Five Easy Pieces

Previously known only for creating 'The Monkees', Bob Rafelson produced an underrated masterpiece when he made 'Five Easy Pieces', a film that deserves to be a lot better known. Jack Nicholson, typically intense but atypically understated, has possibly his finest hour as Bobby Duprea, a self-hating misogynist ill at ease with himself and the world. Many people will, when thinking of Nicholson, bring to mind his pantomime pyschopath Johnny from 'The Shining'; but Bobby, a profoundly human creation, is actually far more scary. Elsewhere the film features characteristically gorgeous cinematography from Laszlo Kovaks; a soundtrack that skilfully offsets Tammy Wynette and Chopin; excellent writing throughout and some very black humour. Like a less extreme version of Mike Leigh's 'Naked', and bristling with uncomfortable truth, 'Five Easy Pieces' is a true classic of 1970s cinema. Few films today are as good.

"Five Easy Pieces" is a very unusual film because the star (Jack Nicholson) plays an incredibly unlikable guy. Robert badly mistreats his girlfriend, Rayett (Karen Black), and cheats on her. She IS often annoying and slow, but he chose to live with her and spends much of his time making fun of or ignoring her. He's easily bored and prone to self-defeating and selfish behaviors because he's emotionally stunted--unable to really love anyone.

This is also an unusual film because it doesn't have a traditional plot. Much of it spent just watching the man go through life. The main focus of the film, when it does occur, is Robert returning home to visit his family. The father is quite ill and it's obvious Robert does NOT want to visit and is only doing so out of obligation. But, guilted into this, he goes. There, you learn that the family is full of gifted musicians and intellectuals--and Robert is very ill-at-ease in this environment--and seeing these folks, it is understandable. They are about as unlike him as possible.

If a psychotherapist watched this film and wanted to form a diagnosis of the two main characters, they would probably see Robert as a relatively high functioning antisocial personality (meaning, his violations of laws and norms are usually NOT the sort to get him imprisoned) and Rayette as a Dependent Personality. Dependents NEED someone to love them--even if that person is abusive and distant. Like a whipped dog, they wait and hope to get an occasional bone tossed their way in the form of a kind word here or there. And, they are quite sad to see. Because these two were done so realistically, you have to admire the writing of this film.

Overall, a very well written film. In spots, it's VERY enjoyable (such as the famous diner scene) and in others, it's very painful. To carry it off, the actors (particularly Nicholson and Black) are at the top of their game. Also, the musical choices were wonderful. Playing all the low self-esteem Tammy Wynette songs (such as "Stand By Your Man") seem to be perfect to describe Rayette's life.

Karen Black is great in this film and well-deserving of The Best Supporting Actress Oscar. She steals the film from her moody and brooding co-star, Jack Nicholson. Put it this way: subtract Black from the film and you don't have a film worth watching. The story would have been better if the film had told us why Nicholson rejected his family and his musical gifts. Why does he hate everyone that loves him? He doesn't love himself. Why? Why should we sympathize with this man? He has a great girlfriend, a rich family that cares for him, and tremendous natural gifts to play the piano. The last scene in the movie is one of the most pathetic scenes ever filmed. Someone needs to slap Jack and tell him to wake up!! Please!!!

Had fun reading about 30 of the negative reviews. It's nice that people who live in such a perfect world that they don't believe the character flaws examined in this movie exist. Many of us have gone through much of what Bobby Dupea has. Self doubt, poor choices and being born into a family whose lifestyle we reject which results in us not being as good of a person as we would have liked. Bobby knows he is toxic but is unable or unwilling to change. Nicholson's acting is near perfect but occasionally off (think Chinatown for perfect) making it his arguably his second best. Bobby is largely a disgusting prick, but you occasionally have misplaced hope and empathy for him. The movie sticks with me and resonates 52 years later, I guess because I see some of myself in Bobby Dupree. Bobby's badly damaged character is an indictment of some of us. If movies matter to you, see it. You won't feel warm and fuzzy, but you will get a good look at life that hopefully you don't see from your vantage point.

This movie is most famous for a scene in which Jack Nicholson tells a waitress to hold the chicken salad between her knees so he can get some plain wheat toast, but, in a movie as good as this, that very famous scene may be its least memorable one. After that scene, I hadn't heard anything about what this film was really about, and its depth and power took me completely by surprise. It's a story of a man trapped in his own life, unable to find a place to settle. All the locations at which he has arrived have lead to nothing but disappointment and the realization that there just might not be a life for him. God, how I can sympathize. Just as I was starting to question whether Nicholson was as good an actor as everybody seems to think he is, I've come upon his very best performance. Karen Black plays his girlfriend, a hick who loves him to death. He's not sure if she's good enough for him, or vice versa. Lois Smith, Ralph Waite, and Susan Anspach give good supporting performances. A flat-out masterpiece.