एक नौजवान अपने मर्दवादी पियानो शिक्षक का रोमांटिकली पीछा करता है.एक नौजवान अपने मर्दवादी पियानो शिक्षक का रोमांटिकली पीछा करता है.एक नौजवान अपने मर्दवादी पियानो शिक्षक का रोमांटिकली पीछा करता है.
- निर्देशक
- लेखक
- स्टार
- 1 BAFTA अवार्ड के लिए नामांकित
- 18 जीत और कुल 23 नामांकन
फ़ीचर्ड समीक्षाएं
Definitely NOT for the faint-of-heart or for those seeking passive entertainment, this film is a masterpiece of portraiture of a highly talented and disturbed artist a perfect illustration of the idea that genius is considered but a short step from insanity.
It has been many months since I viewed this film, and I find myself turning the film over in my head quite often. That to me is the mark of a well-done film or any work of art, for that matter.
I have never since seen a prodigiously talented performer without wondering what their day-to-day life and relationships must be like. This film stayed with me despite my revulsion to its "ugliness" the discomfiture it engenders.
Highly recommended!
It has been many months since I viewed this film, and I find myself turning the film over in my head quite often. That to me is the mark of a well-done film or any work of art, for that matter.
I have never since seen a prodigiously talented performer without wondering what their day-to-day life and relationships must be like. This film stayed with me despite my revulsion to its "ugliness" the discomfiture it engenders.
Highly recommended!
The Piano Teacher (2001)
This is a difficult movie. It's difficult to watch at times, if you take it seriously. But I think it was difficult to film, to write, to act.
The premise is subtle even if it sounds sensational--show the inner mind and inner life of a brilliant woman who is mentally ill. She has compulsive issues, I think, and sexual repression that has led her to masochistic and finally sadistic extremes. She is admirable in some external way for her self-control which reads, to an outsider, as cold precision, the kind needed to be an extraordinary classical pianist.
But the movie takes us inside her life, first to the unhealthy relationship with her mother, then the oddly stern and indifferent role she takes with her advanced students. Finally there is a young man who sees only her ability, and her external beauty. (This woman, Erika, is played by the incomparable Isabelle Huppert.) He is a pianist of unusual talent, but he wants not to concertize, but to live life. He plays hockey. He has friends. He smiles warmly. He is, in short, a healthy normal and rather handsome young man.
And he falls for Erika. This is where the movie gets weirder and weirder, but also more challenging. They play an intense game of sexual chicken, at first, and lots of head games. He knows she's superior to him in some way--older, more severe---but he has no idea about her slanted view of life and of sex. He wants her. He becomes a pupil of hers just for that reason. She pretends not to care, or to rebuff him (in part this isn't pretense because she's afraid). Finally a couple of serious and demented confrontations occur.
And things unravel in a very interesting way. Some people will find it simply sick and unwatchable. It also happens very slowly--if the film has an obvious flaw, it's the pace. It's in love with itself far too much. But if you get into that flow, and can take the pain that will rise up, then you will at least be greatly affected. That's more than most movies can say.
It's all quite in ernest. I don't think it's a bit campy or playing games with the viewer. It's really trying to get at this woman's psyche--and the young man's, since he gets in deeper than he intended. It's filmed with terrific planning and visual panache. And it makes some kind of deranged sense, too. In fact, there are probably more people in these kinds of situations than I'll even know, and to them I say give this a careful look.
This is a difficult movie. It's difficult to watch at times, if you take it seriously. But I think it was difficult to film, to write, to act.
The premise is subtle even if it sounds sensational--show the inner mind and inner life of a brilliant woman who is mentally ill. She has compulsive issues, I think, and sexual repression that has led her to masochistic and finally sadistic extremes. She is admirable in some external way for her self-control which reads, to an outsider, as cold precision, the kind needed to be an extraordinary classical pianist.
But the movie takes us inside her life, first to the unhealthy relationship with her mother, then the oddly stern and indifferent role she takes with her advanced students. Finally there is a young man who sees only her ability, and her external beauty. (This woman, Erika, is played by the incomparable Isabelle Huppert.) He is a pianist of unusual talent, but he wants not to concertize, but to live life. He plays hockey. He has friends. He smiles warmly. He is, in short, a healthy normal and rather handsome young man.
And he falls for Erika. This is where the movie gets weirder and weirder, but also more challenging. They play an intense game of sexual chicken, at first, and lots of head games. He knows she's superior to him in some way--older, more severe---but he has no idea about her slanted view of life and of sex. He wants her. He becomes a pupil of hers just for that reason. She pretends not to care, or to rebuff him (in part this isn't pretense because she's afraid). Finally a couple of serious and demented confrontations occur.
And things unravel in a very interesting way. Some people will find it simply sick and unwatchable. It also happens very slowly--if the film has an obvious flaw, it's the pace. It's in love with itself far too much. But if you get into that flow, and can take the pain that will rise up, then you will at least be greatly affected. That's more than most movies can say.
It's all quite in ernest. I don't think it's a bit campy or playing games with the viewer. It's really trying to get at this woman's psyche--and the young man's, since he gets in deeper than he intended. It's filmed with terrific planning and visual panache. And it makes some kind of deranged sense, too. In fact, there are probably more people in these kinds of situations than I'll even know, and to them I say give this a careful look.
Isabelle Huppert must be one of the greatest actresses of her or any other generation. "La Pianiste" truly confirms it. As if that wasn't enough, Annie Girardot plays her mother and Annie Girardot is one of the greatest actresses of her or any other generation. So, as you may well imagine, those pieces of casting are worth the horror we're put through. Isabelle and Annie play characters we've never seen before on the screen. A mother and daughter yes but with such virulent fearlessness that sometimes I was unable even to blink or to breath. Personally, I don't believe in the director's intentions, I don't believe they (the intentions that is) go beyond the shocking anecdote and the ending made me scream with frustration but I was riveted by the story written in the face of the sensational Huppert and the fierceness of Girardot's strength. I highly recommend it to cinema lovers anywhere and to the collectors of great performances like me, you can't afford to miss "La Pianiste"
'The Piano Teacher' is the third Haneke movie I've seen. I didn't like the other two ('Funny Games' I thought was a cop out and 'Code Unknown' a bore) so I expected little from this one. However I was wrong to prejudge it. It's a very good movie, powerful, thought provoking and features a superb performance from Isabelle Huppert. She plays a Erika Kohut, a brilliant but highly repressed pianist. Walter Klemmer (Benoit Magimel) is a young man who is very sure of himself who attempts to seduce her. The thing is she is a deeply disturbed individual and he can't cope when her true nature is uncovered. I don't want to go into any great detail about Erika or her mental state. The movie reveals this slowly and beautifully. I was impressed that there was no attempt at pop psychology or pat explanations that you would expect in a Hollywood melodrama with similar subject matter. Huppert is extraordinary throughout. I can't think of many contemporary Hollywood actresses who could have played this role as convincingly. 'The Piano Teacher' is not for those who can't face the dark side of human nature. It's far from being a life affirming "feel good" movie. If the difficult subject matter of 'Irreversible' or 'The War Zone' interested you then this is your kind of movie. I can't say I "enjoyed" it, but it was a worthwhile, rewarding experience and how often do you get to say that these days?
Why is it that Freud was always talking about hating your father? Mommies do the best job of screwing you up, and Erica's (Isabelle Huppert) mom is a doozy.
Huppert can always be counted upon to give an incredible performance, and she is superb here in the painful-to-watch film. She is carrying an incredible amount of psychological baggage, and it really affects her emotionless life. She is looking for love, but only finds seduction. Part of the problem is hers as she has no concept of what love is. She has a warped sense of S&M that she supposes is love, but when faced with reality, she is shocked and cold.
I should warn you that the ending is certainly unconventional, but the film is unconventional as well, so it fits.
Huppert can always be counted upon to give an incredible performance, and she is superb here in the painful-to-watch film. She is carrying an incredible amount of psychological baggage, and it really affects her emotionless life. She is looking for love, but only finds seduction. Part of the problem is hers as she has no concept of what love is. She has a warped sense of S&M that she supposes is love, but when faced with reality, she is shocked and cold.
I should warn you that the ending is certainly unconventional, but the film is unconventional as well, so it fits.
क्या आपको पता है
- ट्रिवियाIsabelle Huppert really played the piano in the film. She had studied piano for 12 years. As preparation for her role as a piano teacher, she resumed practicing a year before the film was started.
- गूफ़When Walter starts his piano audition; in the background, there are various teachers sitting in certain chairs. However in the following shot which is a medium-long shot of Kohut while Walter is performing; one of the female teachers is sitting in a different chair and a male teacher that was closest to Kohut is no longer sitting there but his belongings are on the chair. Then in the following shot after that, after Walter finishes his audition; the missing male teacher is back in his seat.
- भाव
Erika Kohut: After all, love is built on banal things.
- इसके अलावा अन्य वर्जनThe R-rated edition from Kino makes a number of changes and omissions, removing the shots of the hardcore peep booth footage viewed by Huppert's character in the mall, as well as optically pixellating pornographic images on magazine covers in the sex shop. In addition, this version completely removes the following two sequences: -Huppert's cutting sequence in the bathtub -Magimel taking Huppert to the ground and humping her at the hockey rink. In the latter case, the film awkwardly fades out and in again in quick succession, to elide the missing footage.
- कनेक्शनFeatured in The 2003 IFP Independent Spirit Awards (2003)
- साउंडट्रैकPiano Sonata in A Major, D.959
Franz Schubert
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Piano Teacher?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- ATS 7,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $10,12,069
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $29,671
- 31 मार्च 2002
- दुनिया भर में सकल
- $67,88,329
- चलने की अवधि
- 2 घं 11 मि(131 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें