The Brain

This Anglo-German co-production by Raymond Stross based on the novel by Kurt Siodmak represented an early film by Freddie Francis, when he still had serious ambitions to establish himself as a director.

As befits a man who had recently been an Oscar-winning black & white cinematographer Francis provides the film with a vivid visual style. Among the cast comprising Ango-Saxons and Teutons in fairly equal measure Peter Van Eyck as usual gives a sound dramatic performance as Dr Corrie both before and after coming under the control of the recently deceased megalomaniac Max Holt. The producer's wife provides a memorably glacial femme fatale, while a surprisingly large number of actors associated with comedy - including Miles Malleson - fleetingly appear in straight roles.

An adaptation of film noir legend Curt Siodmak's novel, Donovan's Brain, The Brain offers up a murder mystery narrative to go with the mad science angle. It's not particularly thrilling but it does tick along nicely and director Freddie Francis has a keen eye for scene staging. Cast features Peter Van Eyck, Anne Heywood, Cecil Parker and Bernard Lee, and they all do what is required to make the material work. Stand out moments involve some delightfully monstrous paintings, a lie detector scene and all the sequences where Van Eyck is possessed by the brain of the powerful industrialist who was murdered by person or persons unknown. Good and safe "B" schlocky fare for the so inclined. 6/10

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Freddie Francis; Screenplay by Robert Stewart and Philip Mackie, based on Curt Siodmak's novel; Produced by Raymond Stross as a British-German co-production for Raymond Stross Productions and CCC. Released in America by Governor Films. Photography by Bob Huke; Edited by Oswald Hafenrichter; Music by Kenneth Jones. Starring: Anne Heywood, Peter Van Eyck, Bernard Lee, Cecil Parker, Jeremy Spenser and Maxine Audley.

British remake of "Donovan's Brain", with an all-star cast. Suspenseful horror-mystery film in which a dead man's brain is kept alive and seeks to uncover the murderer of its body. One of many overlooked fine movies made by the adventurous team of Anne Heywood and her husband Raymond Stross.

While 'Donovan's Brain' wasn't the first movie version of Curt Siodmak's sci fi shocker, it is by far the best known and best remembered of the three adaptations (so far). As a corny but entertaining b-grade movie it is hard to beat, and wonderful fun. 'The Brain', an overlooked German/English remake, doesn't try to outdo it, it instead approaches the source material in a very different way. The sensationalistic thrills and mind control horror of the 1953 movie are replaced by a calmer, more atmospheric style which adds a mystery element not seen in the earlier version. The basic premise is the same (though the names have been changed). This time around the scientist experimenting with keeping monkey's brains alive outside the body is played by Peter van Eyck ('Wages Of Fear'). He is assisted by his beautiful wife (well, I think it's his wife) Ella (Ellen Schwiers, who is positively stunning, and a lot easier on the eye than Nancy Davis!), and his trustworthy alcoholic sidekick (Bernard Lee, 'M' of James Bond fame). Once again a plane crashes nearby and the sole survivor is taken back to their lab. Once again the man cannot be saved but the scientist decides to keep his brain. As in 'Donovan's Brain' the brain survives and begins to exert control over the scientist. But it isn't in the same way, it is much subtler, and instead of domination, the brain wants something else - justice. For in 'The Brain' the millionaire has been murdered, and most of his family and associates are suspects. This interesting twist, plus the superior cast, makes this movie a rarity - a worthwhile remake. However, I wouldn't go so far as to say it surpasses the earlier movie. It is less silly and more intelligent, but not necessarily more entertaining. I enjoy both movies in different ways, and recommend them both.

I just got myself an old issue of FANGORIA and they had an interview with Freddie Francis inside. It had been quite a while since I had watched a Francis horror film, so I figured why not try one of his films. I watched this one, which was his first horror film (2nd to date) he ever directed. Is it good? Not really. I would say that Francis' work does get leaps and bounds better after his initial horror film. Like TALES FROM THE CRYPT (1972) or THE DOCTOR AND THE DEVILS (1985). Maybe any true Freddie Francis fans might enjoy it more.

Brilliant Dr. Peter Corrie (Peter van Eyck) is conducting experiments on brains to try and further his knowledge in the field. He is working on a monkey's brain in the beginning of the film, which in one shot kind of looks like a watermelon. With the assistance of Dr. Frank Shears (Bernard Lee's next role after he had played M in DR. NO) he gets a hold of a still working brain within a dead body. Turns out it belongs to tyrannical tycoon Max Holt. During the film Holt and Dr. Corrie's brain are on the same wavelength, so Dr. Corrie knows things he shouldn't. In the end it turns into a murder mystery to solve his murder.

Sadly a mixture of good ideas with some kooky ones, which may have to do with it being a B-Movie from the early 60s, so it adds some silly sci-fi angles to things which are not believable. The whole murder mystery element when added really does suck a lot of the horror out of the picture. A blend of two genres that does not really work.

Also starring JacK MacGowran as Furber, who may be the most interesting character in the whole movie. He is aware of Dr. Corrie's theft of Max Holt's brain and is looking for payment to keep quiet.