La orgía de los muertos

Set in 19th-century in Scotland, when a count dies, his nephew named Chekov : Stelvio Rossi comes to the mansion located at a village in a mountain location. But then the daughter of the recently deceased count appears hanged. At his house a group of people reunite to know the inheritance to be supervised by a notary. There join the following ones : the disgraced widow : Maria Pia Conte , a Doctor : Gerard Tichy who worked with the dead man, his beautiful daughter : Dyanik Zurawoska and assisting them a suspicious butler : Charles Quiney . Along the way here also shows up a Police Inspector : Paquale Basile to investigate the strange death of the hanged woman . Scariest than you worst nightmare! . We dare you take one step beyond the grave!

A horrific and terrfying Zombie movie that at the time had a certain success and being nowadays well considered. Spanish Gothic with chills, horrifying set pieces, thrills, ghastly scenes, beheading and nudism in charge of two Eurotrash beauties : Maria Pia Conte, Dyanik Zurawoska . This is a mixed bag in which there are all kinds of elements and characters of terror genre as living dead, voodoo, psych people, creepy undertakers , sinister caves and anything else. The film is full of familar faces of the B-Spanish/Italian genres from Spaghetti, Sex comedy, Macarroni Combat, Horror to Giallo such as : Stelvio Rosi, Gerard Tichy, Charles Quiney , Maria Pia Conte, Dyanik Zurawoska. Special mention for the great Paul Naschy or Jacinto Molina who in a brief role gives one of his best interpretations as a really deranged gravedigger.

It contains a thrilling and suspenseful musical score that fits perfectly to the frightening scenes. As well as an atmospheric and dark cinematography with strong shades by Rizzolo. Being shot on location in the Pyrenees mountains, Huesca. The picture was professionally directed by Jose Luis Merino who recently passed away. This Spanish craftsman had a long career making all kinds of genres : adventures, comedy, Musical, action, Paella Western and Horror. Outstanding his films about Robin Hood, El Zorro, Tiger of Kyber and his Terror movies as Ivanna and La Orgia de los muertos 1973. Rating 6/10. Acceptable and passable but not for squeamish.

The Hanging Woman takes obvious influence from both the classic Hammer Horror films and Mario Bava's Gothic masterpiece Kill, Baby...Kill. The result is a slightly plodding, though undoubtedly interesting and very atmospheric little horror film. Like many European films from the seventies; this one has a whole slew of titles, which range from those that don't make sense - 'Dracula the Terror of the Living Dead', to cash-ins; 'Zombie 3: Return of the Living Dead', and innuendo; 'The Orgy of the Dead'...but The Hanging Woman is the best on the merit that it actually fits the story. The plot focuses on a man that travels to an old Scottish village in order to claim his inheritance; an old house, currently inhabited by his uncle's science partner. Upon his arrival; a woman is found hanged in a graveyard; though the circumstances are suspicious as she was already dead before the hanging. Things turn a little more awry when the nature of the experiments going on at the house are revealed, and the village may be harbouring a dark secret.

The plot features a number of different elements, which includes black magic, zombies and grave digging. It has to be said that it can be a little messy at times; though nowhere near as much as many films of this ilk and the plot really flows rather well and the various different elements are well used. Undoubtedly the best thing about the film is the atmosphere and director José Luis Merino succeeds admirably in this respect as the atmosphere is thick and foreboding and this helps to further the plot. The film is essentially a mystery with horror elements, and the director keeps our interest with lots of good ideas and some interesting characters. Paul Naschy is the only cast member likely to be recognised by anyone watching the film; but the unknown cast all do well with their roles; particularly Stelvio Rosi and Dyanik Zurakowska. There's not a great deal of blood in the film; but patience is rewarded towards the end with an excellent decapitation sequence. The film is not very well known and I can't say I'm surprised about that; but it's certainly well worth a look and fans of this stuff shouldn't be too disappointed with it.

"La Orgía de los Muertos" aka. "The Hanging Woman" of 1973 is an underrated and greatly atmospheric Spanish/Italian co-production that should be appreciated by my fellow fans of Gothic Horror. Originally, my main reason to watch "The Hanging Woman" was Spanish Horror/Exploitation icon Paul Naschy, who plays a another really, REALLY demented role here, and the film turned out to be one of the best I've ever seen him in. I've been a great Naschy fan for years, and while most of his films are not necessarily 'good' movies, they are all highly entertaining. Many of the films this prolific Spanish Horror virtuoso (Actor/Writer/Director) was involved in in the 70s successfully merged the Gothic- and the Zombie-sub-genre (most prominently in Carlos Aured's "Horror Rises From The Tomb"). And this moody and delightfully creepy film does so in a great manner (the Gothic part is predominant). Spanish director José Luis Merino, who is also known in the Eurohorror fan community for directing "Altar of Blood" obviously didn't dispose of a huge budget for this film, but he nevertheless managed to create a wonderful Gothic atmosphere and give the film an elegantly eerie look.

Set in a remote 19th century Scottish village, "The Hanging Woman" begins eerily with a funeral. Shortly thereafter, Serge Chekov (Stelvio Rossi), the nephew of the deceased, comes to the village in order to accept his inheritance. Before even reaching his uncle's house, however, he finds the man's daughter, his cousin, hanged in the graveyard... The film was obviously inspired by other European Gothic Horror films, most distinctively by Mario Bava's masterpiece "Operazione Paura" ("Kill Baby Kill", 1966). "The Hanging Woman" is, of course, nowhere near en par with "Kill Baby Kill" (in my humble opinion one of the greatest Gothic Horror film ever made; by Mario Bava, who is arguably THE greatest Horror director of all-time). However, it is an amazingly atmospheric, creepy and intelligent piece of low-budget European Gothic Horror that no true genre lover should miss. The village is elegantly uncanny, with graveyards, tombs, eerie old houses, and tombstones like one would see them in films by Bava or the Hammer Studios. The storyline is clever and quite original and combines great elements such as Black Magic, Mad Science and Resurrection. There are several great gory moments, as well as some sleaze. Paul Naschy, who plays a truly deranged undertaker, is great as always, and I've never seen a role that suits him better than this one. Naschy is, of course, the highlight here, but the cast members all fit well in their roles and deliver good performances. Stelvio Rossi is good in the lead and so is Gérard Tichy ("Hatchet for the Honeymoon"). I liked sexy Maria Pia Conte, who plays the seductive widow, especially. For early 70s Spanish Horror, the film isn't particularly sleazy, but it features a bunch of deranged perversions and both Miss Conte and Dyanik Zurakowska, who plays the part of the innocent Doris, show off some goods. The film mainly profits from a great Gothic atmosphere, genuine creepiness, some really deranged weirdness and, not least, Paul Naschy. Naschy only has a supporting role here, but he is nonetheless the most memorable character in this film which ranks among the best he has ever been in. Highly recommended to Eurohorror fans.

I saw this dubbed Spanish film as The Hanging Woman, on Gorgon Video. The box promised scenes of brutality, rape, and humiliation beyond Last House on the Left. Just to clear the record, this is not true. There is no rape, and the closest thing to humiliation is when an innocent virgin bares her breasts. There is violence and graphic gore, but it really doesn't kick in until the climax. And what a climax! Bloody zombies rampaging in the best Night of the Living Dead fashion, with the luridness increased in typical European style. The final shot is chilling and almost Bergman-esque. However, the rest of the movie is pretty uneventful. Despite a strong beginning and creepy atmosphere--with the dirtiness of the period perfectly captured by grainy, washed-out color photography--most of the film is like an overlong episode of Dark Shadows. Sexy Dyanik Zurakowska has some powerful nude scenes, and her sex scene with Stelvio Rosi helps spice things up...but not much else happens. Paul Naschy, the reason many people seek this out, has a small role as a red-herring necrophile. On the whole, I think The Hanging Woman is worth seeing--but you should know what you're getting into. If you want your Naschy fix, see one of his werewolf movies.

Trivia: La Orgia de los muertos originally hit the States in 1974 as The Hanging Woman. International Artists promoted the film with a Last House-inspired campaign: "For the squeamish, keep repeating: It can't be true, can't be true, can't be true, can't be true, can't be true." Stelvio Rosi was billed as Stanley Cooper.

I recently watched the Spanish film 🇪🇸 The Hanging Woman, aka Beyond the Living Dead (1973) on Tubi. The storyline follows a man who arrives at an estate to claim his inheritance after his long-lost relative was found dead hanging in a tree. He encounters cults, curses, and zombies while attempting to gain his riches. The question arises: Can the inheritance be worth the mayhem he'll have to overcome?

Directed by José Luis Merino (Crime Story), the film stars Stelvio Rosi (Anaconda), Maria Pia Conte (The Arena), Dyanik Zurakowska (The Destructors), Gérard Tichy (Doctor Zhivago), and Carla Mancini (The Bird with the Crystal Plumage).

This is a somewhat uneven addition to the zombie genre that takes a while to build momentum, but the payoff at the end makes it worthwhile. The main character's resemblance to Chuck Norris adds a layer of unintentional humor to the action scenes. An infamous skeleton shooting scene had me laughing off my chair. The film's settings, backdrops, and props create a perfect atmosphere. While kills are scarce initially, the well-crafted corpses and eerie atmosphere compensate. The zombies feature solid makeup and an authentic feel. The storyline, though somewhat cliche, remains enjoyable, and the action-packed, worthwhile ending makes the journey fulfilling.

In conclusion, The Hanging Woman is a somewhat uneven addition to the zombie genre, but its worthwhile elements make it a must-see. I'd score it a 6/10 and strongly recommend it.