The Glory Stompers

Glory Stompers, The (1968)

** 1/2 (out of 4)

AIP biker film has Black Souls member Chino (Dennis Hopper) beating the pulp out of a Glory Stomper (Jody McCrea) and stealing his girlfriend (Chris Noel). They think the Glory Stomper is dead but he eventually comes seeking revenge. As far as biker flicks goes this one here certainly isn't at the top of the group but it's a decent entry. There are enough plot holes here that you might find yourself laughing when you're not suppose to. One such moment happens early on after they beat up McCrea. For whatever reason they think he's dead but they never check a for a pulse or anything else. This here is why he's able to come after them as they didn't finish the job or even check to see if they did. Another such moment is when Hopper tells everyone that they'll never find the biker's body because they hid it yet all they did was put him and his bike under a tree where everyone could see it. It's that type of goofiness that gives this film its charm as well as other scenes including one where there's a mass orgy of body painting. There's some silly sex scenes thrown in but everyone keeps their clothes on and just rolls around in the dirt. Hopper is at his very best here playing a real nut who is constantly coming up with silly things to say and always threatening someone. McCrea doesn't have his father's acting ability but he's fun enough in the role. I didn't care too much for Noel as I found here way too bland for the character even though she is playing the goodie type. Robert Tessier, with hair, has a pretty good role as the muscle-bound thug and most will remember him from his bald roles in HARD TIMES and THE LONGEST YARD. Casey Kasem and Lindsay Crosby (Bing's daughter) also appear. The movie moves along quickly enough and there's enough charm to make it worth viewing if you're a fan of the genre. There's certainly nothing terrific or ground breaking here but Hopper is a lot of fun and makes it worth checking out.

Rebel motorcycle gangs love to ride, and ride hard, but there are three other facets that they like: (1) drink, (2) party orgy-like, and (3) wreck things. In this film they don't wreck much, but they do the others well. If you want to see them wreck things, see "Devil's Angels" (1968). Produced for the independent American International Pictures (AIP), "The Glory Stompers" followed the success of the " The Wild Angels" (1966). "The Glory Stompers" cost $100,000 to make, but grossed more than thirty times that much. Now that's a successful production!

A rival gang of the Stompers, the Black Souls led by the unbalanced Chino (Dennis Hopper), kidnap blonde Chris (Chris Noel), girlfriend of Darryl (Jody McCrea), leader of the Stompers. Darryl is badly beaten up and left for dead (never mind the silly details), but somehow has amazing recovery powers. It's up to him and two pals, ex-member Smiley (Jock Mahoney) and Pony (Gary Wood) to track down the bad guys and reclaim his chick. Will he succeed? And will Magoo (Robert Tessier) eventually rape Chris; he certainly tries hard?

Note that the gorgeous girl who strips and skinny-dips along the way is the alluring Doreen (Astrid Warner). Kudos rightfully belong the Mario Tossi for his enjoyable cinematography: See the great shots of the motorcyclists on the sand dunes. So there is some value after all.

"Darryl" (Jody McCrea) is a member of the motorcycle gang called the Glory Stompers. One day while walking with his girlfriend "Chris" (Chris Noel) he is severely beaten up by five members of a rival gang called the Black Souls. Believing that they killed him and not wanting any witnesses, the leader named "Chino" (Dennis Hopper) decides to forcibly take Chris with them to Mexico where she is to be sold into prostitution. What Chino doesn't know is that Darryl's wounds weren't nearly as critical as he initially thought and upon gaining consciousness Darryl is determined to catch up to the Black Souls and get Chris back one way or the other. Anyway, so much for the rather standard plot. As far as the overall movie was concerned, I will just say that it was okay as far as biker films go. Naturally, Dennis Hopper performed in his usual energetic manner which helped add a little life into some of the slower scenes. Likewise, Chris Noel--and to a lesser extent Astrid Warner (as "Doreen")--definitely added some nice scenery along the way as well. In any case, although I doubt anybody would consider this film to be that great, it wasn't that bad either and as a result I have rated it accordingly. Average.

If you can get passed the standard revenge plot, "The Glory Stompers" is considerably better than expected. A fuzz guitar soundtrack adds tremendously to the overall enjoyment. Recognizable talent early on is displayed by Dennis Hopper and a pre "chrome dome" Robert Tessier. Another big plus is the on location photography, with well shot riding sequences. Of course all the "hey man" stuff dates the film squarely in the 1960s, and the acting by those not named Hopper or Tessier is wooden. Best looked upon as a time capsule with a very familiar plot, "The Glory Stompers" is something to be watched occasionally, when one reminisces about motorcycles pre C.G.I.. - MERK

''The Glory Stompers'' is hardly a classic-even in the ''Biker'' genre, but it's a decent, entertaining little flick from AIP. Dennis Hopper stars as a member of the ''Black Souls'' motorcycle gang, who beat up rival ''Glory Stompers'' member Jody McCrea,leave him for dead, and kidnaps his girl, Chris Noel. He and his gang (who include ''Born Losers'' alumni Robert Tessier, Edwin Cook and Paul Prokop) plan to sell Chris to a Mexican flesh peddler somewhere south of the border. However, McCrea(once he recovers) joins up with ex-Stomper Jock Mahoney and sets out to rescue her. Complicating matters is Hopper's psycho ''Momma'' (Saundra Gayle, a LONG way from ''The Wonderful World Of The Brothers Grimm'') who can't wait to dispose of Chris. And so it goes.The Widescreen photography is very good. The acting is decent all around. Hopper, despite his limited vocabulary (he says ''man'' in almost every sentence) is OK until the climax, when he screams, shakes, whimpers, whines, froths at the mouth and seems to be auditioning for a summer stock tour of ''Hamlet''. And, when all else fails, they toss in a ''Love-In'' along with a brief fight between a couple of tough looking'' Biker Chicks''. The soundtrack, which features, among others, ''The Arrows'' who were a Biker Film staple by now, is good, if somewhat overdone.Mike Curb, former Lt Governor and Motorcycle Music specialist, (The Wild Angels'' ''Devil's Angels'' etc) produced and wrote most of the music-even adding a song called ''Black Souls'' for future ''America's Top 40'' DJ Casey Kasem, who is seen in a bit part as one of the ''Souls''. Fortunately, this one didn't make it into the film's final cut, though, in all probability, it was just intended to help fill up the quickie tie-in soundtrack album.However, the title song ''The Stompers Ride'' did-though it was just a recycled version of Curb's ''Wild Angels Theme''. In fact, much of the music in the AIP biker films was used more than once for their other exploitation titles. Nevertheless, the Sidewalk Recording from the movie is now a highly prized collectors item, which goes for big $$$ whenever it surfaces on EBAY. Ironic, considering that back in the early ''70's, these and other Sidewalk/Tower exploitation soundtracks could be found in discount and drug stores for as little as (Gulp!) three for $1.00. MGM and Twentieth-Century-Fox have just released a nice DVD of this title. The print shows it's age from time to time, but it's in Anamorphic Widescreen with nice color and a sharp image.(the Widescreen process used was probably ''Panavision'', but here it's called ''Colorscope''). and the sound quality is also very good. As a ''Limited Edition'' DVD-R, there are no extras, but it's still nice to have an ''Official'' release at last. Incidentally, of AIP'S many Cycle Sagas, only two others were made in the ''Scope''process -''The Wild Angels'' and it's follow-up ''Devil's Angels''.All of them should have been filmed this way, because, like this one, most of the others feature a lot of footage with the Bikers zooming up and down the highway. And that sort of thing was ideal for the format. Catch a ride with the Stompers and hang on!.