthebestest.
    9smkbsws

    "successfully make us cry, scared or giggly"

    In the year of Tagore's centenary, Ray made a documentary about him, and this anthology. Based on three short stories of Tagore, for which he should have got another Nobel Prize I think, the titular women are the central character of the stories. All shot in wide angle cameras, these stories are mostly filmed in rural bengal and the beauty of it enhances through the lens. And speaking about beauty, all the main mans - oops, womans - here successfully make us cry, scared or giggly, accordingly to the different genres of the short films in it. Eventually we will get better supporting characters and awesome ensemble in Ray's films, but this should be noted for writing so much strong and prominent non-lead characters in it.
    mazumdar

    Delightful vignettes about women in society -- hilarious (PLOT DISCUSSED)

    Originally, this movie comprised _three_ separate stories by the legendary Rabindranath Thakur (Tagore); hence the title "Teen Kanya" ("Three Daughters"). However, the subtitling could not be finished in time for a Tagore anniversary, so the middle story, a ghost story, is not included in the videocassette, retitled "Two Daughters." In the two remaining stories, we explore the lives of two girls living in a world not of their making, facing their fates with limited options. The first story, "The Postman," is about a lower-middle-class bourgeois city boy who goes deep into the Bengali countryside to take a job as a village postman. The "daughter" in this story is Ratna (nicknamed "Ratan"), his servant, a little slip of a girl. In the west, this girl, an orphan, not even at the age of adolescence, is a child. How can she cope? What can she look forward to? The second story, "Samapti," is about another girl in rural Bengal, this one a little older. She's what we would call a "tomboy." The life of an adult woman in this society -- a housewife -- wouldn't seem to be much in her taste. She is active, vivacious, lively, brazen, playful. She is known as "Pagli" ("crazy") by the disapproving villagers. But it is these very qualities that attract the attention of Amulya, a young college graduate who has returned home to his widowed mother to be nagged by her to settle down and take a wife -- a traditional, shy, modest, and, in Amulya's view, boring wife. Despite the serious subject of these two stories, they are actually quite funny. The second story is even hilarious, with a couple of near-slapstick sequences. (In the scene in which Amulya breaks the news to his mother as to which girl he really likes, pay close attention to what's happening in the background.)
    9bcsiegfr

    Has one of the most heart-wrenching moments I have ever seen in cinema.

    Two daughters by Satyajit Ray was my first introduction to Indian cinema. Satyajit Ray has produced a gem of a movie that differs from almost any other Indian films I have seen. Two daughters actually consists of two separate stories based on stories written by Rabindranath Tagore.

    The Postman is the better of the two stories. Not giving away the plot, this movie had one of the most heart-wrenching scenes in cinema. The simple, but powerful way Ray pulls his quiet films together at their end makes these quiet films very memorable. Sampati drags out somewhat longer, but has a powerful climax of its own. After years, these two movies have stuck in my memory. I would recommend them to anyone.

    इस तरह के और

    Jana Aranya
    8.3
    Jana Aranya
    Devi
    7.7
    Devi
    Pratidwandi
    8.1
    Pratidwandi
    आगंतुक
    8.0
    आगंतुक
    Nayak
    8.3
    Nayak
    Mahanagar
    8.3
    Mahanagar
    Parash Pathar
    7.6
    Parash Pathar
    Days and Nights in the Forest
    8.1
    Days and Nights in the Forest
    Kapurush
    7.6
    Kapurush
    Charulata
    8.1
    Charulata
    Distant Thunder
    7.9
    Distant Thunder
    Kanchenjungha
    7.9
    Kanchenjungha

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The "Monihara" segment of the film was dropped for the first international release because subtitles could not be finished in time due to budgeting constraints.
    • भाव

      Ratan (segment "Postmaster"): I can sing too.

      Nandal (segment "Postmaster"): Is that so?

      Ratan (segment "Postmaster"): I can sing now if you like.

      [singing]

      Ratan (segment "Postmaster"): In the lonely forest, A little girl is crying, Calling for you, Tears drop from her eyes, In the lonely forest, A little girl is crying, Calling for you, Tears drop from her eyes, With a trembling voice, She keeps calling out, With a trembling voice, She keeps calling out, The girl is lost in the forest, And nobody hears her, Nobody answers her

    • इसके अलावा अन्य वर्जन
      Original Indian version includes three episodes and runs 171 minutes; the version released in the USA (retitled "The Two Daughters") features only two episodes and is 114 minutes long.
    • कनेक्शन
      Features Conversation with James Ivory (2010)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल17

    • How long is Three Daughters?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 5 मई 1961 (भारत)
    • कंट्री ऑफ़ ओरिजिन
      • भारत
    • भाषा
      • बंगाली
    • इस रूप में भी जाना जाता है
      • Three Daughters
    • उत्पादन कंपनी
      • Satyajit Ray Productions
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    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $81,200
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      2 घंटे 53 मिनट
    • रंग
      • Black and White
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.33 : 1

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    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Teen Kanya (1961)
    टॉप गैप
    By what name was Teen Kanya (1961) officially released in Canada in English?
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