Furia à Bahia pour OSS 117

A secret agent (Frederick Stafford) is called to investigate a series of suicide attacks. However, he soon learns about a drug (a toxin derived from flowers) created by an organisation that has the ability to control a person.

Great location shots, plenty of action, more than the previous OSS 117's, though it still grounded espionage work, and some impressive hand to hand combat; they are well choreographed ( there's no picking up furniture and smashing it over some one - just pure hand to hand; cool judo throws and inventive blocking techniques - there an especially impressive fight scene involving a flame thrower and a cool jungle showdown.

Of course, the story is good, has enough intrigue mystery and danger to keep your attention. The production values are slick- Frederick Stafford is very good, suave but sly and intelligent. Amazing that this is his debut film and did nothing before ... the finale is a humdinger!!

For a while, "OSS 117: Mission For A Killer" looks like it could be one of the very best of the 1960's Eurospy thrillers: Frederic Stafford actually makes a better James Bond-ish hero than either George Lazenby or Timothy Dalton, Mylène Demongeot is lovely, the fight scenes are often surprisingly technical (the one in a surgery room is the standout), and the production seems to be a bit more expensive than usual for the genre. Unfortunately, the film fizzles out in its last third, when the action moves from Rio to the Amazon jungle and the main villain's headquarters. The villain himself is one of the problems: everything about him is too vague, from his ultimate plan to his ultimate fate (the ending is unsatisfying). The print I saw was worn-out to the point of dis-coloration; this film needs a remastered DVD to do justice to its extensive on-location Brazilian shooting. **1/2 out of 4.

Wow, so much to like here! Frederick Stafford (a Slovakian by birth, came late to acting) is lean and handsome. I count three gorgeous ladies in the cast. I watched it on the recent dvd release--print looks very good. Our story begins in Europe, but almost immediately shifts to an assignment in Brazil for OSS-117. Fine use of the Brazilian locations is made by the director. We see the famous beaches and the mountains. The movie has a very good look--nothing cheap or low-budget about it. 117 tools around in a cool burgundy rental car, a model I don't know. The film has a number of crazy, wild action scenes that are very entertaining! Two, in particular, are as good as anything in a James Bond movie. There is a big, no-holds barred finale. This is just a kick-ass good movie! I've seen a lot of Euro-spy films; I've never seen one better than this.

This was director Andre Hunebelle's third crack at OSS 117, the hero of Jean Bruce's novels, and we consider it probably his best effort. OSS 117 Mission For a Killer has a lot going for it. Among them is Frederick Stafford. He's just right as the smart and tough Hubert Bonnisseur de la Bath. He has an easy air of capability about him and we were surprised to learn that this was his first film credit. Stafford, who died in a plane crash in 1979, played the same role in OSS 117 From Tokyo With Love and he made one other spy flick in the sixties; Agent 505 - Death Trap Beirut.

After four political assassinations occur inside a month, all perpetrated by drug-induced innocents, Stafford is sent to Rio to track down the source of the narcotic. Since it's Rio, we are treated to the prerequisite Carnival footage but it doesn't take up too much time. The Latin-inflected score by Michel Magne is just fine and in fact, blends well with the Rio and Bahia area locations. The film has plenty of action, good fights and intentional humor. Overall this is a superior example of the genre and well worth seeking out.

While vacationing at a ski resort OSS Agent 117 "Hubert Bonnisseur de la Bath" (Frederick Stafford) is contacted and told about a series of assassinations in South America that need to be investigated. As a result, he assumes a new identity as a news reporter by the name of "Hubert Delacroix" and takes the next available flight to Brazil. Upon landing he is met at the airport in Rio de Janeiro by a pretty woman named "Consuela Moroni" (Perrette Pradier) who claims to be the secretary of the person he was told to meet. However, because of the manner in which Consuela managed to get his attention, he becomes somewhat wary and upon arriving at their destination takes the car keys out of the ignition just in case. Minutes later he is attacked by three thugs and after disposing of them finds that Consuela is no longer in the car where he left her. To further add to his suspicions, he later meets another woman who also claims to be "Consuela Moroni" (this one played by Annie Andersson) who gives him a set of keys and some valuable information. What he still doesn't know, however, is who he can trust in his search for those responsible for the assassinations. Now rather than reveal any more I will just say that this film started off as a really good EuroSpy movie but it seemed to lose a bit of its momentum toward the end. Admittedly, this picture didn't have the financial resources that the "James Bond" films did during this time and it shows to a certain degree. Even so, it did an interesting plot, an exotic location and a couple of attractive actresses in Mylene Demongeot (as "Anna-Marie Sulza") to brighten the scenery so it definitely has some things in its favor. That being said, while not a great spy film by any means, it managed to pass the time well enough and I have rated it accordingly. Slightly above average.