The Blank Generation

Yes, this film is all but unwatchable. The unsynched video and audio make for one of the most unsatisfying experiences ever. This is supposed to be a documentary, but what did I learn from this film? If there was a band I didn't recognize, I wasn't told who they were. I don't know when the performance was shot, or where, or who the musicians are, or what their influences were. We don't learn why this generation was called blank by the filmmakers. There are no shots of the audience, so we don't learn what effect the music was having on those who were actually there. This isn't a documentary, it's being trapped at someone's house who you don't like and they pull out their home movies of their kids.

This is so disappointing - all of these punk rock stars right there at the edge of the New York music explosion, on film. Unfortunately, although they had a camera they did not have a microphone, and all of the music of the raw performances is now lost forever. What could've been one of the best music documentaries ever becomes a film school project.

Worse, they decided to put demo recordings over the concert footage. This is completely unsatisfying, worse than just silence, which would've forced viewers to focus on the differences in performance and facial expressions. It's the worst sort of compromise.

Was there ever such a vibrant, exciting music scene as that of the punk/new wave CBGBs explosion?

Amos Poe has made history by capturing some of the leading lights of the genre in their natural performing habitat well before they hit the big time.

Filmed on wonderful, grainy 16mm silent film savour the sights of luminaries such as Talking Heads, Wayne County, Patti Smith, Blondie, Tuff Darts, New York Dolls and the Ramones complemented with dubbed live tracks/demos to provide the soundtrack.

Ironic, that on any punk compilation a track from all of the above artists features, and yet here they are all in the same place and possibly all on the same night. A treat for all punk/CBGB fans - Poe has really captured the wonderfully inventive, innovative and spontaneous atmosphere of the era here.

Thanks Amos.

This is a great, atmospheric, you might say "cinema-verite" film of a selection of the bands that made up the mid-70s CBGBs New York Punk scene. It was shot on a single 16mm camera, largely live at the club, but also with some "out in the street" sequences, and is a vital, rare document of exciting and vibrant music. And OK, let me get this over to ya now, the film doesn't have the benefit of sync sound. I'd guess the audio, which is a mixture of live tapes and commercially available records, was dubbed on later when the film makers had cut their footage together. So it's all pretty jumbled up, and the visuals don't match up a lot of the time, but I reckon that's a feature, not a fault. It all just adds to the rough-n-ready quality. Maybe those negative IMDb reviews came from folks who just didn't "get it" and expected something more slick, more MTV (yuk). Well isn't that ironic, since MTV and its nauseous ilk are forever trying to ape old-school underground film makers, and they usually fall way short of the mark simply because unlike these guys, MTV are clueless.

Some of the bands you'll see here went on to commercial success (check the very early footage of Talking Heads and Blondie) and some are still propping up the "influential" lists thirty years on (Television and Patti Smith just played sold-out painfully hip gigs in London last month) and some verge on performance art (Wayne/Jayne County) and some are just plain forgotten (Marbles, Tuff Darts). But none of the 12 or so segments here are over-long and the Ramones footage is worth the price of admission alone. Music fans should be happy someone bothered to capture the CBGBs scene while it still was a scene. Essential, x10.

I've not seen this movie, but i remember it got trashed in reviews in the late 1970s when it was shown. i fully agree that it was exceptionally dumb (pardon the pun) of the filmmakers to make a music documentary without any sound. at least we have the footage. if they hadn't done this we might be saying 'if only there was some footage of the ramones in 1976.....' at least we have that. and i'm sure the filmmakers did not think that people would be griping about paying full price for it 35 years later i do recall the intention was to shoot with synchronised sound and the sound didn't get recorded or something - may be i'm wrong it has to go down as one of the great heroic failures of the music world along with the guy who shot 10 minutes or so of the Beatles last concert,but used all of his film on shooting footage of people building the stage in an empty stadium.