Bon Voyage!

During the 1955-65 golden era of Disney live action movies targeting baby boomers, there were many hits and only a rare miss; what with huge pre-sold theater audiences who automatically lapped up any Disney comedy that came to their local theaters. There was little risk to studio and to viewer because these things utilized a proven formula and featured a narrow ensemble of likable Disney actors. Interestingly "Bon Voyage!", released in May 1962, was probably the studio's biggest miss.

It is likely I was one of those who paid money that summer to see this film, but if so it made so little of an impression on me that during a recent viewing my normally excellent memory failed to find anything familiar enough convince me that I had seen it 50+ years ago. But assuming that I had seen it and given my sudden and extreme infatuation with Deborah Walley after seeing her one year later in "Summer Magic", "Bon Voyage!" must have been completely erased from my memory within hours of viewing it as I am certain I never connected Walley's Cousin Julia to Amy Willard.

The only virtue of "Bon Voyage!" today is that it evokes a nostalgic reaction of baby boomer family vacations in general and to ocean liner and Paris family vacations in particular. But in the early sixties such a future would not have been a factor in green lighting a production. If you look back on the successful Disney comedies of the era you can easily see the standard formula that was pitched to the studios. Familiar inoffensive actors playing wholesome characters, mild comedy that disparaged no one and was typically at the expense of a harried but well meaning father, and most importantly a hook or gimmick that engaged the audience and made them willing to suspend their disbelief and identify with whichever character targeted their demographic.

Disney first would find a tried and tested hook and then use their stock elements to build a movie around it. "Flubber" was the best of these hooks and worked across several movies, although it was just an unoriginal reprise of "It Happens Every Spring". "Summer Magic" was the application of acute nostalgia to "Mother Carey's Chickens". "Swiss family Robinson", "Babes In Toyland" and "Mary Poppins" were established children's stories given a magical Disney flourish. Apparently something convinced the studio in 1962 that the family European vacation hook was foolproof and the pitch for "Bon Voyage!" got the green light.

Compared to their standard film the concept was original, relatively big budget, and full of location shooting. Making it an odd blend of Disney nature documentary and light comedy. So its crash and burn taught the studio to not be seduced by originally. And also that a inoffensive ensemble of lightweight actors could not save a production doomed by a faulty concept and an extraordinarily weak script.

I suspect that the fundamental failure of the film was in just having too many stories, none of which fostered much viewer identification or otherwise connected with the audience. One of lame bumbling father comedy (Fred MacMurray), one of boringly overwrought romantic melodrama (Walley), and one of gratuitous sleaze (Tommy Kirk). The standard Disney audience was willing to suspend disbelief and even go with a self-knowing whimsy; but only if they strongly identified with one or more of the central characters.

Then again, what do I know? I'm only a child.

Nice Disney family film in the tradition of Old Yeller, Swiss Family Robinson & LT. Robin Crusoe USN. Stars Fred Mac Murray & Jane Wyman as well as veteran Disney child actors Tommy Kirk & Kevin Cochoran, and the late Deborah Walley. Real star of this film is the old Ocean Liner SS United States. - 1962 was the twilight of the big Transatlantic Ocean Liners and " The Big U" shows herself in all her glory. Shot on location in Paris and the Riviera, it gives us a look back at Paris back in the 60's with all the fads and fashions. A bit dated for today's tots. This film is probably better suited for adults looking for a nostalgic look back.

I guess a trip to France is as good a reason as any to be in a film and Walt Disney took a whole bunch of American players over to France to film a rather innocuous and over long comedy Bon Voyage. Everybody here has done much better work.

The Willard Family of Terre Haute consisting of parents Fred MacMurray and Jane Wyman and kids Deborah Walley, Tommy Kirk, and Kevin Corcoran all head to Paris on a long anticipated vacation. Each of them has some issues to deal with.

MacMurray just can't seem to do what he wants to do, some family crisis is always interrupting. Walley has fallen for American playboy Michael Callan who is dying to get out from under his rich dowager mother Jessie Royce-Landis. Wyman has attracted the attention of a gigolo in Ivan Desnys. Kirk is having the old badger game run on him by Georgette Anys, the mother of a girl he met on the Riviera beach. Only Kevin Corcoran seems to have no problems, but he gets separated from MacMurray in a tour of the Paris sewer system. That by the way provides the best laughs in Bon Voyage.

Given the Disney parameters Bon Voyage had certain restrictions placed on it that the more successful National Lampoon's European vacation didn't have. That was a far better film and the Griswolds will linger in your memory way after the Willards have gone.

In a recent biography of Fred MacMurray, Tommy Kirk did not have fond memories of the film. His sexuality had come to light at the studio and Jane Wyman treated him horribly. As for Fred MacMurray he and Fred had a decent relationship from previous films, but it was never quite the same after that. In addition Kirk felt his character was something of a doofus and I'm inclined to agree with him.

Even with the European locations Bon Voyage is probably the weakest of all the films Fred MacMurray did for Disney.

Wow, this movie is boring. I think it's supposed to be a comedy, but I didn't really find it very funny. It's not one thing or another. It's not really terrible, but then it's not really good either. The scenes when they walk around Paris are better than most of the film, for at least you get to see some of the scenery, but that doesn't really make up for the bland, boring movie that this is. I think the concept is okay and they had a real opportunity to make a decent film, but somehow they just couldn't. I don't think it would have been quite so bad if it hadn't been so long. They could have easily have made a decent film by just cutting about an hour of the movie's runtime. It's not offensive or horrible in any way, however, and it wouldn't hurt to have it on in the background.

"Bon Voyage" is a very good Disney movie from the studio's heyday of family films - that is, films centered around families. It's a comedy that also includes subtle lessons about life. These may not be such heralded motives or themes in the Hollywood of the 21st century, or even of large audience interests in modern times. But in the mid-20th century - especially the two decades plus, after World War II, they were good themes and very popular. This film finished 13th place in box office sales for the year. So, audiences of that time - and, most critics, enjoyed this movie.

The movie screenplay was written by Joseph Hayes. It is based on the 1956 novel of the same title that he co-wrote with his wife, Merrijane. Hayes is remembered for a number of novels and screenplays. His most notable work was his 1954 book, "The Desperate Hours," from which he then wrote a 1955 Broadway play that won the Tony as the best play of the year. That was followed immediately by a screenplay for the blockbuster film that starred Humphrey Bogart, Fredric March, and Martha Scott. Although more celebrated for his mystery and thriller stories, Hayes also wrote some comedy and drama.

Among the cast of this film set on a ship crossing the Atlantic and then, in Paris and the French Rivera, are some actors dubbed as Disney legends - notably, Fred MacMurray as Harry Willard and Tommy Kirk as his son, Elliott. They and Deborah Walley as daughter Amy give the best performances with the bulk of the screen time. The rest of the cast are good, including Jane Wyman as Mrs. Katie Willard, Michael Callan as Nick O'Mara, who pursues Amy from ship to shore, and Kevin Corcoran as the youngest Willard, Skipper.

Not many movies have been made about families on vacation. There was a small surge of such films in the mid-20th century, mostly comedies. This is one of the better films, along with "Mr. Hobbs Takes a Vacation" of the same year that starred James Stewart and Maureen O'Hara. Other movies, "National Lampoon's European Vacation" of 1985 and later films since then have lots of comedy in the antics of the cast, but very little interplay about family life.

The usual family humor is present here, where the older teens think their parents are old-fashioned, out of touch, or not to be believed or followed. After some antics and mishaps, Harry talks reasonably with Elliott and Amy. And the kids find out that dad may be wise after all. That kind of family interplay is most often left out of modern movies in favor of all-out efforts for humor. The result is often a picture of dumb parents, a dodo dad, and families in which kids have little or no respect for parents. I can't believe that modern vacationing families might really be like that.

Anyway, this is a very good film that is quite funny in places and thought-provoking at times. Here are some favorite lines.

Harry Willard, "Where the devil did she meet that fella?" Katie Willard, "Probably in the elevator." Harry, "How could she possibly meet someone during a ten-second elevator ride? I've been riding elevators all my life. I never meet anyone."

Katie, "He looks rather nice." Harry, "That's probably what he does - hang around elevators all the time. They have a name for his kind - elevator lurkers." Katie, "Oh, don't be silly, Harry. He's one of the passengers."

Harry, "What's wrong son? You can tell me." Elliott, "Dad, let's not do the man-to-man talk bit now, okay? I couldn't take it."

Harry, "I wish you'd stop talking like I'm from Mars or something. What don't I understand?"

Elliott, "I'm not interested in other girls. I'm deeply, beautifully in love with a very fine person. Together we might've had a chance for happiness. Together, we. .." Harry, "Wait a minute, Elliott. Are you talking about that scrawny Hamilton kid back home - the one with the floppy bangs that calls me 'chum'?" Elliott, "Dad, if we can't discuss Ruth with the respect to which she is entitled, I'd rather we didn't discuss it at all."

Harry, to youngest son, Skipper, "Whaddaya think of that fella, O'Mara?" Skipper, "Search me! He's no different from the other creeps Amy goes with back home."

Harry, "There's just something about that Nick O'Mara that raises my hackles. He admits he went to Yale." Katie, "Now, Harry." Harry, "I know - some of the sweetest boys you know went to Yale."

Harry, "And I thought the only thing we had to worry about on this trip was to make sure everybody drank bottled water."

Harry, "Look, son, let's get something straight right here. We ARE tourists. We're not playboys, or business tycoons, or international spies, or anything like that. We're just plain tourists from Terre Haute, Indiana. Now, for a start, it might help if we stop showboating all over the place and pretending something we're note. Then, maybe tourist won't be such a dirty word anymore."

Katie, "Harry, you surprise me. You're more devious than I gave you credit for. " Harry, "Well., I have given the matter some thought." Katie, "All right, you Happy Machiavelli, where's your first move?"

Amy Willard, "Give yourself some credit, daddy. You raised a girl with some gumption."

Amy, "Oh, don't worry about me, Pop. I'm going out with my two brothers. You take care of your own problem."