Cinderella

I was nine years old in 1965, and I fell head-over-heels in love with Lesley Ann Warren when I saw this film. I haven't seen it since the late '60s or so, but I still remember the songs and the overall feel of this classic (from a nine-year-old's point of view, of course). That just goes to show what a powerful effect a film can have when everything is done just right. One of these days I'll find this and watch again. Until then, I still have my memories.

Famed composers Richard Rodgers And Oscar Hammerstein wrote "Cinderella" as an original television musical (their only one) for young star-in-the-making Julie Andrews. Supported by a cast which included Edie Adams, Howard Lindsay, Dorothy Stickney, Ilka Chase, Kay Ballard, Alice Ghostley and Jon Cypher, it received a tremendous publicity campaign and aired on March 31 1957. At the time, it drew a record number of viewers, although only the East Coast saw the live color broadcast (the rest of the country saw a black-and-white kinescope.) And, due in part to the poor quality of the kinescope, it was not repeated again until 2004.

Meanwhile, in 1964, Rodgers decided to mount a new production himself (Hammerstein had since died) with a new cast and adaptation, replacing the farcial quality of the original with a more traditional version. The result was another ratings smash, and as intended, a television perennial which was repeated for years. This time, the title role was played by young Lesley Ann Warren, who was introduced in this production and began a career which is still going strong today. Stuart Damon (later to gain fame on "General Hospital") played the prince. The supporting cast had Academy Award-winners Celeste Holm, as the fairy godmother, Jo Van Fleet as the stepmother, and Ginger Rogers as the queen. The beloved Walter Pigeon was cast as the king. And, as the two stepsisters Prunella and Esmerelda, were Pat Carroll and Barbara Ruick. Although the story stuck to the familiar fairy tale this time, the original songs were , of course, retained.

What more can be said for this near-perfect treasure? Ms. Warren is simply glorious as Cinderella, her fresh beauty complimented by her sweet singing voice, and Damon is her ideal Prince (Christopher) Charming. Celeste Holm sparkles as the fairy godmother, and she and Warren share one of the best numbers "Impossible/It's Possible". Van Fleet is a beautifully caustic stepmother, and both Carroll and Ruick are outstanding as the step-sisters. Unfortunately, both Rogers and Pigeon have little to do as the king and queen, but they ARE regal in their roles.

There are a couple of drawbacks--although critics at the time praised the "lavish production"; in reality it is done in the manner of a stage show, with sparse (and very basic) settings, and typical television camera-work. But the biggest error was using videotape instead of film for this production. Because of it's limitations, videotape does no justice to a show like this, severely limiting the visual values needed to compliment the other elements. It may be fine for situation comedies, but it was totally wrong for a musical fantasy. It must be admitted, however, that after a few minutes, one gets used to it, but what a difference film would have made! Because this version is the traditional one, it is my favorite of the two, but both are so different in approach and treatment, that each can be enjoyed on their own terms.

Two cast members of the 1965 version were already professionally acquainted with "Cinderella". Walter Pigeon provided the uncredited narration for the 1955 MGM film adaptation "The Glass Slipper" and Barbara Ruick was the daughter of character actress Lurene Tuttle, who played "Cousin Loulou" in the same movie. Another winner, that version featured Leslie Caron as Cinderella.

Enchanting live-television broadcast of the Rodgers and Hammerstein musical play, originally done in 1957 with Julie Andrews in the lead, now features Lesley Ann Warren, letter-perfect as the girl who sleeps among the ashes, taunted by her step-family until her fairy godmother comes to her rescue. For those who watched this "Cinderella" on its original airing of February 22, 1965 on CBS, the worry may be there that the special might seem dated now and corny. It certainly isn't. Although not extravagant or technically-smooth, "Cinderella" retains its magical allure, captivating audiences on a purely emotional basis, and that's its key charm. Stuart Damon is a gentle prince, Walter Pigeon and Ginger Rogers are fine as the King and Queen, Celeste Holm is sweet as the good fairy. The songs are lilting and lovely. A treat for young and old alike!

I was also six years old when this charming little gem first aired. My mother and father recognized how mesmerized my sister and I were, and always let us stay up for it each time it came on. And now, thirty five years later, I clearly remember its wonderful, innocent simplicity. Having grown up in the sixties and seventies I can appreciate the lack of special effects films had access to in those days. Acting and cinematography were what made films. Reading the other user comments have helped to stir my memories. Lesley Ann Warren's innocence and grace were enchanting. The title role was perfectly cast. Walter Pidgeon and Ginger Rogers; what a wonderful, regal couple they made. And the young romance of the Prince and Cinderella even made my father weepy!

I probably haven't seen this film since I was ten. But the very lovely memory is still with me.

I've only seen the 1965 version of R&H's Cinderella once.

I'm not sure why it's listed as 1965 as I'm sure I saw it in 1964.

In Melbourne, our fourth TV channel was about to launch (the first three commencing in 1956). I can remember the launch of ATV10 vividly. I used to watch the test pattern before it officially went to air. For much of the time they played the 1957 CBS LP of Cinderella because the "new" version was in their first week of programming.

I was 15 at the time and managed to record the music on reel to reel tape. I loved all Rogers and Hammerstein's productions and immediately was attracted to the music and lyrics. And one could argue that because everyone already knew the story of Cinderella the entire production almost worked in one's own mind by simply listening to that soundtrack.

It was musically so well done in the original 1957 version. Several years later I found the LP and couldn't buy it quick enough.

I saw the "1965" version and was totally absorbed with it. Arguably it was the best cast to ever perform it. So many stars who were all well cast. Particularly Barbara Ruick and Celeste Holme.

The only bit I've ever seen of the 1957 production is a B+W clip of Julie Andrews singing "In my own little corner". My God I wish I'd seen it live - in colour. I saw it in the TV special : Rogers and Hammerstein - The Sound of Movies.

I enjoyed the 1999 TV version - but I don't think Brandy was strong enough musically - and frankly I thought she was miscast. I also didn't like some changes to the fundamental rhythyms that R&H created.

I can't understand why the R&H version of Cinderella hasn't become as popular as the story itself. I guess this has something to do with the R&H Organisation. It would be a wonderful show for school children to perform.

The 1957 soundtrack is one of my favourites. And I would love to see the 1965 version again. Maybe it wasn't popular in Australia because I can't recall ATV10 ever screening it again. But R&H were very paternalistic over their shows. Possibly too much.

I think R&H's Cinderella will live forever.

A Lovely Night ... indeed!