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The Innocents

  • 1961
  • A
  • 1 घं 40 मि
IMDb रेटिंग
7.7/10
35 हज़ार
आपकी रेटिंग
लोकप्रियता
4,972
2,173
The Innocents (1961)
Trailer for The Innocents
trailer प्ले करें3:09
1 वीडियो
85 फ़ोटो
Psychological DramaPsychological HorrorPsychological ThrillerSupernatural HorrorDramaHorrorMysteryThriller

दो बच्चों की एक युवा अध्यापिका को विशवास हो जाता है कि वह घर और मैदान प्रेतवाधित हैं।दो बच्चों की एक युवा अध्यापिका को विशवास हो जाता है कि वह घर और मैदान प्रेतवाधित हैं।दो बच्चों की एक युवा अध्यापिका को विशवास हो जाता है कि वह घर और मैदान प्रेतवाधित हैं।

  • निर्देशक
    • Jack Clayton
  • लेखक
    • Henry James
    • John Mortimer
    • William Archibald
  • स्टार
    • Deborah Kerr
    • Peter Wyngarde
    • Megs Jenkins
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.7/10
    35 हज़ार
    आपकी रेटिंग
    लोकप्रियता
    4,972
    2,173
    • निर्देशक
      • Jack Clayton
    • लेखक
      • Henry James
      • John Mortimer
      • William Archibald
    • स्टार
      • Deborah Kerr
      • Peter Wyngarde
      • Megs Jenkins
    • 280यूज़र समीक्षाएं
    • 150आलोचक समीक्षाएं
    • 88मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 2 BAFTA अवार्ड के लिए नामांकित
      • 4 जीत और कुल 5 नामांकन

    वीडियो1

    The Innocents (1961)
    Trailer 3:09
    The Innocents (1961)

    फ़ोटो85

    पोस्टर देखें
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    पोस्टर देखें

    टॉप कलाकार9

    बदलाव करें
    Deborah Kerr
    Deborah Kerr
    • Miss Giddens
    Peter Wyngarde
    Peter Wyngarde
    • Peter Quint
    Megs Jenkins
    Megs Jenkins
    • Mrs. Grose
    Michael Redgrave
    Michael Redgrave
    • The Uncle
    Martin Stephens
    Martin Stephens
    • Miles
    Pamela Franklin
    Pamela Franklin
    • Flora
    Clytie Jessop
    Clytie Jessop
    • Miss Jessel
    Isla Cameron
    Isla Cameron
    • Anna
    Eric Woodburn
    • Coachman
    • (बिना क्रेडिट के)
    • निर्देशक
      • Jack Clayton
    • लेखक
      • Henry James
      • John Mortimer
      • William Archibald
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

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    फ़ीचर्ड समीक्षाएं

    bd74

    Creeeeepy!

    They sure don't make movies like this one anymore. This is one of the few horror movies that does not have gory or graphic images in it. Instead, the spooks in this movie are presented in a subtle way....yet, the movie is quite scary. This is the type of horror movie that I like, one in which every now and then you see a frightening image or a startling scene, and that image or scene lingers in your mind.

    Everything about this movie is haunting. First, there's the song at the beginning: you hear a young girl's voice singing a beautiful yet somber song. Later you hear that song in several scenes in the movie.

    Second, there's the setting: this movie takes place in a large Victorian mansion with many rooms and passages, while only about eight people live in it....what could be more eerie than that?

    Then there's the exceptional cinematography. The black-and-white photography is perfect for this movie. This movie would not have been too creepy if it had been done in color. Further, many of the shots were innovative and the lighting was used ingeniously in some of the scenes.

    Additionally, I liked the way that the director chose to play around with the sound, which brought more of an element of mystery to the movie. In one particular scene, there was a lot of noise initially....and in a split second there was dead silence....then several seconds later, it was noisy all over again (all in the same scene).

    But what I think is the most interesting thing about this movie is the fantastic performance by Deborah Kerr. It's fascinating to watch her facial expressions in this movie. She demonstrates her character's fear quite well.

    I also think that the actor who plays Quint is very scary-looking! He has a very sinister look, and it adds to the spookiness of this movie. If you really want to be spooked by this movie, watch it late at night with all of the lights off....dare to watch it by yourself.
    jemmytee

    Ghost story or psychological study? Who can say?

    "The Innocents" is one of those films that prove subtlety and imagination can be ten times more terrifying than loud noises or things that go bump in the night. There are no raging spirits or escaped madmen here. Nor will you find that stock of today's second rate horror films -- the creature that embodies evil and finds amazingly obscure ways in which to slaughter naughty teenagers. No, this movie scars one's psyche with darkness and silence and possibility, all mingled with its refusal to give the audience an easy answer at the end.

    Based on Henry James' novella, "The Turn Of The Screw," the story is deceptively simple. An inexperienced governess is hired to care for two orphaned children in an isolated British manor and slowly comes to believe the ghosts of the previous governess and her brutish lover are trying to possess the children's souls. Being a decent woman "who loves children," she fights back the only way she can -- by confronting the evil head on. But the question is, does the evil truly exist...or is it all in her own mind?

    As told by James, the novella is a startling ghost story, without question. He adds his usual psychological insights to the characters, but never do you doubt the ghosts exist. The defining moment comes when Miss Giddens sees Quint's face in a dark window then later finds a locket bearing his portrait and comes to her realization, "Oh, he's a ghost!" But in the movie, Truman Capote and William Archibald reverse this sequence -- she finds the locket first and THEN sees the man's face in the window -- and all simple explanations go out the door.

    Is Miss Giddens imagining things? Has she become overwhelmed by the responsibility of raising two precocious children without any sort of support from their selfish uncle? Is she merely sexually repressed and immature enough to transfer her crush on the uncle to a boy not even into puberty yet? And what of Flora, Miles' sister? If this is merely sexual repression on Miss Giddens' part, then why does she drag a little girl into the morass? Throughout the film, Miss Giddens offers evidence of her concerns -- a letter received from Miles' schoolmaster that she cannot fully share with Mrs. Grose because the woman cannot read; her awareness that the two innocents in her charge have a far more advanced knowledge of life than children that age normally would; stories told by Mrs. Grose about Miss Jessel and Quint and how they treated the children. So could it be the spirits of two miserable adults have come back to reclaim life in the persons of Miles and Flora? It could go either way.

    There is not one wrong moment in this movie. Not one. The first time I saw it was in New York City on a double bill with "The Haunting" (1963), a "things that go bump in the night" kind of movie. The audience and I howled through that one, it was so much silly fun. And we chuckled through the first ten minutes of "The Innocents" (especially when Mrs. Grose tells Miss Giddens, "I'm SO glad you're here," with a little quiver in her voice), but by the end of that film (and I use the word "film" deliberately), the entire theater was dead silent. Any film that can shut up a room full of rowdy New Yorkers has got to be damned good.

    So...is "The Innocents" a ghost story or psychological study? Who can say? And to be honest, who cares? It is, at the very least, a damned good movie...and at the very best, a horror story that makes "The Shining," "Rosemary's Baby," "The Others" and even "Psycho" (a movie I love) look like the works of children. That this film is not available on DVD is a travesty.
    8cuz

    Genuine creepiness in glorious black & white

    What makes a good chiller? Gore, special effects? No, as director Jack Clayton proves here, it's atmosphere, combined with the sounds of horror, that makes the difference. Granted, I've seen just about every Elm Street and Friday the 13th instalment, but "The Innocents" proves that what you don't see can scare you the most. Deborah Kerr is in fine form as an English governess who is sent to a remote mansion in the country to look after two young orphans. Their "uncle" in London doesn't have time for them. Kerr slowly begins to realize there's something not quite right with the young boy and girl. Their thoughts and actions are not consistent with the behavior of pre-teens. There's a dark secret, and Kerr sets out to discover it. We do see the ghosts, but it's when Kerr searches the house for the sources of strange noises and voices that we really feel a chill. "The Innocents" also makes great use of its black and white photography. I can't imagine it working as well in color (are you listening, Gus Van Sant?). Shadows just seem creepier in black and white. The children are well played by Martin Stephens and Pamela Franklin. Franklin was 11 when she made this film, and as an adult she would go on to star in another excellent haunted house movie, "The Legend of Hell House." It's a shame that Hollywood has stopped making movies like "The Innocents." Perhaps audiences used to Halloween-style slashers, "Scream" and "I Know What You Did Last Summer" would be demanding blood and guts. Yes, "Scream" was, pardon the pun, a cut above. It raised the slumping horror bar to new heights, and then "I Know..." ran under that bar, but that's another story. If you want genuine chills rather than cheap thrills, you can't do much better than "The Innocents."
    9secondtake

    One Full Turn of the Screw

    The Innocents (1961)

    The title loads this gun a little differently than the original from the long short story (or novella) by Henry James--The Turn of the Screw. But Jack Clayton's version of the story gets at the point with great ambiguity--uncertainty is key, and the suspense is partly under pressure because we don't quite know which side to take.

    I can't say more, of course, because even a hint of a hint will start a viewer off on the wrong foot. But know that The Innocents is vigorously filmed in widescreen black and white, that Deborah Kerr, always a cool actress, is perfectly cool here (some might just say British, but she has no Julie Andrews in her governessing, and no Elizabeth Taylor in her at all). The two kids are both rather poised and charming as well as chilling, the boy especially intriguing for his precociousness (and preciousness). We empathize with all three equally, and yet, as you see, you can't quite see the events from their three pairs of eyes equally. Something is wrong, and you wait to see what, and how it will be revealed.

    If it ever is. One of the brilliant things about Henry James is how you finish one of his books (the novels are better than the stories for this, I think) knowing what has happened but not knowing completely why. I mean, it all makes sense and feels right, but it feels suspended with an air of lingering needs. So you end up thinking about it later. As you will with this film.

    There are some moments of special effects that are very well done even if a kind of 1950s/60s style of overlapping images and dreamer/dreamed simultaneousness. And the ghosts, not to give anything away, are pretty matter of fact. This is more an appreciation than a complaint, because the lack of gore, of cheap surprise, or of obvious scare tactics makes the movie a relief, and a bit of cinematic magic.
    8Snake-666

    Superb psychological horror!

    Miss Giddens (Deborah Kerr), a nineteenth century British governess, is appointed to take care of two children, Flora (Pamela Franklin) and Miles (Martin Stephens). Upon arriving at the bleak mansion she meets the housekeeper (Megs Jenkins) and also Flora. Miles arrives a few days later from school. The children seem like little angels but, following a series of bizarre events and examples of the children's wicked impulses, Miss Giddens begins to suspect that all is not what it seems.

    This dark and atmospheric tale is a wonderful example of how to create an admirable horror movie that, although has violent undertones, features very little violence when all is said and done. ‘The Innocents' is certainly a psychological horror movie which leaves in doubt how much of the inexplicable happenings are supernatural, and how much is in the mind of the protagonist, Miss Giddens. Director Jack Clayton uses some astonishing visual trickery and ghostly effects to create and maintain a very unsettling atmosphere, almost from the very beginning. A number of effective ghostly apparitions are displayed on screen during the movie from varying distances which gives ‘The Innocents' a constant, foreboding atmosphere. The way some scene changes blend with the end of the previous scene are rather disconcerting and almost dream like as there are long lingering images, once again, wholly adding to the effect. Some of the dialogue may seem a little unrealistic, but in general the movie is well scripted and features a few very dramatic scenes thanks to some delightfully written dialogue and strong acting performances. William Archibald and Truman Capote both won awards for their script writing.

    The only real fault with ‘The Innocents' is how fast the film moves along. Miss Giddens seems to realise the truth of what is happening all too quickly. This does not make ‘The Innocents' less enjoyable, but it would have been nice to have had an extra ten minutes or so explaining the story to us a bit more. ‘The Innocents' has a sustained tone of dread throughout the movie. It seems that Miss Giddens is unable to move without being confronted by some spectre or seeing some rather peculiar behaviour exhibited from the children. I'd compare the dark atmosphere with that of ‘The Haunting' (1963), both movies are comparable in the way they are presented and are both aesthetically pleasing. The acting was of a high standard, though one must forgive the two young performers if they occasionally seemed to overact. Martin Stephens was very good as Miles, playing his sinister part with an awful power, even though the character's superciliousness became somewhat of an annoyance. Megs Jenkins was also delightful as the anxious housekeeper Mrs. Grose. From the moment Mrs. Grose is first introduced the viewer can begin to suspect something. Jenkins came across as a friendly, but scared, woman who is desperate to maintain decorum in the house. A fine performance suited her character marvellously. One must also mention Deborah Kerr's fine performance as Miss Giddens as she played it with the right balance of inquisitiveness and fear. Deborah's dramatic performance certainly helped make this movie fantastic and one sympathises with her deeply as the film ends on the sombre and heartbreaking note that it does.

    ‘The Innocents' is an elegant and stylish movie that is certainly worth watching. Fans of ‘The Omen' and ‘Village of the Damned' should enjoy this as well as any fan of dark, atmospheric horror. A strong screenplay, fine performances and breathtaking visual trickery make this movie a very pleasing addition to the horror genre and I highly recommend it to all. ‘The Innocents' was able to scoop a BAFTA Award (British Academy of Film and Television Awards) for Best British Film as well as a BAFTA nomination for Jack Clayton which he thoroughly deserved. My rating for ‘The Innocents' - 8/10.

    इस तरह के और

    हॉन्टिंग
    7.4
    हॉन्टिंग
    Les diaboliques
    8.1
    Les diaboliques
    Carnival of Souls
    7.0
    Carnival of Souls
    The Innocents
    7.0
    The Innocents
    Les yeux sans visage
    7.6
    Les yeux sans visage
    Prestuplenie i nakazanie
    7.8
    Prestuplenie i nakazanie
    Repulsion
    7.6
    Repulsion
    The Uninvited
    7.2
    The Uninvited
    La maschera del demonio
    7.1
    La maschera del demonio
    Peeping Tom
    7.6
    Peeping Tom
    What Ever Happened to Baby Jane?
    8.0
    What Ever Happened to Baby Jane?
    Village of the Damned
    7.3
    Village of the Damned

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      To create such sharp visuals, director of photography Freddie Francis used lots of huge bright lamps. Deborah Kerr sometimes had to resort to wearing sunglasses between takes. He also had candles custom made with four or five wicks entwined to produce more light.
    • गूफ़
      An obvious center back zipper in several of Miss Kerr's costumes, as well as in Mrs. Gross & Flora's costumes. The Innocents is set during the Victorian period, 1837-1901. Commercial zippers were not used in clothing until 1925.
    • भाव

      Miles: What shall I sing to my lord from my window? What shall I sing for my lord will not stay? What shall I sing for my lord will not listen? Where shall I go when my lord is away? Whom shall I love when the moon is arisen? Gone is my lord and the grave is his prison. What shall I say when my lord comes a calling? What shall I say when he knocks on my door? What shall I say when his feet enter softly? Leaving the marks of his grave on my floor. Enter my lord. Come from your prison. Come from your grave, for the moon is a risen. Welcome, my lord.

    • क्रेज़ी क्रेडिट
      The film begins with a totally black screen and the sound of Flora singing for several seconds; then the 20th Century Fox logo fades in and out. The singing continues for a few seconds before the opening credits begin. As the credits display, we see an anguished Miss Giddens praying on the left side of the screen. Her actions are not explained until the film's climax.
    • कनेक्शन
      Featured in Aweful Movies with Deadly Earnest: The Innocents (1974)
    • साउंडट्रैक
      O Willow Waly
      Music by Georges Auric

      Lyric by Paul Dehn

      Performed by Isla Cameron

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is The Innocents?
      Alexa द्वारा संचालित
    • What is "The Innocents" about?
    • Is "The Innocents" based on a book?
    • What does "the turn of the screw" mean?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 15 दिसंबर 1961 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Posesión satánica
    • फ़िल्माने की जगहें
      • Sheffield Park Garden, Dane Mill, Uckfield, East Sussex, इंग्लैंड, यूनाइटेड किंगडम(house and grounds)
    • उत्पादन कंपनी
      • Achilles
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • £4,30,000(अनुमानित)
    • दुनिया भर में सकल
      • $30,221
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 40 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 2.35 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    The Innocents (1961)
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    What was the official certification given to The Innocents (1961) in Japan?
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