Thunderbird 6

Yeah it's definitely cheesy and the marionettes are so lifelike they're creepy, especially when they're laughing maniacally in the beginning, but the creativity and realism are fantastic. The plot is unique, the acting is top knotch and the story is an interesting one. This movie and the original shows by Gerry Anderson are LEAGUES above the dreck that Hollywood has put out over the last 10 years. (Especially the remake. Geesh, what a mess that was) Imagining the actual work involved in making this movie and the shows is mind-boggling and showed true artistry and creativity which is sorely lacking today.

Kids (and grown ups) always wonder - how previous generations' could've 'survived' without.. (fill-in-the-blank: cellphones, video games, electricity, automobiles, aeroplanes, etc., etc.)

The thing we all know is, that not having these things, one can't' miss not having them.

I grew up in the late 60's, early 70's (shh!), and I thought we were the coolest, most 'futuristic' we would ever be.

Saturday mornings for me involved grabbing a bowl of cereal (they were all named 'sugar' - something, i.e., Smacks, Pops, etc., and whilst the recipes for those cereals haven't changed, they removed the 'sugar' from the name - but not the product) and plonking down to watch the fantastic shows of Gerry & Sylvia Anderson, in particular, Thunderbirds, and l8r, Captain Scarlett.

People writing reviews here now are constantly mentioning the effects,, good, bad, etc., but, the thing is, I know when I was a kid - and I was a damn smart kid - I didn't even think about the quality of the effects, I just thought the shows, the adventures were cool.

As most 'Fandersons' know, there were 2 Thunderbird movies made - this one, and Thunderbirds are Go!

I 1st saw this film in the late 70's, when I was a late teen, and I watched it because I wanted to reconnect with my childhood.

I was riveted.

I'm now in my early adult years (A-HEM!), and I just watched - for the 1st time since the late 70's - Thunderbird 6, and I had a blast with my heroes of my youth.

Like many of you, I am in awe of the hard work and craftsmanship which went into building the intricate models and then filming them, and not because I want to 'shatter the illusion,' but, rather, because I am just amazed at this talent - I try to spot those shots where live action and model work are intercut, as well, and there are quite a few where I am left scratching my head; 'was that a model, or was it live?'

Incredible.

The gang - the Tracy Clan, (plus Brains & Tin-Tin), as well as the glamorous Lady Penelope and Parker are all here for what amounts to a 90 minute long Thunderbird episode, but, it never feels padded, and unlike many movies 'costing many, many times the budget of this, you actually see where the budget was spent.

As the saying goes, 'no expense was spared,' and it wasn't.'

The sets, the special effects - you see where the money for this love letter to the kids (now adults) and their kids, and their…, well, it's a love letter to us from the fabulous Anderson's.

I did hear though, that Lady Penelope was supposedly 'difficult' to work with on the set, but, in truth, it was she wanted to make sure her 6-wheeled Rolls was fine-tuned, and, I guess Gerry & Sylvia had to pitch in, since 'Lady P' is such an important part of Thunderbird lore.

For all those of us who never fully grew up, Thunderbird 6 is a lot of fun, and I think it's something I'd share with any kid today, as times may change, we still love to explore with our minds, and the sky IS the limit with the Anderson's,.

Thunderbird 6 are GO!

These films have a certain style and flair, helped greatly by Barry Gray's music. The plot is simplistic and cliché, but has a dash of originality. There is the ongoing Thunderbirds obsession with the form and function of ships and other vehicles. The biplane acrobatics were very well done, and the music playing when the biplane first appears is comical and appropriate. Every scene and transition seems lovingly crafted and there is no doubt that this film is a work of art.

With all due repect to the user who somehow remembers the ancient Republic serials doing a better live action/effects mix that this high-tech Sixties extravaganza, you really won't see the join in Medding's seamless recreation of a British motorway (built in one third scale and mixed with real motorway shots for the climactic Tigermoth escape sequence). Indeed, so realistic is this shot that on the DVD commentary Sylvia Anderson (who spends most of her time pointing out the live action shots vs the model shots, like we really need to know) exclaimes "now that's definitely not a model shot!". Sorry Sylv, love, it is and it's quite likely the best you'll ever see (or be hoodwinked by). If you love Thunderbirds, the Andersons or just damn fine effect work, come worship at the alter of Derek Meddings: see Thunderbird Six.

By the time this belated TV spin-off appeared, Captain Scarlet had come and gone and Thunderbirds was yesterday's news. Such was the shallow fickle values of us kids back in the 60's. I was very surprised to see this announced for production in TV TORNADO. I recall the vast amount of hype the original film received and assumed for years it had been a box-office success. However, the whole Anderson supermarionation empire was in its decline as fashions changed by the late 60's. Joe 90 was to appear to a less-than-rapturous reception and The Secret Service was virtually stillborn. At least Joe got his own comic and a Big Rat toy. All I recall of The Secret Service was a clip on Magpie and a Sweet cigarette picture card of the Rev Unwin. This might not have mattered so much if the Anderson's had learnt the lesson of the previous film. How many producers get the opportunity to make a sequel to a film that flopped? While the plot against the Tracey's by Black Phantom (is it really a suddenly vain toupeed Hood?) is a more satisfyingly personal drama as opposed to the Zero X launch, the whole plot is, again, a bog-standard TV episode dragged out with whimsical foreign interludes that exercised the model makers ingenuity but fatally kill any sense of pace. The finale of the Skyship delicately balanced on the aerial wrenches up the tension but is too little too late - and it drops onto a missile base for added pyrotechnic value. I recall some publicity being raised on national TV news by the live-action shots of the bi-plane roaring over an unfinished motorway. I suspect Anderson was more interested in these as a calling card to show he could handle live-action as opposed to puppetry so - like The Secret Service - this serves as a transitional film to the human-based melodramatics of the 70's with UFO and Space 1999. While Anderson could handle full-sized action, endowing his non-marionette figures with any breath of humanity often proved beyond him.