Cast a Giant Shadow

The movie deals upon the birth of State of Israel . It's based on real deeds . Here David , ¨Mickey¨ , Marcus (Kirk Douglas) , an American Jew and general of the WW2 who helps the Jewish to build the State of Israel . There are various flashbacks remembering exploits of Marcus during second world War . After that , he goes to Israel and he commands the troops . Marcus formed an Israel's formidable army to fight during the 1947-1948 struggle for Independence . Mickey is in every military action , culminating in a dangerous mission through a risked pass to arrive in Jerusalem .

¨Cast a giant shadow¨ follows the fabulous career of Col. Mickey , he is Kirk Douglas who does a first-rate acting as the daredevil Israeli commandant . John Wayne plays as an American general , he is excellent , as always . Yul Brynner is a Jewish colonel who has the command of the army that will defeat the Arabs . There's a warmly glowing portrait of a woman warrior from Senta Berger . And Luther Adler gives an awesome acting as Ben Gurion . The ending with its spontaneous sentiment on the people when takes place the Independence declaration is the most moving moment in the movie .

The music from Elmer Bernstein is impressive and cinematography by the Italian Aldo Tonti is magnificent. The flick will appeal to history buffs . This propaganda motion picture was well directed by Mellville Shavelson . Rating : Acceptable and passable , well worth watching. Rating 6.5/10

After service in World War II, assimilated Jewish-American lawyer Kirk Douglas (as David "Mickey" Marcus), is offered a dangerous assignment in Palestine. There, Allied victors and the United Nations are supporting the formation of Israel through partition. Arriving, Mr. Douglas finds himself on the ground floor of what will dominate the remainder of 20th century in ways they couldn't have imagined in 1966 - the Arab/Israeli conflict. Reluctantly, Douglas finds himself leading the charge…

"Cast a Giant Shadow" is well-named. First, it begins with giant shadow-casting footage of three larger-than-life figures - Winston Churchill, Franklin D. Roosevelt, and Joseph Stalin (at Yalta). Second, it features "special appearances" by giant shadow-casters who normally star in features - Frank Sinatra, Yul Brynner, and John Wayne (as the General). Third, you have sexy shadow-casting Senta Berger (as Magda Simon), who helps Douglas get over still smokin' wife Angie Dickinson (at home).

This film is what you'd expect, considering the politics and time. Douglas is always a strength; his performance holds the film together through some tough times, and his varied selection of projects is appreciated. A couple of the big name supporting players, once you get over the initial distraction, present real characterizations. Director Melville Shavelson and cinematographer Aldo Tonti make attractive use of the locations. The real story is Douglas juggling Ms. Berger and Ms. Dickinson, not war.

***** Cast a Giant Shadow (3/30/66) Melville Shavelson ~ Kirk Douglas, Senta Berger, Stathis Giallelis, John Wayne

Earnest, well-mounted but essentially dreary epic about the real-life involvement of an American Jew in the post-war struggle for Israel's independence – thus sharing its theme with EXODUS (1960), and clearly aiming (but failing) for a "Marcus Of Israel" feel!

Kirk Douglas stars as Mickey Marcus – perhaps chosen due to the character's similarities to another historical figure forced by circumstances into leadership, Spartacus, whom Douglas had portrayed in 1960. He's supported by an eclectic cast which includes Angie Dickinson as his neglected(!) wife, Senta Berger as the Israeli girl he falls for, Topol as an ill-tempered Arab sheik, Luther Adler as a local politician, a plethora of reliable British character actors – and even guest appearances by Frank Sinatra (which doesn't amount to much), a glum Yul Brynner as a fellow freedom fighter, and John Wayne as a U.S. General whom Douglas initially falls foul of but the two eventually end up respecting one another (still, seeing Wayne at the liberation of the Dachau concentration camp is about as incongruous as his stint playing the Roman Centurion at Christ's crucifixion in THE GREATEST STORY EVER TOLD [1965]!).

Despite a sharp script and good individual sequences, the film is compromised by its necessity to be both a spectacle and a message picture (the WWII flashbacks, for instance, are unnecessary and merely render the film overlong); unsurprisingly, it works best during the action highlights (complemented by a typically fine Elmer Bernstein score). Apparently, the events have been partially fictionalized – I wonder whether these embellishments concerned the romantic complications and the Hollywood-style ironic ending. For the record, Shavelson had started out as a scriptwriter (and later director) of Bob Hope and Danny Kaye vehicles; this was his most serious effort – a brave try, but not quite the 'giant' film he clearly intended...

One of the greatest casts ever assembled for a single film including Kirk Douglas, Michael Douglas, John Wayne, Frank Sinatra, Yul Brynner, Senta Berger, Angie Dickinson and others was put completely to waste in this film of unfulfilled potential. Sadly, despite a disproportionate amount of Jews in influential positions in Hollywood, Exodus and Cast a Giant Shadow remain the only two major films on the subject of Israeli independence.

Clearly almost the entire budget was spent on a two minute cameo by John Wayne because even for 1966 the special effects were poor, the dialogue was flat, the plot was boring, many scenes made little sense, and every actor either seemed bored with his or her role or they overacted. For a movie based on actual events the filmmakers due an incredibly poor job of explaining how things actually come to pass in the movie, maybe the truth was just too boring. The film sends a message but it is poorly conveyed and in the end I simply am left unsatisfied with a desire to see a Longest Day type caliber movie about the Israeli War of Independence.

An American drama; A story about an American soldier who led a battalion of fledging Israeli Defence in the late 1940s. This epic biopic is based on the true story of American-born U. S. Colonel David "Mickey" Marcus, who was enlisted by the Israelis to perform the difficult task of preparing their fledgling nation for battle during Israel's struggle for independence. It has a good production standard with a great musical score and superb photography. However, it falls short in getting down to the proper work of storytelling on the film's main theme and relies on flashbacks for exposition and superficial melodrama about a relationship. Pity, because Kirk Douglas was well cast, and he portrays the adventurous soldier-of-fortune with distinction. John Wayne plays a composite character that hardly makes an impact on the story.