Big Red

It holds some charm, but 'Big Red' is mostly average.

Gilles Payant gives a likeable, if wooden, performance as Rene, while Walter Pidgeon adds a touch of elegance to the film as James. Émile Genest and Janette Bertrand are alright, too. The cast I actually like, it's just the plot and how it is told that hampers the film for me.

The onscreen dogs are adorable and their story ends in a cutesy manner, but there's not much more to enjoy past that. It's a very basic premise which is revealed in a very basic way. Nothing necessarily bad, but nothing all that good either. Forgettable, in a word.

Disney seems to show a great many of the films they produced in the 50's and 60's on their cable channel extremely early in the morning 3, 4 am etc. So many of them like Big Red have probably never been seen by the younger generation of today. These movies have never lost their excellent story content. This picture is no exception. Walter Pidgeon delivers a solid performance as a dog owner who cares only for the Irish Setter he has as a potential winner in dog shows and nothing as a pet. A young boy who comes to work for Pidgeon develops a friendship for the dog. Big Reds life is changed but not without some dangerous events. Certainly a must see for any Dog lover and any one who enjoys non animated Disney films.

In the world of cinema it has become increasingly harder and harder to grant due credit to those films of earlier years who made an impact and yet inexplicably faded into the insurmountable hill of thousands of fine movies.

BIG RED is one of them. I have read that this movie spawned a huge interest in the Irish Setter in the United States. There must have been an irresistible charm in this movie for this to have happened.

And yet, here I am watching this movie for the first time on Hallmark (not Disney!), 42 years later wondering why I never heard of it again! Surely it must have succumbed under the influence of flashier movies.

Why else would such a tender movie have faded out of our collective consciousness? Perhaps it is because it does not splash you with techno-wizardry or earth-shaking situations? Perhaps it is because the story is too simple and too predictable?

I conclude that it is because simplicity has gone out of favor. Sober charm has been usurped by drunken revelry.

That's too bad. We need this brand of storytelling. We need to slow down our revolutions per minute, sit back and take a deep breath.

BIG RED is charming. There are no monumental ideals overturned here. We have simple, easily paced scenes about the human heart and a young, honest boy whose entire world is the life of one dog who he cherishes above almost everything.

Was life ever this simple? Perhaps not. But to a young child, the entire world can be the size of a few square miles. He learns his lessons, and others learn from him.

Gilles Payant is charming as the young boy. It's a shame, yet another shame in the world of film, that he did not pursue a career in film.

Walter Pidgeon is perfect as the dog's owner.

I recommend this to anyone without a pretentious heart. You won't be dazzled. But you might be charmed.

Big Red was shot around La Malbaie and Cap Aigle in the Charlevoix Region of Quebec. The falls are currently part of the Chutes Fraser Campground. The surrounding scenery is set at the Cabot Farm. The gardens of Francis Cabot, "Les Quatre Vents," can be visited or seen in his book, "The Greater Perfection, The Story of the Gardens at Les Quatre Vents." From a historical perspective this area was frequented by President William Howard Taft among others of high society, hence the story takes on new meaning with the wealthy owner of Red taking an interest in young french speaking Gilles. This film is suitable for young children and those who occasionally like to take a stroll down memory lane to a simpler time.

This is a good family film from the Disney vaults that has been tucked away in relative obscurity mainly because the lead child actor Gilles Payant, who was born in Quebec does not speak with a clear American speaking accent that Americans are always expecting to hear. Otherwise, this film is unfairly noted as a "foreign film". Such narrow mindness has its own reward that those open minded film goers who have seen Big Red still consider it a Disney classic some 56 years later.

A hero Irish Red Setter befriending a Quebec boy who is an orphan himself sets out into the middle of the wilderness to find his beloved pupil dog only to find out that Big Red has now become a father. Big Red wants his offspring pups and their mother to be granted the freedom to choose where to live rather than to have a wealthy dog breeder sell them off as damaged goods. Actor Gilles Payant who plays the orphan boy Rene Dumont is not concerned about his own welfare and decides to leave his job in a full blown effort to find Big Red and his soon to be mother of his offspring in the wilderness after escaping from their shipping container on a freight train.

Breeder and dog owner James Haggin (played by Walter Pidgeon) has one of those come to Jesus moments when he realizes that the orphan boy Rene Dumont who he had hired to simply exercise Big Red has sacrificed his job and decent way of life to find the lost dog, Big Red, in the middle of thousand of square miles of wild country. So dog owner James Haggin gets on his horse with his rifle in hand to find Rene Dumont and bring him home. The ending is a hero's welcome that Walt Disney is known for but back in 1962 Walt Disney was lesser known for making dramatic films and so this film received little recognition.....until now.

I hope the Disney vault releases a Blu Ray version sometime soon. I give the film a decent 8 out of 10 rating.