Bogard

Black Fist (1975) is a movie I recently watched on Amazon Prime. The storyline is about a man who has survived in the streets and believes he can make the money he deserves and start his own business by becoming a street fighter. He thinks once he has enough money to start his own business it will be easy to get out of the street fighter business...he's wrong. This movie was directed by Timothy Galfas (Sunnyside) and stars Richard Lawson (Poltergeist), Denise Gordy (Toy Soldiers), Philip Michael Thomas (Miami Vice) and Annazette Chase (The Mack). There's some good elements to this choppy film. I really liked his messaging and side bar conversations to make it on his own without the white man's help. I thought it was interesting throughout the movie how his wife's desire was to survive and his was to succeed. The slang and soundtrack was also entertaining and fun. The storyline was inconsistent but I enjoyed waiting to see what's going to happen next to Lawson's character, who was awesome in this. I would score this a 6-6/5/10.

Richard Lawson has done most of his work for TV, which is too bad. In "Black Fist", Lawson is the diamond-in-the-rough that saves this movie from its low-budget woes. His performance is excellent, and keeps us watching just to see his character unfold.

Another reviewer complained that the surviving print of this film, available on video, is a hatchet job for re-release, possibly to television. That explains frequent continuity gaffs that comprise the film's worst failings.

Some of the other actors are pretty limp; the low-budget cinematography clearly shows effort, but can't get around the fact that the director's ambitions outpaced his available technology. The script gets trite on occasion, although there are also some very strong lines of dialog, and the story is pretty good.

But what truly deserves to be remembered here is Lawsons performance. It's a shame that Hollywood has wasted the potential of men and women of real talent just because of their skin color or ethnicity.

...when film distributors get their hands on someone else's creation, and take a hatchet to it, you get "Black Fist." Even the title was changed. Originally called "Bogard," this was a hard hitting character study of a desperate man who turns to bare knuckle fighting matches to survive in a world that had no use for an uneducated and poor black man. Actor Richard Lawson radiates a certain sex appeal and a strong screen presence as Leroy Fisk, the guy that can't be knocked down by anyone or anything. His fighting skills soon get him noticed by a corrupt, mafia-like syndicate of bad guys, determined to make money off of him, and the harder he tries to break free of them, the tighter their hold on him becomes. The boxing business has always been a shady one, and the fact that bare knuckle street fighting is completely illegal, make the situation even worse. The plot has been described in other reviews, so I will just comment on the quality of this Grindhouse gem, which offers everything you would want from the genre. Violent, gritty, sordid and sexed up movie that has no shortage of action as well as drama. "Black Fist" also has this atmospheric quality that is similar to a film called "Penitentiary," another Grindhouse gem that deals with similar subject matter. But what happened to the original print of this film? "Bogard" played briefly in select theaters in 1975, and almost immediately vanished from the face of the Earth soon after. The few people who were lucky enough to catch it in the theaters, seem to remember the movie fondly. Indeed this is a hard one to forget, even in it's altered form. Several years later the movie resurfaced, only with a new name, and minus a lot of scenes that were both controversial and essential to the plot. There were even some new scenes added that were NOT in the original cut, as apparently the producers were trying to create a product that was more commercial, hoping to make some money off the now vandalized "Bogard." Not surprisingly, It didn't work. So the movie once again receded into obscurity. These days it can be found on very poor quality dvd's from disreputable distributors who are unconcerned with quality and just want to make a dollar. This disgraceful practice has been utilized before, and after "Bogard." Another fantastic art house/blaxploitation masterpiece by the name of "Ganja & Hess," was apparently too "art house" and not enough "blaxploitation" for it's distributors, so the movie was cut and the plot was changed, and, basically ruined because of greed. And in the 90's a film called "54" suffered a similar fate, when the distributors at Miramax thought that film was too sleazy and sordid, not considering the fact that a film about the notorious nightclub 'Studio 54' could be anything other than sleazy and sordid. so they cut half the movie out and forced the director to re -shoot the other half. The reworked film was a complete failure as well. Thankfully movie fans are now getting the opportunity to see these ruined films in their original form, with the advent of Blu Ray technology. And fans of "Bogard" should be thrilled to know that, as of this writing, one such Blu Ray label is working on the restoration of "Bogard." Recently the missing reels have been found and it is only a matter of time before we can see "Bogard" in it's original glory. Apparently the entire subplot that dealt with an interracial relationship was cut out, as that subject was still considered too controversial for audiences of the time. The sex scenes were surprisingly graphic as well, enough to earn the film the 'X' rating. Another scene resembling a modern day "slave auction" was cut, among some other scenes. Anyway this fan will be among the first in line to pick up that Blu Ray whenever it hits the shelves. As the standards of Hollywood continue to decline, and the quality of new releases gets worse with every passing year, I think it will become a trend for people to look to forgotten movies of the past, for their entertainment. This explains the new trend of restoring and releasing forgotten or lost films from decades past. There is a growing interest in movies of the past, and "Bogard" is one film that is due for rediscovery..

I got this movie in a bargain bin, hoping for an amusingly bad flick. Boy was I disappointed. (except for avon.) You see, the movie is indeed horrible, but so horrible, it isn't even laughable. The plot, oh wait, there is no plot. I suppose you could say it's about the main character rising up in the ranks of street fighting. At the end of the movie, the directors decided to either not make any more sense, or, more likely, died and had a monkey finish directing the movie. DON'T READ IF YOU DON'T WANT THE ENDING SPOILED! although the ending doesn't really spoil anything. The main character somehow ends up in a room filled with mirrors, a la Enter The Dragon, and then gets real angry, has stupid flashback, and hits a mirror. The end. Wheeee.

The only redeeming factor of this movie was Avon's scene. He's talking to the rival street fighting boss and says something along these lines, completely deadpan: "Do not worry about him anymore sir. I have killed him in a sophisticated manner. I wined him, I dined hm, we went to a disco. We was havin a lot of fun. And then I killed him." at which point the boss says "good work avon. You're number 1." And avon says "Number 1! Alllriiiiight! Alriiight!" The scene continues with avon continuing to say "alllrriiiight!" over and over. The next scene is of a dead Avon floating in a pool. Intelligent? I think not.

Lastly, I own the "Homeboy" version of this movie, meaning the title on the box I own is "Homeboy." It shows a huge guy holding a giant gun and screaming. This never happens in the movie. This man is never in the movie. High quality.

Note--I am new to this reviewing, but hell yes I am going to keep it up.

A black guy from L.A. becomes a prize fighter for the mob. After an initial good working relationship, he becomes unhappy when he learns they are exploiting him. He leaves their organisation but the gangsters kill his wife in retaliation, resulting in him seeking violent revenge.

This Blaxploitation movie seems to have two different versions. The original version, entitled Bogard, was seemingly so ram packed with sex and violence that it attained an X rating, however, the version most readily available nowadays goes under the Black Fist moniker and this one was re-edited down to an R rating and does not seem to contain overly much salacious material. This is the one I myself saw. It seems only fair to say that the original must be the more entertaining of the two versions, as Black Fist is fairly underwhelming stuff on the whole. The story-line is strictly by-the-by and certainly could have done with an injection of more sex and violence! It does have a certain period charm though and will no doubt still be of interest to Blaxploitation aficionados but it's certainly limited stuff. It does have a somewhat unusual and rushed ending too, which posed more questions than it answered but was at the very least distinctive. Of additional note this film featured a bent cop played by Dabney Coleman, who would later become quite well known for playing the nefarious boss in the comedy film 9 to 5 (1980).