Bitka na Neretvi

Is this the greatest Yugoslav Partisan film or not. This movies is like Rambo before Rambo. Full of Action.Love and Drama. Some will say it is a propaganda movie by Tito but that is because they do not like the movie. Absolutely worth 2 hours and 46 minutes. If you have a free Sunday give this movie a go. Movie about the Heroism that were Yugoslav Partizans.

It is sad that the most widely distributed version of this Yugoslavian war epic "Bitka na Neretvi" is the 102 minute version edited and dubbed in USA by Commonwealth United Films. This version, known as "The Battle of Neretva" has been shortened by a full hour. It looks a bit like a long trailer, offering samples of what is obviously a big scale, melodramatic giant of a film, like "The Longest Day". At times the re-editing looks like it has been made with an axe, some dialogue being cut from the middle of a sentence.

I have just seen, however, a longer Commonwealth version: 127 minutes, 25 minutes longer. This is a far superior version, professionally edited into a coherent, well flowing narrative. It seems that the 102 minute "stub" has been edited from this. I can only imagine how much deeper the characterization would be with the 40 minutes still missing from the original. The Italian and German versions are longer than this 127 minute version, and they have been released on DVD. Still, for anyone preferring an English translation, this could be the best version around. Sadly it only seems to be available on VHS.

There exist various versions of this film – running anywhere between 102 and 175 minutes; the one I watched, dubbed in Italian, was itself around 142 – although the official Italian print is actually 134 minutes long! Over the years, I had missed out on a couple of occasions to watch this – both on Italian and local TV, as well as a VHS rental. Given its title and roster of established international movie stars – Yul Brynner, Curd Jurgens, Sylva Koscina, Hardy Kruger, Franco Nero and Orson Welles – one could be forgiven for mistaking it as yet another WWII-set Hollywood epic a' la THE LONGEST DAY (1962) and BATTLE OF THE BULGE (1965). Consequently, its eventual nomination for Best Foreign Language Film Academy Award proves at first suspect and highly surprising but, in hindsight, well deserved since the film is actually a big-budget co-production between Yugoslavia, West Germany, Italy and even the U.S.A.

While the film is mostly distinguished by the fact that it features an impressive array of battle sequences which must surely be counted among the most spectacular of its era, it must also be said that it takes care and time to show the effects that constant warfare has on the behavior of human beings: an explosives expert (Brynner) is renounced and spat at by his own people when he is forced to destroy their only way back home to stop the advancing troops; two blind men leading each other during an airborne attack are led by the sound of another man's voice already taking cover; a partisan is driven crazy when stricken by typhus; a proud Italian general (Anthony Dawson) commits suicide in a shabby room where he is held in captivity by the partisans; an Italian captain (Nero) deserts his side to join the ranks of the partisans and is taken under his wing by an artillery officer (Sergei Bondarchuk); a brother and a sister (Koscina), both members of the Yugoslav partisans, die together when hugely outnumbered during a deadly encounter with a band of long-haired renegade Chetniks led by a hesitant senator (Welles)!; a German captain (Kruger) comes to respect the determination of his enemies during combat, etc.

Despite the various strands of plot touched upon and the multitude of major and minor characters involved, the unknown director weaves a clear and expansive picture of the river Neretva conflict – at least in the version I saw; one can only wonder what an incoherent mess the shorter versions (some of them accompanied by a new score by Bernard Herrmann, no less) must have been! Incidentally, in spite of that afore-mentioned Oscar nod, THE BATTLE OF NERETVA is still highly undervalued today – no doubt, its reputation is lost among the countless WWII actioners made both by Hollywood and Euro-Cult film-makers during the 1960s and 1970s.

I have seen most of the Yugoslav Partisan movies and I find "Bitka an Neretvi" in all aspects the best one. I wont describe the movie itself, you must see it yourself, and it is worth it. However, I would like to update some potential "non-Yugoslav" viewers about some important facts about that movie. The movie was made in 1969, in that period Yugoslav socialist/communist (as you like it)regime was running the most open-minded and "liberal" politics in his whole history. At that time some critics about regimes most outstanding icons were possible. The Partisan movement in WWII was one of them. A figure of a "Partisan" was in official ideological interpretation considered as a natural born patriot, ready to sacrifice, fully political aw eared, in two words: A man of steal, almost a mythical figure only possible to be compared with an ancient hero. In "Bitka Na Neretvi" we are faced with quiet another partisan hero. It is still a hero, but the one who knows the fear. One scene is thus so fascinating when you see partisans running off the battle line, screaming: "They are gonna kill us all!" Another scene shows elements of Partisan cruelty in discussion what to do with wounded comrades, one commandant says:"Whats more important, the fate of the revolution or the fate of our wounded comrades?" That kind of scenes would have been in pure propaganda movie impossible, as well as in John Wayne type of war movie. Other details are also very interesting. You would hard to notice the word of communism or communists, completely different as another movie "Bitka Na Sutjesci". The main hero is thus The People itself. Josip Broz Tito is only present in a short military order. Worth of notification is also the representation of the enemies. Germans are of course evil, but described as noble opponents. Italians are sometimes shown almost even more humanly than partisans, with moral doubt (Two Italian defectors even join partisans). The worst characters are collaborationist: Chetniks and Ustashas, shown as cold-blooded murderers.

Allegedly the most expensive film ever undertaken by the Yugoslav film industry, The Battle Of The Neretva is a tribute to the Partisan army that Josip Broz Tito raised to resist the Nazi occupation of his country. Operating in the mountains, the Partisans proved to be tough nut to crack for the occupying Axis armies.

The country of Yugoslavia which was created by the Allied countries at the Versailles Treaty did not long out last the man who saved it. That was once Yugoslavia is several separate states now. It was an unwieldy conglomerate nation composed of several ethnic groups with various religious backgrounds who had a legacy of Balkan hate of centuries. The Chetniks who collaborated with the Nazis just wanted to make sure they came out on top no matter who won the war. The monarchy of Yugoslavia was that of the former Serbia raised to be ruling all of what became Yugoslavia. No one who was Croatian, Montenegran, Macedonian, etc. wanted Serbian primacy. The Marxist Tito was more acceptable to most than a Serbian king.

A lot of the politics is necessary to know in order to understand what was going on while this battle was being fought. The Germans launched an offensive in the winter of 1943 aimed at wiping out Tito's Partisans and they did drive them to the Neretva River where ordered to stand with their backs to said river offering no retreat, the Partisans turned around and instead and kicked Nazi butt.

The Battle Of Neretva is a brutally uncompromising film about ugly guerrilla war and the version I saw is a slimmed down version. I'm betting I would have rated it higher had I seen the original 3 hours the film's release in Yugoslavia was exhibited at.

Such various international players as Yul Brynner, Franco Nero, Orson Welles, Curt Jurgens, and Hardy Kruger all have some interesting cameos. But the stars are the Yugoslav players most of you won't know in this film. I'm sure the Oscar for Best Foreign language film is based on the Academy voters having the original to judge.

This film is a nice tribute to a part of World War II that is not talked about too much in the west.