I Drink Your Blood

I saw this as a pre-teen in 1970 at the drive in, my father was very hip for letting us see this. The acting is a little over the top and the script needs a little tlc but this movie left a lasting impression on me. Charles Manson turned a lot of people against hippies so this movie capitalized on that fact by making hippies murder the local townspeople after they are infected with rabies. It was quite an idea to infect them by injecting rabies into meat pies! I'm sure Banquet and Swanson were horrified! And even better to have a kid think of doing this. The violence is also a bit over the top but quite effective. One scene that sticks out is a housewife being a good samaritan and taking in a hungry hippie-chick and using an electric knife to slice her a piece of meat for a sandwich. Well, the close-up on the knife is a give-away as to what is going to happen to the housewife. Next thing we know she is staggering out the back door with a stump where her hand should be.

I love campy schlock and if you do then this movie satisfies. I would love to see a clear DVD version and not the crappy tape I rented a few years back.

I caught "I Drink Your Blood" at a Times Square theater in New York in 1971. I was writing for a long-defunct but excellent film magazine called Filmfacts, where we covered every film given a theatrical release in the U.S.--running the gamut from the boxoffice blockbusters to the schlockiest of drive-in quickies. Filmfacts was a scholarly publication--most of our subscribers were libraries. For each film, we provided a complete list of cast & credits, a summary of critics' reviews, one-to-four stills (if available), and a thorough plot synopsis. Which is why I saw "I Drink Your Blood," expecting another piece of low-budget garbage, and instead being treated to one of the most truly horrific (and little-known) thrillers ever produced. Even though the obviously heavily-edited R-rated version was pretty strong stuff, it still put me through the wringer and I recommended it to the other members of the magazine's staff, who all loved it. The plot has been sufficiently detailed by other reviewers on this invaluable database, but, aside from urging anyone with a cast-iron stomach to sample this unique, feverish, gorgeously photographed nightmare of a movie ("Night of the Living Dead" please step aside), I'd like to clarify the conflicting accounts of the prints of the movie. The one I saw at the theater was rated R by the MPAA. A few months later, I happened to meet a lovely actress named Iris Brooks, who had given a first-rate performance in the film. We became friends and, on the anniversary of the film's completion, Iris invited me and some friends to attend a cast & crew party held at a Times Square theater around midnight (after the theater was cleared out) and the projectionist could show "I Drink Your Blood," followed by a catered but unpretentious party in the downstairs lounge (apparently, everyone involved with making the movie, its grisly subject matter notwithstanding, had a great time and had formed many friendships during the film). However, the print that was screened was not the butchered 'R'-rated version I'd originally seen but the director David Durston's (a sweet, supremely intelligent, friendly man, and a first-rate filmmaker as far as I'm concerned) unedited cut. It was perhaps 8 minutes longer than the censored version shown at theaters. The violent scenes were considerably more graphic and gory, and there were also some innocuous nude scenes that apparently gave Jack Valenti cardiac arrest, hence the butchered version that the distributor was forced to release. I've read that the original, uncut version has finally been unearthed and will be released on DVD. I heartily recommend that any serious movie buff should buy this film (in whatever version, it doesn't really matter) as soon as it hits the video stores. It's a true 'sleeper' that deserves to be re-discovered and appreciated even 30 years after its initial, shoddily-handled brief release. "I Drink Your Blood" is some kind of deranged masterpiece but, despite its controversial elements (even today, it's pretty far out there), it's never offensive and the people who made it are one of the nicest and most talented group of individuals it's ever been my pleasure to meet!

A band of devil-worshipping hippies take root in a small town that has been evacuated save a group of construction workers, a baker, and a family led by Grandpa the veterinarian. While holing themselves up in a rat-infested hotel(where the hippies actually play a game of who can kill the most rats for the rat barbecue), they are confronted by an irate Grandpa the vet. They force him to take some lsd and beat him up. Grandpa's grandson gets back by injecting a dozen meat pies with rabies from a dog he shot later that evening. The hippies go mad and all those people they infect do likewise. This film is rather distasteful, yet strangely interesting. It is definitely a low-budget affair as no one in it has a name and the special effects are extremely poor. The film is markedly gruesome as you see a man stabbed repeatedly, a leg, hand, head chopped off, and crazed hippies with bloody hands wielding axes, a sword, even an electric carving knife! The producer's name does his film great honor...his name is Jerry Gross.

A group of Satanist hippies roll into a small quiet town and ruffle a few feathers of the locals, since they attacked one of their girls. So the girl's grandfather tries to set things straight with them, but they forcefully make him swallow a LSD cocktail. Wanting revenge for what they had done to his grandfather, a young boy feeds them pies, which have been injected with rabies from a dead dog. Slowly they start to feel the effects and they turn into homicidal maniacs hell-bent on destroying or contaminating anything that crosses their path.

Rabies and hippies, who show their faith in the dark lord. What a freak out! Now, there's no doubts this cheesy delight is wild 'n' wacky fun for the undemanding and was one of the first films to be influenced by Romero's "Night of Living Dead". This memorably sleazy and in bad-taste drive-in, exploitation flick scrapes the bottom of the barrel in the budget restraints, but despite that, it's surprisingly competent. It doesn't stop the sheer flow of comic entertainment, and might I add, this foaming madness is damn hilarious. After eating the very yummy looking pies that the smart little fella messed around with, you'll get a kick out of how the eccentric bunch transform into feral beings and basically going spas, leaving some very nasty splatter behind. The scenes involving water being splashed about is incredibly rib tickling. The acting is extremely fruity, but I thought that it was more than acceptable for this sort of film. George Patterson and Bhaskar Roy Chowdhury were a riot as some of the hippies. Also Lynn Lowry appears in the group. Jack Damon and Elizabeth Marner-Brooks play the more steady heads of the town and they're fine in their roles. While, it might be funny, it still does offer up some nail-biting tension, flash pacing and one or two decent surprises amongst this enjoyably (and sometimes quite) original idea. But oh my, wait to you get your head around the spotty experimental score with its array of funky and otherworldly sounds. The story and fluffy script might leave some loose ends left untied, but the score definitely doesn't.

Simply put, this hocus-pocus was compellingly dumb and scummy fun that has one real cruel edge to it! Well-deserving of its cult status.

Pete Banner (Riley Mills), his pretty older sister Sylvia (Iris Brooks), and their gramps, Doc. Banner (Richard Bowler), sure don't have much in the way of smarts.

When Sylvia catches hippie Andy (Tyde Kierney) stealing a chicken for use in a black magic ritual, she doesn't call the police: instead, she lets him take the bird, just so long as she can spy on Andy and his pals performing their ceremony. Spotted lurking in the woods by the naked Satanists, the girl is pursued, beaten and abused. In retrospect, calling 911 would have been the wiser option.

Gramps also displays a remarkable lack of common sense. When Sylvia is found in a catatonic state, he quite rightly thinks that the gang of hippies staying at the local deserted hotel are responsible. However, rather than contact the sheriff (does this family not own a phone?), the old man grabs his shotgun and goes it alone to have it out with the drug-crazed drop-outs. One doddery pensioner against eight devil-worshipping lunatics on L.S.D. -- unsurprisingly, it doesn't go well for Doc. Banner.

As for young Pete, he has to be the stupidest of the lot: in order to take revenge, the lad extracts blood from a rabid dog and injects it into a tray of meat pies that he sells to the hippies. Soon, instead of lawless Satanists, the town is under siege from crazed maniacs foaming at the mouth (I wonder how many tubes of toothpaste went into the making of this film) with a lust for blood who can pass on the deadly disease via a bite. Pretty soon, there are machete wielding maniacs everywhere!

Produced by exploitation movie legend Jerry Gross, and written and directed by David Durston, I Drink Your Blood is exactly what a drive-in/grindhouse movie should be: cheap, totally trashy, with over-the-top performances, gratuitous nudity and plenty of gore. It takes until the halfway point to really get into full swing, but when it does, the film is an absolute blast.

The mayhem starts proper as Manson-like cult leader Horace (played with wild-eyed relish by Bhaskar Roy Chowdhury) and his followers start to feel the effects of the rabies, black Satanist Rollo (George Patterson) being the first to go full-on bonkers, stabbing fellow hippie Shelley in the gut with a dagger and then hacking off his foot with an axe. The rest soon follow suit, with cultist Molly (Rhonda Fultz) infecting a whole crew of construction workers (with rabies, although they might well have contracted something else as well), making matters even worse. Meanwhile, Sylvia and uninfected Andy (now a couple, the girl having bounced back from her earlier ordeal) and Pete try to avoid being sliced and diced until construction site foreman Roger Davis (John Damo) can alert the authorities.

I Drink Your Blood was one of the first films to be rated X by the MPA based on its violence, and its easy to see why: there are plenty of shocking scenes of brutality, with an evisceration, an uncredited Lynn Lowry (who appeared in George Romero's similarly themed The Crazies) cutting off a woman's hand with an electric carving knife, a pregnant woman impaling herself with a stake, self-immolation, a pitchfork in the throat, a sword in the back and out of the mouth, and my favourite moment, the shock decapitation of a major character, the victim's head carried around by the killer. As I watched the violence escalate, my rating kept getting higher and higher!

A neat downbeat ending tops off what is a hugely entertaining exploitation classic that demands to be seen by any self-respecting gore-hound or trash movie aficionado.