Five Easy Pieces

`Five Easy Pieces' is basically a youth movie. Jack Nicholson plays a young man who leaves his cultured home to work on oilrigs in Texas. He is crude and lives his life around getting drunk and picking up dippy young girls, (well played by Sally Struthers). He lives with Rayette, an uneducated waitress, who he mistreats. He mistreats most people in this movie relying on his charm to get through life. He makes fun of his brother, Carl, and has sex with his fiancé. I did not like the character of Robert Dupea. He used people then abandoned them when things got too serious. He could not accept any responsibility and looked for the easy way to live life. That is why it was a youth movie. It had this adolescent view of life. His family was portrayed as pompous creatures and his contempt for Rayette was obvious. Rayette, wonderfully played by Karen Black, was the most honest person in the movie but she was an object of derision because she was uneducated. Robert's treatment of her was contemptible. Robert cared for no one but Robert. Did he leave home to find himself? The self he found was crude and self-centered and was probably the cause of his disillusionment. His meaningful mirror gazing was more self-loathing than anything. He really needed to grow up

Previously known only for creating 'The Monkees', Bob Rafelson produced an underrated masterpiece when he made 'Five Easy Pieces', a film that deserves to be a lot better known. Jack Nicholson, typically intense but atypically understated, has possibly his finest hour as Bobby Duprea, a self-hating misogynist ill at ease with himself and the world. Many people will, when thinking of Nicholson, bring to mind his pantomime pyschopath Johnny from 'The Shining'; but Bobby, a profoundly human creation, is actually far more scary. Elsewhere the film features characteristically gorgeous cinematography from Laszlo Kovaks; a soundtrack that skilfully offsets Tammy Wynette and Chopin; excellent writing throughout and some very black humour. Like a less extreme version of Mike Leigh's 'Naked', and bristling with uncomfortable truth, 'Five Easy Pieces' is a true classic of 1970s cinema. Few films today are as good.

This film is a classic because it operates and works on every level imaginable, a truly evocative film. Other posters have elucidated upon and discussed the musicology of it, and the significance of Chopin. I'll take their word for it, and not go there. That's out of my league. And, as others have noted, the film is an exploration and study of character, which it certainly is. All that and more. I see the film as being in its own way a period piece unto itself, the period being films made in the late 60s and early 70s. It is quintessentially representative of what was an important movie circa 1970. Of course the storyline of an alienated young man (Jack Nicholson as Robert Dupea), walking away from all that is expected of him, and indeed walking away --if not running away-- from his prodigious gifts, and doing it all with a cocky attitude, no longer resonates quite the way it did in 1970. But, if you weren't around in 1970, trust me, it resonated well then. It was a theme that seemed important and meaningful at the time, even though the character's motivations for his actions are never really explained and remain something of a blank slate for the viewer to fill in. In 1970, when the concept of an "identity crises" was big, it worked to just suggest and imply that Dupea felt the need to Quixotically search out and determine for himself what was important for him. That dovetailed with another important component in many movies of that era --you never explain yourself, because if you explain things, you trivialize it all and ruin it. Or, as Jenny, Ali McGraw's character in Love Story (also a 1970 film) put it, "Love means never having to say you're sorry."

Meanwhile, unfolding alongside the Dupea character, was Karen Black's tour de force performance as the big-haired clingy-dependent waitress girlfriend, Rayette, and doing it to a medley of apropos Tammy Wynette tunes. Karen Black's performance perfectly captured and spot-on nailed an almost ubiquitous sort of woman prevalent in that era, when the social changes wrought by the women's movement had not yet taken fruit.

As for the notorious diner scene, this one scene essentially dominates the whole movie. It is something that people who have seen the movie will bring up and talk about, even decades later. Yet the scene is in no way pivotal or important to the story. At most it once and for all permanently affixes in the viewers' minds that Dupea was an impulsively flippant and angry person, not one to meekly abide any of life's minor frustrations. But we were already getting that picture of him before this scene happens. And, courtesy of Dupea, the scene provides a snippet of gratuitous social commentary about inflexibility and the stupidity of mindless adherence to meaningless rules. Something for the viewers to cheer and say, "I can relate to that!" Those things aside, to me the real value of the scene was that it provided an entertaining contrast in a bleak drama, a needed change of pace. But regardless of whether it was a statement about Dupea's attitude, or a social comment about stupid rules, or a needed amusing interlude, no matter which of those it is, its lasting impression renders its importance out of proportion to the movie as a whole. Surely, as he made this film, director Bob Rafelson's never intended that 35 years later this particular scene be the main thing viewers took away and remembered about the film. In this sense, as entertaining as it is, the scene therefore must be viewed as being a bit of a story-telling flaw. In retrospect, it should have been toned down just a skosh. But, then, on the other hand, were it not for this scene, perhaps the film would hardly be remembered at all. It is already a largely overlooked masterpiece.

This movie pops up on the movie channels on a semi-regular basis, and when it does I always stop and am riveted. The cinematography is superb. The acting is superb. Nicholson turning in one of the performances from that era that made him the unhinged star in the first place, long before he became a parody of himself. But be warned, it is not a "happy" film. It is the product of an era that did not as a rule produce happy films. But it is nevertheless a film that must be seen.

"Five Easy Pieces" is a very unusual film because the star (Jack Nicholson) plays an incredibly unlikable guy. Robert badly mistreats his girlfriend, Rayett (Karen Black), and cheats on her. She IS often annoying and slow, but he chose to live with her and spends much of his time making fun of or ignoring her. He's easily bored and prone to self-defeating and selfish behaviors because he's emotionally stunted--unable to really love anyone.

This is also an unusual film because it doesn't have a traditional plot. Much of it spent just watching the man go through life. The main focus of the film, when it does occur, is Robert returning home to visit his family. The father is quite ill and it's obvious Robert does NOT want to visit and is only doing so out of obligation. But, guilted into this, he goes. There, you learn that the family is full of gifted musicians and intellectuals--and Robert is very ill-at-ease in this environment--and seeing these folks, it is understandable. They are about as unlike him as possible.

If a psychotherapist watched this film and wanted to form a diagnosis of the two main characters, they would probably see Robert as a relatively high functioning antisocial personality (meaning, his violations of laws and norms are usually NOT the sort to get him imprisoned) and Rayette as a Dependent Personality. Dependents NEED someone to love them--even if that person is abusive and distant. Like a whipped dog, they wait and hope to get an occasional bone tossed their way in the form of a kind word here or there. And, they are quite sad to see. Because these two were done so realistically, you have to admire the writing of this film.

Overall, a very well written film. In spots, it's VERY enjoyable (such as the famous diner scene) and in others, it's very painful. To carry it off, the actors (particularly Nicholson and Black) are at the top of their game. Also, the musical choices were wonderful. Playing all the low self-esteem Tammy Wynette songs (such as "Stand By Your Man") seem to be perfect to describe Rayette's life.

Karen Black is great in this film and well-deserving of The Best Supporting Actress Oscar. She steals the film from her moody and brooding co-star, Jack Nicholson. Put it this way: subtract Black from the film and you don't have a film worth watching. The story would have been better if the film had told us why Nicholson rejected his family and his musical gifts. Why does he hate everyone that loves him? He doesn't love himself. Why? Why should we sympathize with this man? He has a great girlfriend, a rich family that cares for him, and tremendous natural gifts to play the piano. The last scene in the movie is one of the most pathetic scenes ever filmed. Someone needs to slap Jack and tell him to wake up!! Please!!!