The Flim-Flam Man

I saw this film on AMC a while back and fell in love with its charm and hilarity. The film is about a runaway teenager and a seasoned old "crook". The movie is very funny, with one great scene linked to the next one. Directed by Irvin Kershner (Empire Strikes Back). Here, he shows a flair for staging complex set pieces and good comic timing. George C. Scott, always great, seems to be the perfect choice as the old con-man. As playful as this film is, there are some tender moments between the characters, adding some heart to an already fun movie. I hope this movie becomes more widespread in the future, since I feel so many are missing out on this one!

This movie was so good, I hunted down the next scheduled airing on TV, and made sure I recorded it. I've enjoyed it on tape ever since. Here's hoping for a future DVD!

It's nice to see such an intense great actor like Mr. Scott delve into this type of lazy-style comedy. He's simply marvelous in a W.C. fields type role. Michael Sarrazin is decent and Sue Lyon very fetching. Albert Salmi is great as a deputy. Great cinematography. A 6 out of 10.

1967 was a great year for films and this was not at the top of the heap, but a pure pleasure dramady. Strother Martin shines in a bit role (one of our better characters who died too young). The mediocrity of the rural policeman is a joy to watch. Nicely-paced. George C. Scott should have done a few more like this! The poster is excellent and a fun script. Scott's unkempt dowdiness makes him all the more charming!

Happened to be channel-surfing today and, how amazing!, came in on an early scene of this film (instead of one of the endless stream of advertisements and promo clips that pad their broadcasts) on American Movie Classics. Not letterboxed, of course (and WHY NOT?!!?, may I ask), so that director Irvin Kershner's Panavision framing was not part of the pleasure of viewing this pell-mell tale, scripted by the gifted William Rose. I don't know why I avoided catching this during its initial theatrical release, possibly because the trailers were somehow drab-looking (a fault of the cheap film stock commonly used at the time to advertise films shot in DeLuxe Color) and too frantic, the latter easily achieved when there's so much amazingly choreographed action for an editor to choose from.

Anyway, the cast, topped by George C. Scott, clearly enjoying himself in a bravura performance, includes Harry Morgan, Albert Salmi, Alice Ghostley, Slim Pickens...wow! What a roster!...and the lovely Sue Lyon (who, in one carefully lit shot looked like the ideal choice to play Joanne Woodward's younger sister in a movie one could imagine but that never got made before Ms. Lyon's retirement to, one hopes, a very happy marriage.) Michael Sarrazin acquits himself quite well, despite the formidable presence of Mr. Scott in full thespic throttle, and Jerry Goldsmith's music underscores the proceedings quite skillfully, including his use of a harmonica (which I usually find somewhat off-putting.) My only complaint, as an enthusiast for Detroit products of the past, is the merciless destruction of that bright red Plymouth convertible as it careens through a town left devastated in its wake. That particular sequence packed more eye-popping excitement than all of the more recent destruction derbies in the many so-called action movies in the decades since.

This film has long been one of my favorites, and I think it's just a crime that this wonderful movie is not on DVD yet! I mean come on, this movie was no small time production. It boasted a big name, George C. Scott, as well as a few other well-known supporting players such as Harry Morgan (Col. Potter on "M*A*S*H"), Strother Martin ("What we got here is failure to communicate" from "Cool Hand Luke"), Jack Albertson ("Willie Wonka and the Chocolate Factory" and "Chico and the Man"), and Slim Pickens (who also appeared with Scott in "Dr. Stragelove").

The story is quite amusing and wonderfully crafted: A slick con man way up in his years takes a young army deserter under his wing to teach him the tricks of the confidence game. The young man-gone-AWOL at first is taken in by how easy it is to sucker people out of their belongings by having the right props and a perfectly rehearsed act. But he begins to have doubts about the illegal and dishonest ways of his aging con artist mentor and decides that a life on the run is just not for him.

All in all, the film is an incredible light-hearted comedy/adventure complimented by a great musical score by Jerry Goldsmith.

As for a DVD release, I wouldn't even complain if the disc had no special features on it (commentary tracks, theatrical trailer, etc.). Just a widescreen presentation for 16:9 televisions would be plenty enough for me. I hope when 20th Century Fox looks through their film vaults for potential DVD releases that they don't overlook this one!

Anyone who has seen George.C.Scott in his most widely recognized role as PATTON(1970) should take a look at his wonderful performance in THE FLIM FLAN MAN(1967). It's like looking at two absolutely different actors. I have always admired the actors and actress' who completely disappear into their parts (Alec Guiness, Kate Blanchet, Tom Hanks, to name a few) You forget for a few hours that you are watching an actor, and that makes the characters they play stand out all the more. In this film, Scott plays Mordecai Jones, a legendary con-man who takes up with a young soldier awol from the army. The two stike a chord immediately, and start working together to make a quick buck. Things start to get interesting when the young soldier proves to be a little bit too honset for the Flim Flan Man. The locales, supporting cast, and a top notch car chase make this film top notch entertainment, but it is Scott who steals the picture (as he has done so many times i.e DR STRANGELOVE, THEY MIGHT BE GIANTS) as the wiley and charming Flim Flan Man. Grab a copy of THEY MIGHT BE GIANTS, and make it a evening. You won't be disappointed you did.