The St. Louis Bank Robbery

I tuned this in to catch a glimpse of early Steve McQueen. I stayed to watch it. The scenes of St. Louis were very interesting from a historic point of view. So much attention on the cars and the buildings -- this is an accidental snapshot in time. Steve McQueen grabs the attention as very angst ridden about his decisions, seemingly being drawn in a bad situation inch by inch. His girlfriend, although encouraging him to stay on the right path, also abets by funding the duo and not going to the police. Although not a well-known film, overall the acting and the dialog is quite natural. I can see why there is question of a homosexual relationship -- but in those days, hotels/motels were frequently not much more than a tiny bedroom with a double bed and a common bathroom down the hall. Kids frequently slept 2 or 3 to a bed and it wasn't uncommon for adults to share beds to save money.

A very realistic heist film that is based on an actual crime and uses as a location the bank where the robbery took place.

The makers of this film were very professional and did a good job. The only downside to the movie is that it is so sombre; the characters aren't charismatic, witty, or cheerful, and they aren't in the habit of saying things like "Do you feel lucky?" or "Make my day." (On the other hand, that fact adds to the realism.)

Steve McQueen performs well, and he's not trying to be Marlon Brando. His character is a young, inexperienced man just out of college who's not too sure of himself and who is trying not to become a habitual criminal.

Since the film is in the public domain, a high-resolution copy can be downloaded here: http://www.archive.org/details/Saint_Louis_Bank_Robbery

Grim,essentially pessimistic,documentary like crime movie,based on real events,and shot on location in St Louis.The supporting cast seems to include a lot of local non-professionals.The film is most interested in dealing with the damaged psyches of the 4 hold up men,rather than their elementary plot to rob a bank.All the lead parts are exceptionally well played,especially by a young Steve McQueen(as an ex-college boy sliding off the rails),and Crahan Denton(as the embittered,rather deranged gang boss).There are also hints(quite daring for the 50's)of a homosexual relationship between 2 of the criminals.Very different to typical Hollywood product of the period,and well worth a look-and not just as an example of McQueen in his apprenticeship period.Great cars and jukebox music as well!

The decent degree of realism plus one of Steve McQueen's earlier starring movie roles help make this crime feature worth watching. The story has some pretty interesting aspects, and it adds to the realism with the well-publicized inclusion of many of the actual police officers who were involved in the original events on which the movie is based. On the other hand, the rest of the cast does not come up to McQueen's stature as performers, and at times some potentially powerful scenes lack a little something as a result.

The setup has McQueen's character hired as the getaway driver for a gang of bank robbers. Their careful planning is thrown into complications by an old girlfriend of George's (McQueen), whose brother is also part of the gang. The resulting tensions, plus the various unexpected developments as they carry out their plan, add some interest to the basic story. Many of the scenes are written and filmed rather well, although at times the movie expends some screen time on less interesting material.

McQueen does a good job with an unsympathetic character, and the supporting cast is mostly solid. Molly McCarthy is believable and generally sympathetic as Ann, but she does not always give her character a lot of depth. Crahan Denton gives the gang's boss a good, solid persona at the beginning, but afterward the character remains rather one-dimensional even when there are chances to bring out some interesting characteristics.

The straightforward, almost documentary style cinematography works pretty well, and makes a good combination with the downbeat story. Despite a few things that could have been better, this is not bad at all for its genre, and it is certainly worth seeing.

Let me begin by pointing out that IMDb makes a mistake when it lists Nell Roberts as "Woman in Bar Talking to George." The woman in the bar is George's girlfriend Ann, played by Molly McCarthy. Nell Roberts is the Salvation Army woman who appears in three places in the film but who speaks only at the end when she tells a cop, "Don't go in. They're robbing the bank." I speak from authority as the great-nephew of Nell Roberts, my grandmother's sister, who was active in community theater in St. Louis in the 1950s, and who also had a bit role (as an old woman who answers the door) in the film, "Hoodlum Priest" (starring Don Murray), which was also made in St. Louis. We always knew her as "Aunt Nelly," so I guess "Nell" was her stage name.

In any case, "The Great St. Louis Bank Robbery" is an interesting little movie -- though there really is nothing "great" about it. The noir approach fits the story line perfectly, but the execution strikes me as stiff and amateurish, especially in the acting and the editing. McQueen was doing what he could to be Brando, but Brando he wasn't. The three other members of the gang and the girlfriend have various small strengths as actors to commend them, but they wouldn't have been enough for professional survival today. The plethora of extras and bit players must have saved the producers some dinero, and they do give the film a certain documentary and amateur-theatrical charm, but their performances (including Aunt Nelly's) are of a type to make the viewer uncomfortable in the expectation of an embarrassing gaff. The homosexual subtext (mentioned by other reviewers) is certainly not imaginary. In fact, the things that make this movie most worth watching are, first, that homosexuality is included as a theme at all -- it was not necessary to the film's integrity unless the producers were aiming at some politically incorrect social commentary or had a personal ax to grind -- and, second, that the gay relationships had to be coded to make the finished work acceptable to the public in the late 1950s.

But I did enjoy the look of the cars and the streets of St. Louis (a la New York in "The Naked City") before the rapid urban disintegration that overtook it shortly afterwards, and from which it has still not recovered. The was the REAL "St. Louis Bank Robbery."