The Wrong Arm of the Law

This film is full of many wonderful characters from the mainstream 50's British cinematic comedy era. The film centres on the criminal gangs of London being double crossed in their criminal activities by a bunch of foreign criminal gang members who impersonate Metropolitan Police Officers.

They turn up at the scene of the crime and then disappear with the stolen goods leaving the criminals in limbo waiting to be arrested by the real police.

Arthur Mullard, Peter Sellers, Lionel Jeffries, Bernard Cribbens and many more make this a gem of a title to watch. Some of the film was produced around Teddington, South West London, the scene of the mass arrest at the railroad level crossing was filmed in a Teddington street called Fairfax Road.

The crossing was taken out of use many years ago but the building on which Peter Sellers and his cohorts sat observing the proceedings is still in place adjacent to the point where the crossing was.

The area where the Jaguar car driven by Mullard screams over the bridge is the railway road bridge at Strawberry Hill (not far from Teddington).

I humbly give this film 9 out of 10, but then maybe I'm biased as I just love old British comedies such as this. Produced by Romulus Films and distributed by British Lion Films, what could be better?

"The Wrong Arm of the Law" is a sort of comic British take on the famous German crime film, "M". In that Fritz Lang classic, the criminals and the police are both out to stop a murderer whose activities are making things difficult for both of them. However, where "M" was a serious crime thriller, "The Wrong Arm of the Law" is pure comedy.

And what a comedy it is, with a clever script and a first-rate cast, headed up by the superlative Peter Sellers. Known for the astounding range of the characters he could play, in this film Sellers slips effortlessly between portraying effete French couturier Charles Jules and cockney crime-boss "Pearly" Gates. In fact, Sellars slips between the two characters so effortlessly that it is easy to take for granted just how brilliant an actor he actually was. Sellers is an absolute treat to watch, and his performance should be required viewing by all aspiring actors as a lesson in how it should be done.

Peter Sellers comedies from before 1964 often come off to me as dingy, dated, and a bit twee. So "The Wrong Arm Of The Law" surprised me. I wasn't expecting to enjoy it as easily as I did.

The movie's title comes from a predicament mob boss Pearly Gates (Sellers) calls the "oldest bleeding con in the business": Dress up like coppers, catch other criminals in the act, steal their loot, and get away. After being stung eight times, Gates' own gang call on the real law for help.

It's easy to confuse this with "Two-Way Stretch", another caper comedy Sellers made three years before, with both Bernard Cribbins and Lionel Jeffries in key support roles. "Two-Way Stretch" is amusing but stale; this holds up both as a story and large-scale character piece.

By day, Gates sells high-end women's clothing with the help of a fake French accent, using his knowledge of the well-to-do to mastermind burglaries. Cribbins is a rival crime boss so non-threatening he shows off his family photos; Jeffries is inept police inspector "Nosey Parker", who suspects a buy-off attempt when Gates first appears in his office.

"I'm not trying to bribe you, mate," Gates replies. "I don't carry loose change."

Also on hand to bring considerably sex appeal is cat-eyed, slinky Nanette Newman, Pearly's girl. Watching her make out with Sellers' stomach in one scene is pretty erotic stuff; she is also cleverly integrated into the rest of the story.

Director Cliff Owen did mostly British TV work. He shows himself here an accomplished cinematic stylist. An opening credit sequence recalls "Catch Me If You Can". The ending is remarkably satisfying; all the story elements come together with surprising grace. You wish Sellers' later, bigger-budget comedies were as well crafted.

One caveat: There are no big laughs in "Wrong Arm", just many small ones and amusing asides that keep coming. There's a gentleness reminiscent of an Ealing comedy. When the different gangs discover they're all being had by the same outside interest, they call a meeting where parliamentary rules of order are carefully observed. A pickpocket demands to be heard as the "voice of the small man".

Jeffries is the best thing in the film. You know he's a wally, but you like him anyway, and feel a bit when he makes a mess of things with his superiors. "Why do they always pick on me?" he whines, not at all like the hard-case he played in "Two-Way Stretch". Sellers is very good as well, sliding effortlessly between his London and French accents.

People who generally avoid Sellers films before "Strangelove" are well advised to make at least this one exception. "Wrong Arm" is a smooth treat that still stands up well, right up there with "The Ladykillers" and "I'm All Right, Jack" in quality and lighter than either.

Amusing comedy has a peculiar trio of Aussie swindlers being chased by Scotland Yard , and they are also thieves because having been posing as policemen and confiscating pillage from apprehended robbers . The Australian bunch being informed by Valerie (Nanette Newman) , Pearly's fiancée (Peter Sellers) , the leader of a group of inept crooks . Then , the criminal band organize a convention among the main robbers (Peter Sellers , Bernard Cribbins) and scheme a twisted plan . After that , there happens a meeting between robbing chiefs and cops (Lionel Jeffries , John Le Musurier) which takes place at a merry-go-round . Later on , they set up a trap to track them down.

Agreeable spoof comedy in ¨Ealing¨ style , it packs some very funny and wacky moments . This is a classic British comedy of the 60s in the wake of ¨Lavender hill mob¨ that is clearly its inspiration . Enjoyable script divides his satirical jibes between the underworld crooks and police . It contains sympathetic performances from Peter Sellers , Bernard Cribbins and special mention for Lionel Jeffries as an unfortunate cop . Secondary intervention by Dennis Price as an educated crook and cameo role by Michael Caine at the Police Station. Furthermore , Graham Stark as a likable thief , formerly becoming himself into usual ¨Pink Panther¨ series . Atmospheric score by Richard Rodney Bennett with jazzy sound on the main titles . Appropriate cinematography in black and white by Ernest Steward. The picture was well and originally directed by Cliff Owen . He is a habitual director for television and an expert on comedy as he proved in ¨ No sex please : we're British¨, ¨The bawdy adventures of Tom Jones¨ , ¨A man could get killed¨ and several others. The flick will appeal to Peter Sellers fans and Brit comedy enthusiasts . Rating : Good and better than average English comedy . This is one of the few enduringly funny films in British cinema of the Sixties . Essential and indispensable seeing .

Peter Sellers is, unusually, the quiet at the center of the storm that makes up the plot of this wonderfully funny film. He plays Pearly Gates, a criminal (and women's wear salesman), who learns that an Australian gang is dressing up as policemen, intercepting Pearly's mob in mid-theft and making off with the goods. He joins forces not only with the leader of a rival gang, who are also suffering from the Australian competition, but also with the police, who don't want their reputation besmirched.

Sellers is very good, but top acting honors go to Lionel Jefferies as the hopelessly idiotic policeman trying to prove himself by catching the criminals. Jefferies and Bernard Cribbins, as Nervous (the rival gang's leader), give expertly larger-than-life performances while getting their biggest laughs with throwaway lines and subtle bits of business (like Nervous finishing up his negotiations with Pearly by pulling out some family snaps). Cliff Owen's direction is very sharp and very fast, and allows a cast of experienced character actors to do their best work. Dennis Price displays flawless timing and delivery in a small, unbilled cameo. This film might just be a hidden classic.