अपनी भाषा में प्लॉट जोड़ेंSach is hired as the companion for a poodle on an ocean voyage from New York to London. What he doesn't know is that the people who hired him are actually diamond smugglers, and there is a c... सभी पढ़ेंSach is hired as the companion for a poodle on an ocean voyage from New York to London. What he doesn't know is that the people who hired him are actually diamond smugglers, and there is a cache of diamonds hidden in the poodle's coat.Sach is hired as the companion for a poodle on an ocean voyage from New York to London. What he doesn't know is that the people who hired him are actually diamond smugglers, and there is a cache of diamonds hidden in the poodle's coat.
Frank Baker
- Official
- (बिना क्रेडिट के)
Harry Baum
- Ship Passenger
- (बिना क्रेडिट के)
Ashley Cowan
- Bellboy
- (बिना क्रेडिट के)
Leslie Denison
- Inspector White
- (बिना क्रेडिट के)
Dick Elliott
- Mike Clancy
- (बिना क्रेडिट के)
Ralph Gamble
- Randall
- (बिना क्रेडिट के)
William Keene
- Deck Steward
- (बिना क्रेडिट के)
Pamela Light
- Girl With French Heels
- (बिना क्रेडिट के)
Owen McGiveney
- Dr. Rufus B. Smedley
- (बिना क्रेडिट के)
Patrick O'Moore
- Reggie
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Sach unknowingly dog-sits a diamond studded poodle for a gang of smugglers during a trans-Atlantic voyage.
It's amazing the series lasted as long as it did, surviving well into the TV era with material now common to the little black box. Hall really deserves more credit than he's gotten for his raw comic abilities, on display here in highly energetic form since he knows he has to carry the film. Sure, his style was childish and over the top, but compare that style with Jerry Lewis's nitwit kid from the same era. Yet, Lewis is celebrated in many quarters as some kind of genius, while Hall is largely forgotten. Still, I don't see that much difference in absurd styles, except Lewis was backed by big studio Paramount, while the Bowery Boys depended on poverty row outfits like Allied Artists.
I agree with others-- the series was never the same without Leo Gorcey, a fine comedic talent in his own right and sturdy counterpoint to Hall's goofy shenanigans. As a result, Hall was left to carry on as best he could with budgets not much bigger than a take-out at MacDonalds, which is very much the case here, where everything occurs indoors, even the voyage. Worse, the action appears limited to the same room and hallway that merely get rearranged from one set-up to the next. No wonder it's the gang's swan song. Too bad they couldn't have gone out on a higher note. Nonetheless, their career from Dead End (1937) to this final entry (1958) spans 20 of the most turbulent years in the nation's history and a whole series of changing popular tastes. A pretty good record of longevity, I think, for a gang of likable losers.
It's amazing the series lasted as long as it did, surviving well into the TV era with material now common to the little black box. Hall really deserves more credit than he's gotten for his raw comic abilities, on display here in highly energetic form since he knows he has to carry the film. Sure, his style was childish and over the top, but compare that style with Jerry Lewis's nitwit kid from the same era. Yet, Lewis is celebrated in many quarters as some kind of genius, while Hall is largely forgotten. Still, I don't see that much difference in absurd styles, except Lewis was backed by big studio Paramount, while the Bowery Boys depended on poverty row outfits like Allied Artists.
I agree with others-- the series was never the same without Leo Gorcey, a fine comedic talent in his own right and sturdy counterpoint to Hall's goofy shenanigans. As a result, Hall was left to carry on as best he could with budgets not much bigger than a take-out at MacDonalds, which is very much the case here, where everything occurs indoors, even the voyage. Worse, the action appears limited to the same room and hallway that merely get rearranged from one set-up to the next. No wonder it's the gang's swan song. Too bad they couldn't have gone out on a higher note. Nonetheless, their career from Dead End (1937) to this final entry (1958) spans 20 of the most turbulent years in the nation's history and a whole series of changing popular tastes. A pretty good record of longevity, I think, for a gang of likable losers.
The final Bowery Boys film is typical of the series after Leo Gorcey left. Plenty of Sach initiated slapstick. Only Chuck and Blinky provide support in this one.
The plot involves Sach being hired by three jewel thieves to smuggle stolen diamonds on a ship form New York to England. The diamonds are concealed under the fur of a beautiful poodle named Gloria. Sach is hired to be the bodyguard of this valuable canine. There is an inspector from Scotland Yard on board looking for the diamonds.
Lovely Patricia Donahue plays one of the jewel thieves. She really brightens things up.
The series really suffered after Bernard Gorcey died in a car accident and Leo Gorcey left the series. Stanley Clements played Duke, not as a new Slip, but as a combination of the Slip and Gabe Moreno characters. Stanley and Huntz Hall never could duplicate the chemistry between Leo and Huntz.
This last Bowery Boys movie is worth watching, for Patricia Donahue if nothing else. But it is typical BB fare and you like the series, you will like this one, too. I am watching it right now on TCM Saturday morning movies.
The plot involves Sach being hired by three jewel thieves to smuggle stolen diamonds on a ship form New York to England. The diamonds are concealed under the fur of a beautiful poodle named Gloria. Sach is hired to be the bodyguard of this valuable canine. There is an inspector from Scotland Yard on board looking for the diamonds.
Lovely Patricia Donahue plays one of the jewel thieves. She really brightens things up.
The series really suffered after Bernard Gorcey died in a car accident and Leo Gorcey left the series. Stanley Clements played Duke, not as a new Slip, but as a combination of the Slip and Gabe Moreno characters. Stanley and Huntz Hall never could duplicate the chemistry between Leo and Huntz.
This last Bowery Boys movie is worth watching, for Patricia Donahue if nothing else. But it is typical BB fare and you like the series, you will like this one, too. I am watching it right now on TCM Saturday morning movies.
The Bowery Boys limp across the finish line with "In the Money", their final movie. It's a completely laughless affair. The jokes are cornier than usual. Huntz Hall is not as annoying as he often can be but that doesn't mean he's funny in this movie. Hall cannot carry a Bowery Boys movie on his own. He needs the company of Leo Gorcey and Bernard Gorcey. On his own, Hall is in trouble. The production quality of "In the Money" is also lacking. It has the look of a low budget movie of its era. The supporting cast is functional but there aren't any standouts. Patricia Donahue is the best of the bunch, especially the brief moment when she gets wet. "In the Money" is one of the Bowery Boys weakest efforts.
After a successful run of 58 movies from 1946 to 1958, the Bowery Boys series came to an end with this movie. It probably died from a combination of the inroads television was making, the fact that the boys were getting too old to play adolescents, and the loss of Leo Gorcey for the last 7 movies. (He said he couldn't continue after his father, Bernard Gorcey, died in 1955.) His malapropisms, leadership and confidence was sorely missed by me. Stanley Clements takes his place in this movie, and I counted just one malapropism. Huntz Hall is up to his usual childish tricks (which made him so endearing to his fans, including me), dog-sitting a poodle on an ocean voyage to London for some diamond smugglers. But the other members of the gang, who were stowaways on board, seemed like excess baggage, and Hall just couldn't carry the comedy by himself. The movie didn't have the energy of the early entries, which Leo Gorcey and even Bernard Gorcey provided. A sad ending to a series I enjoyed as a kid.
In the Money (1958)
** (out of 4)
This film marked the forty-eighth and final film in the Bowery Boys series and the quality of the movie was a tad higher than it had any right to be. In the film Sach (Huntz Hall) is paid big cash to take a poodle on a ship and over to England. Something seems fishy so Duke (Stanley Clements) and the gang go on board with him and soon realize that the idiot is being used by some crooked diamond smugglers. It's rather amazing that any series could last for forty-eight movies so on one hand you really do have to tip your hat but then again it's not like they had enough decent stories to carry so many films. With that said, this final entry is not unlike most others as we have the dimwitted Sach getting involved with crooks and we know that in the end he'll find his way out and everyone will live happily ever after. In terms of laughs this film doesn't offer too many but what keeps it from being boring is the fact that the cast are in high gear and really deliver nice performances. I do wonder what was going on with Hall who knew this was going to be the final film in the series. He had pretty much been playing this character from the mid 30s on so perhaps his emotions just got the best of him and he decided to go all out. To be fair, there were only a few films where he was lacking in terms of energy. I thought he managed to do a fine job with the part here, although he did seem to tone down some of the characters dumber characteristics. Thankfully the performance is full of energy and this here really helps keep the film moving because there aren't many laughs in its 61-minute running time. Clements and the boys don't get much to do, although their bit pretending to be English stowaways was pretty good. Once again Bill Elliott appears briefly as the shop owner, although he's not given much to do either. For the most part the story itself is pretty far-fetched and lame but this could be said about countless films in the series. Needless to say, if you're not a fan of the movies then you're probably going to be hitting the stop button early on but fans should be mildly entertained and it's somewhat refreshing when you watch these in order that you've finally arrived at the end. There's no question that the series was on its final legs but at the same time it's rather hard saying goodbye to the boys.
** (out of 4)
This film marked the forty-eighth and final film in the Bowery Boys series and the quality of the movie was a tad higher than it had any right to be. In the film Sach (Huntz Hall) is paid big cash to take a poodle on a ship and over to England. Something seems fishy so Duke (Stanley Clements) and the gang go on board with him and soon realize that the idiot is being used by some crooked diamond smugglers. It's rather amazing that any series could last for forty-eight movies so on one hand you really do have to tip your hat but then again it's not like they had enough decent stories to carry so many films. With that said, this final entry is not unlike most others as we have the dimwitted Sach getting involved with crooks and we know that in the end he'll find his way out and everyone will live happily ever after. In terms of laughs this film doesn't offer too many but what keeps it from being boring is the fact that the cast are in high gear and really deliver nice performances. I do wonder what was going on with Hall who knew this was going to be the final film in the series. He had pretty much been playing this character from the mid 30s on so perhaps his emotions just got the best of him and he decided to go all out. To be fair, there were only a few films where he was lacking in terms of energy. I thought he managed to do a fine job with the part here, although he did seem to tone down some of the characters dumber characteristics. Thankfully the performance is full of energy and this here really helps keep the film moving because there aren't many laughs in its 61-minute running time. Clements and the boys don't get much to do, although their bit pretending to be English stowaways was pretty good. Once again Bill Elliott appears briefly as the shop owner, although he's not given much to do either. For the most part the story itself is pretty far-fetched and lame but this could be said about countless films in the series. Needless to say, if you're not a fan of the movies then you're probably going to be hitting the stop button early on but fans should be mildly entertained and it's somewhat refreshing when you watch these in order that you've finally arrived at the end. There's no question that the series was on its final legs but at the same time it's rather hard saying goodbye to the boys.
क्या आपको पता है
- ट्रिवियाThe last of 48 Bowery Boys movies released from 1946 to 1958.
- गूफ़When the ship's officer marches the boys off after their discovery as "stowaways", the camera pushes in and a moving shadow of the camera is visible on the wall to the left.
- कनेक्शनFollows Live Wires (1946)
- साउंडट्रैक(Hail, Hail,) The Gang's All Here
(uncredited)
Music by Theodore Morse (as Theodore F. Morse) (1904) and Arthur Sullivan
Lyrics by Dolly Morse
Played during the opening credits
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Bowery Boys No. 48
- फ़िल्माने की जगहें
- Chelsea Piers, Hudson River Park, Tribeca, मैनहटन, न्यूयॉर्क शहर, न्यूयॉर्क, संयुक्त राज्य अमेरिका(ship docked in NYC - stock footage)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं 1 मि(61 min)
- रंग
- पक्ष अनुपात
- 1.85 : 1
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