The Big Doll House

The genre of women-in-prison movies has never been my favourite type of exploitation movie. You know the deal: young woman goes to a prison (usually in a jungle somewhere in Asia or South America), she was probably framed and is innocent, there are tough lesbians in the prison and the warden punishes the inmates with devices and techniques inspired by sadomasochism.

Oh, and I forgot the main reason anyone watches these: shower scenes. What would a WIP movie be without one of those? That's right: basically pointless. You watch for nudity, and maybe the kinkier among you watch for the bondage situations the warden inflicts on the inmates. And it all culminates in an escape attempt.

"The Big Doll House" could be described as notable for two unimpressive reasons: it's an early example of this particular subgenre, which would go into overdrive in the '70s, and it's actually quite toned down by contrast to the rest of them.

For one thing, there's no full frontal nudity. Some of the actresses in the shower scene are clearly not even naked - you can see glimpses of underwear. The filmmakers apparently didn't have the neat idea of elevating the camera, or just angling it up, so you can't tell they're not really naked.

There's not really much to say about "The Big Doll House" other than that; the rest applies to all other WIP flicks as well. In this one, the warden is a lesbian, so we don't really get that from the other inmates, nor are they depicted as being all that vicious, apart from one scene at the very beginning where the protagonist has her hair dunked in a toilet bowl. The movie kind of forgets that right after it happens, and they all band together. It does that a few other times, though I have already forgotten the specifics: it has what feels like an episodic story-structure, but I'm not sure if it's supposed to. A lot of events seem isolated because they have no effect on the narrative; another example that just occurred to me is a mudfight between Pam Grier and some other girl.

The movie is also pretty badly acted. The actresses all seem dazed, as though they'd been hypnotised. The only stand-out is, yes, Grier, in what I think was her first speaking role. Some of her lines are delivered pretty badly too, but she just has a presence, inflected with power and intelligence. The actresses who play the other inmates are all completely forgettable.

There is, of course, also Grier's perennial counterpart Sid Haig, playing his usual sleazoid role. Those two were good together; the other performers, and the script they're performing, is just so pedestrian that it gets in the way.

After killing her rich husband a woman by the name of "Collier" (Judith Brown) is sentenced to 99 years at hard labor at a women's prison somewhere deep in the Philippine jungle. She is put in a cell with 5 other beautiful women who go by the names of "Alcott" (Roberta Collins), "Bodine" (Pat Woodell), "Grear" (Pam Greer), "Harrad" (Brooke Mills) and "Ferina"(Gina Stuart). While each of them have their own story to tell they all share one particular view which is that the head guard, "Lucian" (Kathryn Loder) is extremely sadistic and the attractive warden "Miss Dietrich"(Christiane Schmidtmer) is either incompetent or ambivalent to the torture and abuse within the prison. Yet although a recently assigned doctor named "Dr. Phillips" (Jack Davis) is trying to correct the problem the inmates decide to take matters into their own hands and attempt to escape. Now, rather than detailing all of the events that transpire and risk spoiling the movie for those who haven't seen it I will just say that this was an interesting low-budget "Women-in-Prison" film which covered most of the main aspects associated with movies of this type. It certainly had more than its share of gorgeous women. And while I certainly can't complain about that the fact is that the overall plot was a bit too "by the numbers" and lacked credibility. No doubt fans of this genre will find it enjoyable though and overall I rate it as slightly above average.

What separates - and, in my book, makes better - "The Big Doll House" from most Women-In-Prison films is that the focus here is NOT on the exploitation of the women (though there is some of that, of course), but on their STRENGTH and determination. Roberta Collins and Pat Woodell, in particular, have well-defined characters that know how to take care of themselves. The fights (including some mud-wrestling) are rough and wild. The casting is excellent: you know something is right when Pam Grier isn't even the most beautiful woman on the screen! Collins, in particular, has a kind of beauty that you rarely see nowadays. Contrary to what other people have said, I found the scenes involving Sid Haig and his partner to be the most undesirable: they do provide some form of comic relief but they go on too long and occasionally kill the pace of the movie. (**1/2)

What a great movie! An entertaining female "Great Escape"! Roberta Collins, Pam Grier and Sid Haig in particular are real hoots with some great moments and dialogue. Bodine (Pat Woodell) is a great character too (introduced as someone not to be messed with), especially letting loose with twin machine guns in the final gunfight. Lots of fun to be had in Jack Hill's Women In Prison exploitation classic. See Matilda The Hun and Foxy Brown themselves duke it out and mud wrestle. Ponder as to how someone so skinny (whereas the resident junkie is quite healthy) got to be head guard. The obligatory prison breakout relies on the help of one prisoner's pet cat to come through at the right time. The scenes with the junkie being completely out her tree are hilarious, although she also gets to show her creepier, more deranged side too in some scenes. The prison break attempt and the final gunfight with the authorities are fun and exciting stuff and for me Roberta Collins steals the show. Not content with the aforementioned mudwrestle with prison bully Pam Grier, she gets some male action at knifepoint and gets great revenge on the evil prison governess. Roberta has some great dialogue too in "Get it up or I'll cut it off!" and "Bye bye lardass!" The head guard has a slight Barbara Steele resemblance. The ending is a bit rushed, some character's fates are left up in the air and the dialogue that seals Judy Brown's fate was a dub forced on the film but it's still great fun and was a groundbreaking hit for AIP. Roberta, Pam and Judy had all just been in "Women In Prison" beforehand and Jack Hill later also directed Pam Grier in some of the blaxploitation flicks that made her an icon. Roberta Collins would of course go onto starring in the masterpiece "Death Race 2000" and the inferior (in my opinion) prison classic "Caged Heat". As you'd expect from this type of movie, there are chances to see attractive women getting naked or scantily clad and you get amusing foodfights and catfights. The female leads are obviously in on the joke though and have fun with it. There's some amusing moments and unlike the "Charlie's Angels" tv show, these resourceful, smart women really do get a chance to kick ass and get tough. Classic feelgood exploitation!

'The Big Doll House' may not be the first women in prison movie of the 1970s but it was one of the most influential, kicking off the short lived but legendary Made-in-the-Philippines-but-set-in-some-nameless-Banana-republic cycle. The tape I watched was part of "The Pam Grier Collection" but to say Grier is the STAR of this movie is an exaggeration. Judy Brown is the star and Roberta Collins is equally important as Grier. But Brown didn't do all that much after this, and Collins is only remembered by exploitation buffs (for 'Caged Heat', 'Death Race 200' and 'Eaten Alive'), while Grier became a blaxploitation icon. That's cool, but let's not fool ourselves here. As enjoyable as it is watching Pam in this one she really doesn't do all that much. Jack Hill regular Sid Haig ('Spider Baby') has some memorable and amusing schtick with her. He plays a horny guy who brings the female prisoners food and other treats for cash. Grier and Haig obviously made a great team, and Hill would exploit this in his even more enjoyable 'The Big Bird Cage', which isn't a sequel to this movie as many seem to think. 'Bird Cage' is the better movie, but 'Doll House' is still a pretty good movie that any fan of 1970s b-grade movies will get a kick out of.