The Happiest Millionaire

Yes, "The Happiest Millionaire" was Walt Disney's last film. Yes, it was obviously made to top "Mary Poppins" and yes, like many late-sixties musicals, it flopped at the box office. But the fact remains that it is a glowing, beautifully made musical (with songs by the Sherman Brothers who were responsible for "Poppins") and it never got the recognition it truly deserved. The cast, headed by Disney Stalwart Fred MacMurray and legendary star Greer Garson (in her last film appearance) is excellent. The musical numbers are fun and engaging and the players do them well. Both Lesley Ann Warren and John Davidson were introduced in this film and proved an ideal pair of romantic leads. Warren, who became an overnight star courtesy of her delightful performance as Cinderella in the 1965 Rodgers and Hammerstein television musical, literally shines as Cordelia Drexel Biddle. Many scenes are stolen by Geraldine Page playing Davidson's haughty mother, and Tommy Steele can sing and dance with the best of them. There is also a grand performance from Gladys Cooper as the family matriarch. And, for "Poppins" fans, Hermione Baddely appears as the Irish housekeeper. There is also a brief bit by Joan Marshall, the star of William Castle's "Homicidal" (billed as Jean Arless) as a maid. The fact that this story is (loosely) based on the prominent Biddle family of Philadelphia, adds to the fun. Because the film was released after Disney's death and exhibitors complained about its long running time, it was drastically edited, shortening and removing several scenes, as well as one musical number ("It Won't Be Long Till Christmas"), and here is where the controversy comes in. Garson was originally cast as Mrs. Duke, after the part was turned down by several actresses, including Geraldine Page. Just before filming began however, Page changed her mind, and Greer ended up as Mrs. Biddle. (a part she was not anxious to play). She agreed to the switch when she heard the score--especially "It Won't Be Long Till Christmas" which was her one musical number. Indeed she COULD sing, and she did so in a few of her '40's films. Because her song was subsequently cut from the film (after it's Hollywood world premiere) she declined to attend any further premieres, though she had been at the Hollywood opening. Thanks to the newly restored roadshow edition, the song has been restored, and Garson and MacMurray perform it to perfection, truly the highlight of a warm and wonderful story that makes for perfect holiday viewing.

Despite a phenomenal cast, "The Happiest Millionaire" really never takes off.

This is probably because the star of the film should have been butler Tommy Steele who begins the picture on a high note with the clever tune Fortuosity. Steele is toothy and with that broad smile, he could easily captivate audiences. Unfortunately, he soon falls into a rather supporting role to an eccentric Biddle family.

Fred MacMurray is all right for the part but his monotone voice is annoying at times. As his wife, Greer Garson, is wonderful. She depicts that regal elegance that made her so famous through the years. She is just an older, elegant version of Mrs. Miniver and all the other great roles she had in the 1940s.

Gladys Cooper is a rather tame Auntie here. Cooper was always at her best when she was an upper class mean person. The upper class is certainly there but where is her usual nastiness? Ditto for Geraldine Page. Page as Lesley Ann Warren's prospective mother-in-law causes mayhem as she usually did in pictures. This being a musical comedy, her usual frustrations are missing and we could have used them there.

Enough with the alligator scenes already. MacMurray and family wear their bible shirts and practice boxing. MacMurray is anxious for the U.S. to be prepared for World War 1 and he urges President Wilson for this preparedness.

The big surprise of this film is that all our players could carry a tune. I thought that the argument scene between Cooper and Page would have been exacerbated.

The film falters as we have seen the bar-room brawls and social fights among the upper classes in society before.

I remember the first time I saw this terrific film. I was nine going on ten and living in Westchester County, New York, at the time. "Happiest Millionaire" was the Christmas attraction at Radio City Music Hall that year [1967] and it was a delight! The performances, particularly those of Tommy Steele, Fred MacMurray, and Leslie Ann Warren are all bursting with effervescence and energy, and the Sherman brothers' songs, if not up to their work on "Mary Poppins," (But, then, what could be?) are consistently pleasant and enjoyable. As the last complete film that Walt Disney was to oversee before his death, it's one of his best latter-day works.

Which is why I find the critical drubbing it's taken over the years, particularly Leonard Maltin's in his book "The Disney Films," so hard to understand. "Happiest Millionaire" is what many family films try to be today, rarely succeeding. I was given a video of it as a present recently and found it just as enjoyable as I did 32 years ago, if not more so. Plus, living in the Philadelphia area as I do today, there's the historical interest, as well.

In short, "Happiest Millionaire" was great in 1967, and even better today. If you can see it, by all means do. You'll be in for a rare treat and a hidden treasure from the Disney vaults!

This picture has some excellent songs written by the same team of song writers that wrote the award winning songs for Walt Disney's MARY POPPINS. The opening number of "Fortousity" is a delight. Although this movie is based on a true story about Cordelia Drexel Biddle, I would recommend it more as a lighthearted and fun movie for the whole family.

I have always loved musicals, but I've never cared for the most popular ones from the 50s and 60s, such as "The Sound Of Music". However, "The Happiest Millionaire" scores on every level. The music is superb, and there's a ton of it. Tommy Steele does indeed steal the show as a new immigrant who shows up for an interview to become a butler, not quite realizing how wacky the Biddle family really is. His tunes are the most lively, particularly the bar scene. However, others such as Fred Macmurray and Leslie Anne Warren really shine here too. And who knew John Davidson had talents outside of being a game show host? This is a real diamond in the rough.

Some minor guidelines - the Roadshow edition has quite a bit of extra footage, and for those of us who know the standard edition by heart, it's great to find little bits and pieces (20 minutes worth, overall) that we've never seen, including parts of some of the songs. However, the standard edition is a tighter movie and keeps things moving more quickly - and since the standard edition is already over 2 hours and 20 minutes, I'd recommend it first. Then if you like it, the Roadshow gives you more of the best stuff.

This was Disney's last picture, and from all accounts he loved it, even though it was unsuccessful due to being released at just the wrong time. With 30 years distance, though, it is still so much fun that I'd love to see it made into an actual Broadway show. Oh, well, one can dream...