Shakedown

I do not know a great deal about Director Joseph Pevney, but his work includes THIEVES' HIGHWAY, so SHAKEDOWN was no beginner's luck. It is a well-directed film anchored in a cast of considerable quality, including Howard Duff in one of his better roles, the always duplicitous Brian Donlevy, Lawrence Tierney, French actress Anne Vernon, Bruce Bennett, and the incredibly beautiful Peggy Dow, who always reminds me of Audrey Hepburn.

Boasting a thought-provoking script with greedy, selfish and ruthless reporter Jack Early (as in the early bird that catches the worm) driving the action, this film may well have served as blueprint for NIGHTCRAWLER (2014). I find it surprising that the puritanical U. S. codes of the 1950s, the HUAC investigation, Senator McCarthy, etc, let this attack on the American Dream show in moviehouses... but I am grateful they did!

Fitting and effective cinematography by Glassberg and editing by Carrugh.

Definitely worth watching!

It was said of Joseph Pevney by a colleague that 'some former actors become good directors and some become hack directors. Pevney is no hack and is more than good.'

Although this marks Pevney's directorial debut his undeniable flair and precision are already in evidence, aided immeasurably by one of Universal's most respected editors Milton Carruth.

This is minor Noir to be sure but grips throughout its eighty minutes and reflects not just post War cynicism but the Fourth Estate's questionable ethics when catering to the public's desire for sensationalism.

Pevney is excellent with his actors and the casting is spot on. Not exactly renowned for his sympathetic persona, Howard Duff has arguably his best role as a narcissistic sociopath, a type that the female of the species finds impossible to resist and the troublesome Lawrence Tierney again convinces as a nasty piece of work. On the distaff side there is lovely Peggy Dow who quit filming to raise a family whilst classy Anne Vernon in her only Hollywood appearance provides the Gallic 'Je ne sais quoi'. Solid Bruce Bennett plays a newspaper editor whose conscience is mollified by increased circulation figures. Brian Donlevy has star quality in spades and steals all of his scenes. The eagle-eyed might spot an uncredited Rock Hudson as a doorman. They all have to start somewhere.

The old Hollywood Rule Book requires Duff's loathsome character to get his just desserts but the climax in which he finds redemption has been aptly described by one critic as 'ingeniously ironic'.

A rising star photographer starts using his journalistic influence for personal profit... and sets two gangsters against each other. Ruthless and cynical, with one of the most despicable protagonists this side of Mike Hammer. This guy is a real piece of work, a sleazy manipulator who doesn't care who suffers for his gain. Howard Duff (probably best known to noir aficionados for THE NAKED CITY) plays it completely unsympathetic, delivering his lines with barely concealed contempt and ambition. The supporting performances are all pretty good, too, with special mention for the always intimidating Lawrence Tierney. The story is lean and mean, like the production. It's a decidedly low-budget affair, a little more polish might have amped up the tension (though I should note I watched a very rough copy). The film doesn't pack much of an emotional punch, but it is a down and dirty good time.

Talk about hoist by your own petard! "Jack" (Howard Duff) is an aspiring photo-journalist who manages to get newspaper editor "David" (Bruce Bennett) to take him on for a week. His next task is to stay employed, and to that end he manages to convince "Nick" (Brian Donlevy) - a local "businessman", to pose for a front page photo. This latter man takes a bit of a shine to "Jack" and gives him an opportunity to put away one of his criminal competitors "Colton" (Lawrence Tierney). There's a few grand in it for him, but he gets greedy - he keeps the negative of a shot he takes after a robbery, and submits a less definitive photo to his boss. Next he blackmails "Colton" for $25,000 else the real negative will end up with his paper and the police! What now ensues sees him try to play both men off each other whilst irritating his loved-up editor all as he rather cruelly plays with the affections of his sponsor at the newspaper "Ellen" (Peggy Dow) and tries the same with the wife of "Nick" - the considerably more savvy "Nita" (Anne Vernon) before his house of cards starts to look distinctly shaky! This benefits from a tightly knit cast with a solid story and some decent dialogue - and from guy that it's fairly easy to dislike! It's well paced and ends with an appropriate wise-crack that rather sums up "Jack" nicely.

Howard Duff is an ambitious photographer looking for a job at a newspaper. Once he does, his ambitions start to skyrocket. His brash attitude gets him a snapshot of mobster Brian Donlevy, who takes a shine to him. Donlevy informs him of a robbery his competitor Lawrence Tierney is about to do, and Duff soon has himself another sensational photograph. After he photographs Tierney planting a bomb in Donlevy's car, he tries to blackmail Tierney while also hitting on Donlevy's widow Anne Vernon. Duff thinks he's in control but he's already in way over his head.

Ouch, the print I saw was in bad, bad shape, it seems like a 4th generation VHS recording, washed out with a slightly warped image. But don't let this stop you, this is a really good noir! It is always nice to see a noir where the 'protagonist' is a bigger bastard than the mobsters, including Lawrence Tierney!

Duff does a good job of portraying a man who seems like he's just anxious to find a job but who you soon realize is selfish, ruthless and only out for himself. He even tries to play 2 women at the same time, a mobster's widow and an editor at the newspaper, Peggy Dow (who already has a fiancée!). Donlevy and Tierney do what they excel at, playing rough, no-nonsense men. The rest of the supporting cast, which also includes Bruce Bennett as the chief editor, are equally solid. The cast has a ton of noir credentials between them, including 'The Naked City', 'The Glass Key', 'Born To Kill', 'Mildred Pierce' and many more... For French actress Vernon this was her only Hollywood movie however, but she's great here, bringing a lot of charm to her role.

This was director Joseph Pevney's first movie ('Female On The Beach', 'The Midnight Story'), but he does really well here. DoP Irving Glassberg ('Outside The Wall', 'The Web') also does good work here, making good use of real locations like a parking garage.

Don't let the bad picture quality deter you, this is the real deal, complete with a noir ending. Good stuff! Recommended! 8/10