Ceremonia sangrienta

The picture is set in 1807 , Cajlice , Central Europe . The countess (Lucia Bose) masquerades the death her husband (Espartaco Santoni), as she needs blood to maintain facade of youth . The count abducts gorgeous girls from small village nearby the castle . Meanwhile , he falls in love with a countrywoman (Ewa Aulin) . The girls are killed and finally the countess can take her bath in their blood while being watched by the count .

Rather erotic Spanish-Italian co-production plenty of killings, suspense and horror . The story takes parts here and there from Sheridan LeFanu's Carmilla and the legend based on historical figure Elizabeth Bathory . Interesting casting , as an attractive and mature Lucia Bose who long time ago played for Antionini and an elegant noble well played by Espartaco Santoni who acted in various horror films , such as ¨Lisa and devil¨ , ¨Night of the demon¨ , ¨Exorcism's daughter¨. And Ewa Aulin who performed along with Marlon Brando in ¨Cindy¨. Colorful cinematography in Hammer style by cameraman Fernando Arribas . Creepy , eerie musical score by Carlo Savina . The motion picture was well directed by Jorge Grau who made a Zombie classic called ¨Living dead at Manchester Morgue¨ or ¨Sleeping corpses lie¨ . Other movies about this Bathory legend are as follows : ¨The countess vampire¨ (72) by Peter Sasdy with Ingrid Pitt and Nigel Green and episode of ¨Immoral tales¨ (1974) by Valerian Borowickz with Paloma Picasso . And referred to Sheridan Le Fanu's Carmilla are ¨The vampire lover¨ (70) by Roy Ward Baker with Ingrid Pitt and Peter Cushing and followed by ¨Lust for vampire¨ (71) by Jimmy Gangster with Ralph Bates and Barbara Jefford.

This is a painful, cold, unpleasant but ultimately fascinating entry from the Spanish horror boon that is probably the definitive Elizabeth Bathory treatment, making Hammer's "Countess Dracula" look silly and trite in comparison; that film is a period costume romance compared to BLOOD CASTLE. This is a serious movie that lacks a single light hearted moment, and is a great example of the unbearably suffocating sort of period horror suggested by Michael Reeves' CONQUEROR WORM, which uses the conventions of period horror -- castles, nightgowned beauties, foggy wastes -- to con the viewer into thinking that they are going to get the push-up bras and lesbian nuzzling that these movies usually involve.

What you get is actually anti-erotic, much like Reeves' film, unless the idea of watching people suffer is something that gives you a rise. I like this movies' lack of sensationalism, giving us a straightforward almost scientific explanation for the vampirism in question, and providing a sort of tragic Spanish soap opera element to give us the motivations for the murders. The film is indeed slow, but fans of this kind of stuff will be drinking it in, with Jorge Grau's astute eye for period detail, lighting and atmosphere easily putting this on the same plane with films like "Count Dracula's Great Love", "Count Dracula" and the Rollin efforts as amongst the most distinctive films from the Eurohorror boon. No other movie looks quite like LEGEND OF BLOOD CASTLE (or FEMALE BUTCHER, as it is known in it's uncut form), and few have such an unrelenting, claustrophobic air of dread and sheer decrepidness as LEGEND OF BLOOD CASTLE, which completes the CONQUEROR WORM comparison chart by culminating in a series of Inquisitional torture scenes that far surpass the vampire murders in terms of brutality and horror.

So perhaps that is Grau's ultimate comment: yes, the Bathory legend speaks of just awful, depraved atrocities, but nothing is quite as atrocious & barbaric as Man's own inhumanity to their fellow Man, and especially with the hypocrisy of the Church feeding the fires of hate. HIGHLY recommended, but not for those with short attention spans or the squeamish alike.

And word to the third: The cover shown here is NOT the same movie (that's BLOOD CASTLE, not LEGEND OF BLOOD CASTLE) and beware of a recent North American DVD pressing by a company called MYA: They used a nudity free print with a fullscreen transfer. I've got versions of this film in three languages from twice as many countries: You want the Finnish subtitled English language print called BLOODY CEREMONY. Trust me.

7/10

It's difficult not to imagine the story of Elizabeth Bathory not being highly sensationalised. I suppose a lot has been written about it over the years, and I admit that most of what I know about it comes from movies like this, and, well, a bunch of metal songs. Still, I'm not convinced that many of the literary accounts of the Blood Countess are any less lurid. Write me if you know of any interesting ones.

Now, this film turns out to be sort of different from how I imagined it would be. Despite what I said above, it's not really lurid at all, and even may be considered "tame" by certain standards. nevertheless, if taken for what it is: a kind of grim gothic melodrama, this is a rather effective piece, full of atmosphere and cathartic moments. What surprised me a bit here is how Bathory is not portrayed so much as a monster here, and even can be seen as a victim of desperate circumstances. The portrayal is, dare I say it, rather sympathetic.

True, the story plays out about as predictably as one might expect, and there are some silly touches (the vampire trial scenes). I enjoyed this for what it was, though, and I even have to say I preferred this to the much-more-campy Countess Dracula from Hammer. in the British film, Bathory comes off as something of an evil cow (no sleight intended against Ingrid Pitt here though of course), and it's hard to really feel like anything happens to her by the end that isn't well dserved. maybe that was the intention, but I must say Jorge Grau's different approach brings an attractive sort of ambivalence to the legend. Plus, the atmosphere here is really strong, and I really like the musical score. The American accents in the english dub feel a little strange, but that's mostly because we are all so accustomed to historical period pieces done with mannered English diction, no matter where these things are meant to take place. So, in the end, this is a pretty good film; maybe not the most memorable thing you'll ever see but an oddly pleasing way to wile away an hour and change sometime after midnight. Fans of gothic melodrama should particularly take notice. With this and the awesome Let Sleeping Corpses Lie under his belt, it's really a shame that Jorge Grau did not do more horror/macabre films.

When a vain countess is accidentally splattered with droplets of her nubile female servant's blood, she notices a more youthful quality to the appearance of her skin where the blood had been...thus begins the horror of THE FEMALE BUTCHER, and it's not just another tawdry, matter-of-course Liz Bathory digest fraught with obligatory lezvamperotica. This is a great looking and attentively directed Gothic mini-classic, purposeful in its treatment of a grim story involving a pontifical, influential madwoman's rabid lust for virgin blood. It's vividly delineated, and acquaints the viewer with stimulating, aptly-played characters. It should also be noted that this expounding of the Bathory legend is purportedly truest to the 'de facto' circumstances.

A subtly composed Euro-chiller, perhaps even a tad overmuch so, but quite jarring, nonetheless...this is high priority viewing for horror fans of every stripe.

7.5/10

Blood Ceremony is another film based around the Elizabeth Bathory legend. Unfortunately, despite the fact that this legend makes for a great story and is one of the backbones of the horror genre's overall influence, there hasn't really been a good film about it; and Jorge Grau hasn't changed that with this film. I really hoped that this would be good and I wanted to like it as Blood Ceremony has a lot going for it in terms of atmosphere and set design, but the story really isn't strong enough to hold the audience's attention despite the fact that it features vampirism and a countess bathing in blood. As you would expect, the countess discovering that bathing in human blood makes up the backbone of this story, but there's also a vampire theme running throughout. This is brought directly into the story when the countess' husband plays into the villagers' fears of vampires by faking his own death in order to give himself cover to bring young women to wife, so she can preserve her beauty...

The film is directed by Jorge Grau, who is of course most famous for his Video Nasty zombie flick masterpiece 'Let Sleeping Corpses Lie'. The two films have a great atmosphere in common and it's clear that this is important to the director. As you would expect given the plot line, the film features a fair amount of blood, which is good to see. The film's main contender is probably the Ingrid Pitt lead Hammer Horror film 'Countess Dracula', and comparisons are always likely to be made between the two. To be honest, while it was not Hammer's finest hour; I have to say that I preferred Countess Dracula, as it was overall the more interesting of the two films. Lucia Bosé is good in the lead role, though she doesn't really have the screen presence of Ingrid Pitt, which is another reason why I feel the Hammer film is the better of the two. Blood Ceremony is not really a bad film; the atmosphere is great and the film always looks nice; but for my money the plot didn't really work well and I found myself getting bored a couple of times too often. Could have been better!