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टर्म्स ऑफ़ एंडियरमंट

ओरिजिनल टाइटल: Terms of Endearment
  • 1983
  • A
  • 2 घं 12 मि
IMDb रेटिंग
7.4/10
69 हज़ार
आपकी रेटिंग
लोकप्रियता
3,617
706
Shirley MacLaine and Debra Winger in टर्म्स ऑफ़ एंडियरमंट (1983)
Official Trailer देखें
trailer प्ले करें1:01
2 वीडियो
90 फ़ोटो
कॉमेडीड्रामा

प्रेम की तलाश करता अरोरा, जिसे खुश करना मुश्किल है और उसकी बेटी की पारिवारिक समस्याओं का अनुसरण करता है।प्रेम की तलाश करता अरोरा, जिसे खुश करना मुश्किल है और उसकी बेटी की पारिवारिक समस्याओं का अनुसरण करता है।प्रेम की तलाश करता अरोरा, जिसे खुश करना मुश्किल है और उसकी बेटी की पारिवारिक समस्याओं का अनुसरण करता है।

  • निर्देशक
    • James L. Brooks
  • लेखक
    • Larry McMurtry
    • James L. Brooks
  • स्टार
    • Shirley MacLaine
    • Debra Winger
    • Jack Nicholson
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.4/10
    69 हज़ार
    आपकी रेटिंग
    लोकप्रियता
    3,617
    706
    • निर्देशक
      • James L. Brooks
    • लेखक
      • Larry McMurtry
      • James L. Brooks
    • स्टार
      • Shirley MacLaine
      • Debra Winger
      • Jack Nicholson
    • 258यूज़र समीक्षाएं
    • 57आलोचक समीक्षाएं
    • 79मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 5 ऑस्कर जीते
      • 33 जीत और कुल 22 नामांकन

    वीडियो2

    Official Trailer
    Trailer 1:01
    Official Trailer
    Ultimate Weeper Watchlist: Flow, Gump, Lion, & More
    Clip 4:03
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    Ultimate Weeper Watchlist: Flow, Gump, Lion, & More
    Clip 4:03
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    फ़ोटो90

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
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    पोस्टर देखें
    + 83
    पोस्टर देखें

    टॉप कलाकार45

    बदलाव करें
    Shirley MacLaine
    Shirley MacLaine
    • Aurora Greenway
    Debra Winger
    Debra Winger
    • Emma Horton
    Jack Nicholson
    Jack Nicholson
    • Garrett Breedlove
    Danny DeVito
    Danny DeVito
    • Vernon Dahlart
    Jeff Daniels
    Jeff Daniels
    • Flap Horton
    John Lithgow
    John Lithgow
    • Sam Burns
    Lisa Hart Carroll
    Lisa Hart Carroll
    • Patsy Clark
    Betty King
    • Rosie Dunlop
    • (as Betty R. King)
    Huckleberry Fox
    Huckleberry Fox
    • Teddy Horton
    Troy Bishop
    Troy Bishop
    • Tommy Horton
    Shane Serwin
    • Younger Tommy Horton
    Megan Morris
    • Melanie Horton
    Tara Yeakey
    • Baby Melanie
    Norman Bennett
    Norman Bennett
    • Edward Johnson
    Jennifer Josey
    • Young Emma
    Kate Charleson
    • Janice
    Tom Wees
    • Dr. Budge
    Paul Menzel
    • Dr. Maise
    • निर्देशक
      • James L. Brooks
    • लेखक
      • Larry McMurtry
      • James L. Brooks
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं258

    7.468.7K
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    10

    फ़ीचर्ड समीक्षाएं

    7gridoon

    A little heavy, but with astonishing performances.

    A well-observed, well-made drama (with occasional comedic moments), that may not be exactly "high art" (it's neither profound nor original), but DOES feature some great acting and manages to pull you in.

    Debra Winger gives an extraordinary performance; she has a naturalness and expressiveness that you rarely see on the screen. When her character is happy, her whole face brightens up and her joy becomes infectious; when she's sad or confused or embarrassed, the emotions come across strongly, although she never goes over the top. Considering that she lost the Oscar to her co-star, Shirley MacLaine, who is reasonably good but far more one-note, I'd say we had a major Academy Award injustice there. Jack Nicholson is fun to watch and has some amusing lines, and most supporting roles, like those played by John Lithgow and Danny De Vito, are also first-rate and completely believable.

    So overall it's a good film, directed almost flawlessly, although in the final 20 minutes it needlessly wallows in melodrama. (***)
    8bkoganbing

    Mother & Daughter

    Terms Of Endearment is a story of what happens when life does not go as planned and how you deal with it. In one way or another we are flawed humans, but most of us can rise to the occasion if the situation calls for it. It gained an Oscar at last for Shirley MacLaine and a second for Jack Nicholson though in the Supporting character category.

    The story stretches out over a 30 year period and it starts with the death of MacLaine's husband early on and she's left to raise her daughter on her own. As the daughter who grows up to be Debby Winger the two fight constantly. She really doesn't approve of her choice of husband Jeff Daniels who is a struggling academic who in the course of the movie has several teaching positions and rises slowly in his profession. Not fast enough for MacLaine. She reminds me of Madge Wallace the mother-in-law of Harry S. Truman who never thought her son-in-law would amount to anything. She died in the White House just before the Trumans left for Independence permanently.

    Winger has three children, but she's beset by doubts about Daniels's infidelity as he does have nubile coeds all about. Both of them misread signals about each other and MacLaine's hectoring doesn't help.

    As for Shirley, her neighbor is a retired astronaut Jack Nicholson who is still looking for space groupies. He's an unlikely candidate to thaw MacLaine out, but they find out they have more in common than they think. And Nicholson has more character than we first suspect.

    Terms Of Endearment is a film that places people who are very much like the people who pay to see this film in real universal situations we can all understand. Not hard to understand how this became such a critical and popular hit.

    Terms Of Endearment won for Best Picture in 1983 and Best Director and Best Adapted Screenplay for James Brooks. It got a flock more nominations as well. It's an enduring classic and will remain so.

    The finale with MacLaine is sublimely beautiful.
    MJJLWolf72

    Wow

    Wow was my first reaction to seeing the film back in February 2003. I had bought it on a whim and watched it one night when I was bored. The rest is history. Terms remains one of my favorite films and I really can't say why. Reputation has made this out to be "the ultimate chick flick" upon which every other tear-jerker is judged. But it's definitely more of a character study than a weepy mushy movie. In fact, it's anything but mushy. Where it could of been over-sentimental, it was poignant. Where it could of been boring, it was insightful. And where it could of been corny, it was tongue-in-cheek.

    Shirley MacLaine and Debra Winger give career performances as mother and daughter. Both characters are polar opposites and in real life the actresses despised each other, but on screen their chemistry sizzles. Jack Nicholson is his usual suave self and John Lithgow is perfect as the wimpy banker. Danny Devito also has a quirky cameo.

    James L. Brooks is definitely an "actor's director". To him, the performances are clearly more important than set pieces or flashy camera work. Each of the three main performances are brilliant (especially MacLaine's). It has been decades since a movie about illness has been made like this that is so achingly real. Two scenes to look for: Aurora walking across a seedy hotel (heat-breaking) and Emma telling her mother that she's pregnant (hilarious).

    Terms of Endearment is a triumph!
    10taylork1776

    Classic

    Terms of Endearment stands the test of time. This film was released in 1983 and is defiantly a classic. Shirley MacLaine as Aurora Greenway and Debra Winger as Emma Horton are two of the best actresses of this generation. Not to mention, Jack Nicholson as the "Astronaut" Garrett Breedlove, his characters are always memorable no matter how big or small his role in a film.

    This film is about the lifelong relationship between a daughter, Emma, her slightly neurotic mother, Aurora and the men in their lives. From the beginning of the film you see Aurora's dependence on Emma, even though Aurora is slightly cold towards her at first. You also see that Emma, as a daughter, doesn't care, she loves her mother unconditionally for who she is, as a child does. The film goes on to tell a realistic tale about how life is funny, exciting, disappointing and just plain sad.

    Very few films have the ability to tell such a heart warming yet heart wrenching tale so realistically. The director's focus in this film is on the emotional effect, he wants to make you feel as if you are living life with these women. The use of natural lighting and the use of a subjective view point keep you sitting next to these woman as they experience dating "the astronaut" and having children with a spouse who is not always there for you.

    I have to say my favorite part of the film was being transported back in time to the place where I grew up. A place of Laura Ashley furniture and phones that had a cords. The setting to this movie was so authentic that it made me wish for a simpler time before all the technology came along and children used to play outside. You really do feel that you are widowed housewife in Texas, trying to figure out that "astronaut" next door and what you may want from him. Maybe you're also the mother of three trying to figure out where your husband is; of course he is probably trying to figure out where you are.

    One of the nicest things in life is being able to share your whole self with someone who will love you anyway. That is what this story conveys. It may not always be happy and rosy, but it is funny and real. It reminds me of the movie Steel Magnolias which Shirley MacLaine also does a terrific job. This is a must see movie for anyone.
    7Tito-8

    Quite good, but overrated

    After looking forward to seeing this film for many years, I finally have watched it, and was left a little disappointed. Don't get me wrong, it's a good movie, but I expected so very much more. I found the plot to be rather thin for a movie this long, and after some thought, I'd have to say that the script was average at best. With a weaker cast, I suspect that I wouldn't have even liked it. Fortunately, this film is blessed with a spectacular cast, and this film deservedly received Oscar recognition in the acting categories. It just didn't deserve the best picture Oscar that it also won.

    Oscars Best Picture Winners, Ranked

    Oscars Best Picture Winners, Ranked

    See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
    See the complete list
    Poster
    लिस्ट

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    लास्ट एम्परर
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    लास्ट एम्परर

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Shirley MacLaine said Jack Nicholson would do crazy things on the set like show up practically naked and improvise many of their scenes together.
    • गूफ़
      During the opening credits, set in the 1950s, a 1980s station wagon is parked in a driveway in the background.
    • भाव

      Emma Horton: You both of you have beautiful eyes and your hair is too long. I mean, I don't care how long it gets in the back, but keep your bangs cut, OK, it's too long.

      Tommy Horton: That's a matter of opinion.

      Emma Horton: Just keep it short, alright?

      Tommy Horton: Are you getting well?

      Emma Horton: Look, I'm sorry about this but I can't help it, and I can't talk to you for too long or I'll get real upset. I want you to make a lot of friends. And I want you to be real nice to the girls 'cause they're gonna be real important to you, I swear.

      Tommy Horton: I'm not afraid of girls. What makes you think that?

      Emma Horton: Well, you may be later on.

      Tommy Horton: I doubt it.

      Teddy Horton: Why don't you shut up? Shut up!

      Tommy Horton: You shut up!

      Emma Horton: Ted, give me a kiss, come on. Tommy, you be sweet. Be sweet. And stop tryin' to pretend like you hate me. I mean, it's silly.

      Tommy Horton: I like you.

      Emma Horton: OK then, will you listen especially close?

      Tommy Horton: What?

      Emma Horton: Listen real hard?

      Tommy Horton: I said 'what'?

      Emma Horton: I know you like me. I know it. For the last year or two, you've been pretending like you hate me. I love you very much. I love you as much as I love anybody, as much as I love myself. And in a few years when I haven't been around to be on your tail about something or irritating you, you could... remember that time that I bought you the baseball glove when you thought we were too broke. You know? Or when I read you those stories? Or when I let you goof off instead of mowing the lawn? Lots of things like that. And you're gonna realize that you love me. And maybe you're gonna feel badly, because you never told me. But don't - I know that you love me. So don't ever do that to yourself, all right?

    • कनेक्शन
      Featured in At the Movies: Nate and Hayes/A Night in Heaven/The Big Score/Terms of Endearment/Danton (1983)
    • साउंडट्रैक
      Anything Goes
      By Cole Porter

      Performed by Ethel Merman

      Produced by Jule Styne (uncredited)

      Orchestrated by Buddy Bregman (uncredited) and Nelson Riddle (uncredited)

      Courtesy of National Broadcasting Company

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल20

    • How long is Terms of Endearment?Alexa द्वारा संचालित
    • Is the movie loyal to the book?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 9 दिसंबर 1983 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • La fuerza del cariño
    • फ़िल्माने की जगहें
      • 3060 Locke Lane, ह्युस्टन, टेक्सस, संयुक्त राज्य अमेरिका(home where Aurora lived)
    • उत्पादन कंपनी
      • Paramount Pictures
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $80,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $10,84,23,489
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $34,98,813
      • 27 नव॰ 1983
    • दुनिया भर में सकल
      • $10,84,23,749
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 2 घं 12 मि(132 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.85 : 1

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