Hombre

The movie is set in Arizona , circa 1880 . John Russell (Paul Newman) is a tough Indian-raised man , he's disdained by his respectable stagecoach passengers : Dr Favor (Fredric March) and wife (Barbara Rush) , among others (Diane Cilento , Martin Balsam , Margaret Blye) . He's enticed into helping when some bandits (Richard Boone , Frank Sivera , David Canary's film debut) attack the stagecoach . Russell becomes involved and results to be the only hope for survival when they are assaulted by cutthroats , facing off dangerous outlaws across the treacherous country .

Exciting Western plenty of thought-provoking drama , shootouts , action and being quite entertaining . Various character-studios furnish the basis for this Western-drama . Terrific Paul Newman in an enjoyable performance , though using the Stanislawski method , as he plays a disdained person that's why he was raised by Indians , but he becomes the saviour and only hope for survival when they are set upon by outlaws . Richard Boone gives a superb acting as a cruel baddie . Colorful cinematography by James Wong Howe , he's a classic cameraman who won two Oscars (Hud and Rose tattoo) , working from silent cinema . Interesting screenplay dealing with racism theme by Elmore Leonard , he's a noir film (Jackie Brown , Get shorty , 52 pick-up) and Western expert (3.10 Yuma , Tall T , Valdez is coming , Joe Kidd), and , nowadays , working too . The motion picture was well produced and directed by Martin Ritt , who worked with Paul Newman in ¨Hud¨ and ¨Outrage¨. The film will appeal to Western enthusiastic and Paul Newman fans . Rating : Above average, well worth watching.

A tough, sun bleached western from Martin Ritt, this is well served by fine performances and some tremendous cinematography from James Wong Howe.

John Russell (Newman) is a white man raised by the Apaches, who travels by stagecoach with a group of people whose lives aren't as simple as we first believe. Threatened by bandits, Russell unwillingly leads his fellow passengers towards safety. His moral code is sparse and unforgiving, but he is surrounded by others of a different persuasion, most notably Jessie, played by Diane Cilento. When the bandits hold a passengers wife hostage, Russell's moral code is challenged, and it's his unexpected attachment to Jessie that causes him to behave differently.

Newman and Cilento are excellent. Richard Boone is the perfect counter weight as Cicero Grimes, the principal bandit. Martin Balsam (stagecoach driver) and Frederic March (an Indian agent) make an impression too, as does Frank Silvera (Mexican bandit).

This is a vastly superior western. Superlative work from the stars and an intelligent script, added to the dusty Death Valley location work, create a tense, sparse western well worth watching.

Martin Ritt made a lot of good movies. This is one of his best. It deserves to be remembered and to live forever. Elmore Leonard wrote this wonderful western of a man who is no hero in the classical western-style. He is of white origin, brought up by Indians. He wants to live in peace with his fellow man, and faced with violence he withdraws, but when it comes to injustice or survival he turns out to be some sort of hero just the same. Paul Newman's leading role as Hombre is a performance as convincing as ever. And all other leading characters are played by wonderful actors too. Richard Boone's bullying criminal is almost to be smelled through the screen. Even in the smaller roles there are some real gems. See this movie again and again - and again!

This film made Paul Newman my favorite male actor for decades. It affected the way I have seen every one of his roles, even his salad dressing. The story line brings John Russell's (Newman) personal strength of character and survival into sharp contrast with many of the other characters' own sense of strength, and therefore the viewers' as well. There are villains all around and innocent (and not so innocent) victims for the taking. Personal values of all kinds (racial, greed, criminal) are set up for display and comparison against Russell's simple personal strength and integrity like a painting competition at a state fair.

My most remembered quote from this film is Russell's response to Dr. Favor(the embezzler)when Favor attempts to educate Russell that white (implying civilized) people stick together and help each other out and Russell responds, "They better".

Is this movie not a micro-view of society? We have a certain class structure. We have heroes and villains. We have one man, who, perhaps by virtue of his Apache affinity, is essentially "at one" with himself. He tells the person who comments that they had mistakenly believed that he was taking the money for himself, "What you think is your business." He is unaffected. He knows who he is, what he's about, and is not "on the string," dancing to the tune that others would call for him. He has his own code; his own values, and he demonstrates them -- in action -- throughout this fine film. Richard Boone is great as Grimes, and the overall cast is very good. This movie, in some ways, could be taken apart, viewed, and reviewed much the same way as Henry Fonda's "12 Angry Men." There is much to admire about this movie . . . much to admire in the character, John Russell.