Murder by the Book

PLOT: One member of a popular mystery writing team (Jack Cassidy) murders his partner (Martin Milner) after he threatens to go off on his own. He claims he was 2 hours away at his cabin-on-the-lake while his partner was shot at the office in Los Angeles. Rosemary Forsyth plays the victim's wife while Barbara Colby is on hand as a flirtatious neighbor at the cabin.

COMMENTARY: This was the first episode of the series after the two pilot movies and therefore has a shorter runtime of 75 minutes. It was directed & co-written by Steven Spielberg when he only 24 years-old, just a few years before his great success with "Jaws" (1975).

This is one of my favorite episodes of the series, highlighted by the conniving Cassidy, who would reappear in two future installments, the problematic "Publish or Perish" (1974) and the excellent "Now You See Him" (1976). He made for such a sly antagonist, but perished prematurely at the age of 49 in late 1976 from a house fire.

GRADE: A-

A terrific start to the series, and I'm not just saying this because of its director: he'd have done a great job on this even if his name was Joe Nobody. Spielberg's cool, clipped way of creating an air of menace, through constant anticipations (not for nothing does the opening panning shot include a skull on Ferris' table) in the opening sequences should be required viewing at film schools. He still permits the classic character conflict to evolve in the later, less firmly paced stages: even inserting a signature (reflected in E.T. and CLOSE ENCOUNTERS) of officials loudly creating fuss and sidelining the vulnerable, in the scene at the Ferris home just before Columbo appears. Jack Cassidy, unfairly only really remembered today as the father of teen idol David, is on splendid, autocratically smarmy form here, as a mystery writer who can't write, but knows how to play the media. His staring eyes and coldly composed face as he points the gun at the camera, for the second time, are unforgettable. As ever, Falk charms in his down-to-earth manner, complaining of the cold - "there's no lining on this coat" - and helping out the distressed Mrs. Ferris in the kitchen. (A shame that Rosemary Forsyth is saddled with a line like, "I know Ken, he's not a murderer", though.) The music, more than slightly reminiscent of Bernard Herrmann's score for PSYCHO, is another eerie advantage. All in all, a shame that Falk's plan to get Spielberg to direct COLUMBO's return to TV, in 1989, came to nothing........

In the Columbo series, one of the better elements is the underestimating of the Lieutenant. The smarter the crook, the more likely he or she is to see Columbo as a boob. This is a fatal mistake for these people because all they see is that awful Peugeot and that ragged topcoat and twisted tie. Another thing they like to do is go into a detailed explanation of things Columbo didn't notice. Columbo's response is routinely a self deprecating "I never thought of that." Of course, at that point he files that away as a part of his barrel of possible inconsistencies. He will eventually throw some of these things in the face of his prime suspect. Jack Cassidy, the handsome man with the great dimples, and the husband of Shirley Jones, sees himself as so clever and so on top of things, that he drops right into the trap. The two things I enjoyed the most in this series was the construction of the crime and Columbo's unraveling of it. A third would be his relentlessness after he was convinced of the perpetrator: "Oh, there's one thing more." Good early episode.

Ken Franklin (Jack Cassidy), the non-writing half of a mystery novel writing team, murders the writing half of the team, Jim Ferris (Martin Milner). Franklin was the smooth one that handled the publicity and TV appearances. Ferris was planning on leaving the team after his next novel to work on an expose of organized crime. Franklin plans everything well, making it look like Ferris was murdered in Los Angeles for his ongoing investigation into the mafia, while Franklin was away at his vacation cabin, thus having an alibi. But two things trip him up. One, of course, is the fact that Columbo is on the case. The other is that a rather toothy middle aged widow who runs the country store where Franklin's cabin is actually saw Ferris with Franklin on the day of the murder. And she has blackmail on her mind.

A note to would be blackmailers. Don't think that you can blackmail somebody, even for a nominal sum, and that they'll be your friend, or in the widow's case, return your romantic interest. By definition, they see you as an enemy because that is what you are.

In this episode, Columbo does something he normally does not do onscreen. He talks to the widow of the murder victim and tells her exactly who he thinks the killer is and what he thinks about him and enlists her help in trying to catch him. Normally, although you may suspect what Columbo thinks, he saves how he came to his deductions until the final scene. Also, the motive is not revealed until the end. Franklin is a cool customer, so it was probably not anger that made him carry out such a premeditated crime, and with Ferris planning on breaking up their partnership, murder is not going to change that, so I was anxious to know what possible motive there could be. To that I'd say, watch and find out.

For me, there have been better Columbo episodes, but there have been worse as well. Murder By the Book is a very good episode and apart from losing steam a bit after the second murder, with Columbo and Franklin's scenes together being disappointingly sidelined and the final solution while well acted felt I agree delayed and Franklin's change in character at being found out felt uncharacteristic, it is well worth watching.

The episode once again looks good with the photography quite striking especially, and the music is haunting. The episode is very well directed by Steven Spielberg, it has some top notch writing and the premise like How to Dial a Murder is ingenious and given justice by a well written plot with many scenes to savour especially with Franklin.

The acting is very good, with Peter Falk exceptional and Jack Cassidy wonderfully smug. The two men work really well together too.

Overall, without being one of the best, it is an interesting one and is very good. 8/10 Bethany Cox