Up in Smoke

The Bowery Boys are collecting funds for polio victim Little Ozzie. Sach is supposed to take the money to the bank. Instead, he gets taken to a crooked bookmaker and loses all the cash in a horse race. In a fit of rage, Sach offers his soul to get revenge and the devil answers the call.

This is a Bowery Boys film with Sach but without Slip. I don't know how the studio thinks this would work. This is simply a guy fulfilling his contract and nothing more. There is something missing. It's half missing.

After seeking inspiration for stories from every source available the Bowery Boys finally had a Faust type story where Sach gets to sell his soul to a most polite little devil played by Byron Foulger. Of course the story is also laced with elements from the Marx Brothers A Day At The Races and Abbott&Costello's It Ain't Hay.

It all begins innocently enough with Huntz Hall wanting to get money to help a polio stricken kid. All you have to say is that you would do anything and up pops the devil with a tempting offer. The devil has many tips on horse races, but somehow due to Bowery Boy shenanigans, Hall never gets to place a bet.

Best scene in the film is Huntz Hall with Fritz Feld as a psychiatrist who with his ingenuousness Hall manages to turn the tables on. Seems as though Stan Clements thinks Hall is off his rocker talking to imaginary people.

It's not saying much but Up In Smoke might be the best of the post Gorcey Bowery Boys films.

The Bowery Boys made 48 films...48! And that's not even counting the films they made as the Dead End Kids, the East Side Kids and other variations on the group of young jerks. So it's not at all surprising that by the latter films, the formula had gotten very, very old. In fact, Leo Gorcey (after the death of his father) quit the films and yet they still continued making them with Huntz Hall the star of these craptastic pictures. Even for fans of the films, these last few pictures were pretty limp and unappealing...though this one is a bit of an improvement...surprisingly.

While it is their second to last film, at least "Up in Smoke" is a bit of a departure for the gang...such as it is. As usual, the boys are out of money but this time Sach says, offhandedly, that he'd sell his soul to the Devil to know the winners of horse races. Well, wouldn't you know it but Satan immediately appears and offers him a deal...one week of long-shot horse race winners for Sach's miserable soul. The problem is that Sach is a total idiot and again and again and again he keeps screwing up and missing out on the big money. In the process, they get the attention of some gamblers...and these gamblers are pretty nasty.

The best thing about this film is seeing Byron Foulger playing the Devil. This very familiar character actor is excellent as a very nice and dapper Devil. I also enjoyed the ending...but I also think the filmmakers missed a golden opportunity. Think how wonderful it would have been to make this the last film AND it ended with Sach going to Hell!!

The Bowery Boys go to the Devil in this penultimate entry in the series. Sach is ripped off by con men so he sells his soul to Satan to get even with them. As with most later Bowery Boys movies, this is a rather lazy and uninspired effort that's primarily a showcase for Huntz Hall. Hall plays the wide-eyed buffoon who contorts his face for laughs like he had in dozens of other pictures before. He never made me laugh once in this movie, but I admit I may just find his shtick tiresome at this point. If this was someone's first Huntz Hall picture, maybe they'd love it. I doubt it but strange things do happen.

Backing up Hall are Stanley Clements as the insufferably barking Duke, Eddie LeRoy as the annoying Blinky, and David Gorcey as the invisible Chuck. The best parts of the movie don't belong to the Boys, however. The best parts are the bits with great character actors who handily steal their scenes from the less talented stars. These include Byron Foulger as the Devil, Earle Hodgins as a used car salesman (in probably the movie's funniest scene), and Fritz Feld as a psychiatrist. Unfortunately, none of these scenes can save the picture. There's simply too much of Hall's nonsense for my tastes and the other Bowery Boys bring nothing to the table.

After UP IN SMOKE (1957), the Bowery Boys had one last movie in them, IN THE MONEY, even though the series had essentially run out of steam years earlier, about when Leo Gorcey left, following the death of Gorcey's father, Bernard, who'd played soda shop owner Louie Dumbrowsky in the series. (Gorcey's last was CRASHING LAS VEGAS, 1955.) Seven more films followed Gorcey's departure, with Huntz Hall taking the lead, and Gorcey's function being filled by Stanley Clements in the role of Duke, who wears a suit, tie and sharp fedora in the manner of adults of the era, but looks nothing like a Bowery "Boy." Hall's Sach is still the lovable goofball, while Clements' Duke is the dyspeptic straight man, with none of Gorcey's charm or vocabulary-mangling wit.

UP IN SMOKE offers up the premise of Sach seeking the devil's help to earn money after he's been conned by a gambling ring into betting and losing the $90 the boys have raised for a neighborhood kid with polio. The devil appears in an elegant old-fashioned dress suit, complete with top hat and horns, and, in exchange for Sach's soul, agrees to provide tips on winning horses for a week. To make a long story short, the plan backfires day in and day out, but not before the gambling ring gets tough on Sach and his friends in order to find out the source of the daily tips.

It's never very funny, but there is one redeeming element in the film. Byron Foulger has a grand time playing the mild-mannered, velvet-voiced Beelzebub, or "Mr. Bub," as Sach calls him. He oozes with snaky charm, but is quick to take advantage of Sach at every opportunity and torment him in subtle, clever ways. The maneuver by which Sach ultimately manages to elude his fate is actually set up very well and plays out in a genuinely suspenseful fashion in a racetrack finale mixing cheaply made studio shots with stock racetrack footage. It also reveals quite a bit of daring and initiative on the layabout Sach's part. Beelzebub's final outcome is handled in quite an amusing and—dare I say it?—even sympathetic manner. Foulger (1899-1970) was a dependable character player and bit part actor who spent most of his career playing harried bank managers, tellers, desk clerks and other kinds of functionaries. This role gave him the chance to spread his comic wings and he wasted no time in running with it, basically stealing the film from Hall, Clements and the rest of the cast.

Quite a number of old-school Hollywood character actors are on hand. Fritz Feld plays an irate Mittel-European psychiatrist trying to examine Sach who gets so flustered at his patient's unflappability that he winds up on the couch himself subjected to Sach's questioning. It's an amusing scene and even features one of Feld's trademark mouth pops. Other dependable old comic/tough guy players in the cast include Benny Rubin, Ralph Sanford, Joe Devlin, James Flavin, and, in the role of Mike, the coffee shop owner taking the place of Louie Dumbrowsky, Dick Elliott. Another familiar face, spotted as a desk sergeant, is John Mitchum, Robert's lesser-known brother. He would play a cop again, some years later, in the role of Inspector DiGiorgio alongside Clint Eastwood's Inspector Callahan in the first three Dirty Harry films.