The Mercenaries

Call it "Dark of the Sun" (the better title, I think) or "The Mercenaries"--but under any title this film moves fast. A great example of a guy's type of film where the editing, direction, and storyline all compliment one another in the effort towards a fast-paced action flick. It a raw, gritty, and satisfying action yarn. Rod Taylor is really choice in this role: he was easily in his best shape ever and utterly confident as the hardboiled mercenary leader. Jim Brown is fine as well as his sidekick. The two make a good combination together.

"Dark of the Sun" is also one of the more memorable films involving a train as a locus for the action. Train films have a charisma all their own, in my opinion, and this one is no exception. In this venue, a band of mercenaries utilizes a steam engine to blitz across the border into rebel-held territory. The story is set in South Africa and they been enlisted to to rescue citizens cut off by the revolt and also, to nab some diamonds for themselves, of course.

However, dont think that with this storyline its at all meatless in emotion values, or gratuituous in terms of its violence.

With regard to emotion, there are definitely some nice story elements and a chance for the actors to apply their skill. There are poignant little moments of humanness amid all the tumult. The characters suit, and have been devised (by the author Wilbur Smith) to correctly add balance and measure to the story. Its not all gunfire and explosions. The violence is kept within acceptable, old-school bounds and the focus is on heroism and loyalty rather than sadism.

There is an interesting, thought-provoking subplot to the story that eventually factors into the conclusion of the movie. This thread comes from the fact that one of the mercenaries is an ex-Nazi. As a mercenary, he really "enjoys his work". But his views raise all sorts of disturbing questions about prejudice and hate and "where to draw the line" for Rod Taylor, who, as leader of the mercenaries, has to set an example of ruthlessness. The two develop a vicious enmity and finally go at it 'mano a mano'. The end of the film is a surprise "man learns better" type of ending--but still quite satisfying.

The film overall is a better-than-average-quality product, and definitely a must-see guy-movie; its a 1960's action pic that does a better job of keeping you interested and absorbed than any twenty action pictures made more recently.

Believe it!

The band of awkward soldiers and ex-soldiers willing to do everything for money is represented well here. A formula to be repeated over and over again mainly in Italian "Wild Geese" clones finds its embodiment in Rod Taylor, who brings his schooling of 120 % acting over as usual. His long time comerade is the overconscious Ruffo, a native of their Congolese country of action played by former football-jock and blaxploitation icon Jim Brown. I have the feeling the American version had an important side of the coin taken out: More interesting than the routine plot of escorting diamonds in a train through areas infested with wildman rebels is the inner struggle of Rod Taylor's character with the omnipresent racism towards his black pal, mainly shown by Sergeant Henlein, played by very German actor Peter Carsten. In the German dubbed version this is explained well: Taylor - who has got the German name Willy Krüger - and Henlein were comrades in the Nazi Wehrmacht. The bad guy still acts like a nazi while Taylor/Krüger even tries to forget his past by being a complete almost anti-patriotic mercenary. Technically the film does not fail to entertain. Solid characterizations, good acting throughout, colourful photography and a lively Africanized jazz score make "The Mercenaries" a great adventure movie.

A nasty and terrific gem of an action movie, the best of Rod Taylor's career. Very exciting, expertly acted, and with a beautiful score that sounds like it was done by Maurice Jarre (it wasn't). Highly recommended.

Great story line - Mercenaries are sent in to the middle of the Congo under the guise of rescuing the village people but their real mission is to recover 50 million dollars of diamonds. Good versus evil with an undertone of racial discrimination.

Superb cast - Robert Taylor, Jim Brown, Yvette Mimieux, Kenneth Moore, and the evil doer Peter Carsten.

Brilliant cinematography - the color scheme is very pleasing to the audience's sense of comfort and appeal

Screenwriting - greed, lust, good versus evil, this film has it all,

Action - non stop

I give this 54 year old film a well deserved 8 out of 10 IMDb rating, Now this is a true action/adventure film.

DARK OF THE SUN ( As I know it though there`s several different titles for the film ) is the simple stoy of a bunch of mercenaries in 60s Congo liberating a bunch of Europeans ( And more importantly a lot of diamonds ) besieged by the muderous Simba nationalist cult. Throw in a load of cliches like a drunken doctor , a damsal in distress , a nazi war criminal , a redemption sub plot with the hero gaining his humanity , tedious moral dialogue about the future of Africa and several revealing mistakes where the victims of Simba violence are quite clearly stuffed dummies and you might think this is a really bad film . Maybe it is but it`s also good old fashioned entertainment . The battle scenes may have dated somewhat compared to BLACK HAWK DOWN and SAVING PRIVATE RYAN but they still pack a punch especially the editing when the action cuts from the Simba hordes attacking the train to the hero and the banker waiting patiently for the time lock to open the vault where the diamonds are stored. If you liked THE WILD GEESE you`ll like this film too