एक पूर्व बाल कलाकार हॉलीवुड की हवेली में अपनी परोपकारी बहन को सताता है।एक पूर्व बाल कलाकार हॉलीवुड की हवेली में अपनी परोपकारी बहन को सताता है।एक पूर्व बाल कलाकार हॉलीवुड की हवेली में अपनी परोपकारी बहन को सताता है।
- 1 ऑस्कर जीते
- 5 जीत और कुल 11 नामांकन
Anne Barton
- Cora Hudson
- (as Ann Barton)
Barbara Merrill
- Liza Bates
- (as B.D. Merrill)
फ़ीचर्ड समीक्षाएं
"What Ever Happened to Baby Jane?" is a most unusual and impressive thriller. Director Robert Aldrich achieves a fantastic sordid and dark atmosphere at the Huadson sisters mansion -where most of the action takes place- with an unusual black and white shooting for the early 60's. An interesting story, a well delivered screenplay and an accurate musical score also rise the film high.
But the main credit of the picture is casting together to real big names in Hollywood's history, not at their peak then but always reliable and attractive to see. Bette Davis (Jane) takes the most interesting character as the former child star that couldn't make it as an adult in show business so she has gone insane and keeps behaving as the spoiled child he was. She looks grotesque and ridiculous in her child outfits, hairdo and heavy make up. Davis is outstanding in her role and looks really mean when she tortures both mentally and physically her sister Blanche, delicate and reasonable. Joan Crawford plays Blanche and very well too, a former big star whose career ended after a strange car accident that put her on a wheel chair for life.
In the end things are not completely as they seem but the final twist is not what makes this film an extremely good one; it's the strange relationship between the sisters, that requires of that final twist to understand Blanche's tolerant conduct towards her sister.
The movie is perhaps a little too long and it would probably have been even better with a 10 minutes cut. But no doubt this is a top product in its genre and a great movie indeed.
But the main credit of the picture is casting together to real big names in Hollywood's history, not at their peak then but always reliable and attractive to see. Bette Davis (Jane) takes the most interesting character as the former child star that couldn't make it as an adult in show business so she has gone insane and keeps behaving as the spoiled child he was. She looks grotesque and ridiculous in her child outfits, hairdo and heavy make up. Davis is outstanding in her role and looks really mean when she tortures both mentally and physically her sister Blanche, delicate and reasonable. Joan Crawford plays Blanche and very well too, a former big star whose career ended after a strange car accident that put her on a wheel chair for life.
In the end things are not completely as they seem but the final twist is not what makes this film an extremely good one; it's the strange relationship between the sisters, that requires of that final twist to understand Blanche's tolerant conduct towards her sister.
The movie is perhaps a little too long and it would probably have been even better with a 10 minutes cut. But no doubt this is a top product in its genre and a great movie indeed.
Whatever Happened to Baby Jane? might seem dated, but it is still an extremely riveting watch. I literally could not look away, as soon as the movie started, I couldn't stop until it had finished. Not a lot of movies can do that to me. The acting is extremely good, Bette Davis and Joan Crawford are just so good as the main focus of the movie. The chilling score is suits the movie and the camera-work reminds me a lot of Hitchcock.
The story focuses on two sisters, Blanche Hudson (Joan Crawford) who was crippled in an accident awhile ago and "Baby" Jane Hudson (Bette Davis). Jane used to be a big child star, she even had a doll brand after her. Now, though, she is no longer recognised while her sister has recently become very famous. They live in an old mansion, with Blanche confined to her room upstairs while Jane gets madder and more cruel by the day.
Bette Davis gives the star performance here, some may call it over-acting but it is far from. She really makes Jane as mad, cruel and sad as possible. Joan Crawford is equally good in a very different role. She is much more timid then Jane and quite scared. The supporting cast are all good as well, especially Victor Buono as Victor Flagg, an odd pianist that befriends Jane. The black and white really are used to full effect, they make the mansion look extra creepy. Robert Aldrich's direction is fine.
To today's modern audience, this may seem boring as it does not have any action. Most of the movie is dialogue, but I do urge those who haven't seen it to do so, as it is a truly excellent movie.
A solid 5/5!
The story focuses on two sisters, Blanche Hudson (Joan Crawford) who was crippled in an accident awhile ago and "Baby" Jane Hudson (Bette Davis). Jane used to be a big child star, she even had a doll brand after her. Now, though, she is no longer recognised while her sister has recently become very famous. They live in an old mansion, with Blanche confined to her room upstairs while Jane gets madder and more cruel by the day.
Bette Davis gives the star performance here, some may call it over-acting but it is far from. She really makes Jane as mad, cruel and sad as possible. Joan Crawford is equally good in a very different role. She is much more timid then Jane and quite scared. The supporting cast are all good as well, especially Victor Buono as Victor Flagg, an odd pianist that befriends Jane. The black and white really are used to full effect, they make the mansion look extra creepy. Robert Aldrich's direction is fine.
To today's modern audience, this may seem boring as it does not have any action. Most of the movie is dialogue, but I do urge those who haven't seen it to do so, as it is a truly excellent movie.
A solid 5/5!
Bette Davis and Joan Crawford were the biggest rivals during the golden age of Hollywood.This is their only collaboration.In the beginning of the movie we're at 1917, where the six-year old Baby Jane Hudson (Davis) is a successful Vaudeville performer.Then we move to 1935 where her sister Blanche (Crawford) becomes paralyzed in an automobile accident for which Jane is held responsible.In the present-day of the film we see Blanche being kept as a prisoner upstairs of their mansion by the sadistic Jane.Robert Aldrich' What Ever Happened to Baby Jane (1962) is a terrific psychological thriller with some black comedy.The leading ladies are truly magnificent.Bette Davis was born a hundred years ago in 1908 and died in 1989.She could play all kind of roles and make the characters memorable.Baby Jane Hudson is that kind of a role.Joan Crawford lived from 1905 to 1977 and started making pictures during the silent era.Her Blanche Hudson is vulnerable and that's why we like her that much.A fine performance is given by Victor Buono who plays the shiftless musician Victor Flagg.Maidie Norman plays Elvira Stitt.Michael Fox, who the soap opera fans remember from The Bold and the Beautiful plays Motorcycle cop.This movie is a classic.
Ryan Murphy's series "Feud" in which Jessica Lange and Susan Sarandon play Joan Crawford and Bette Davis at the time of Baby Jane and beyond. I got so engrossed the series that I had to see What Ever Happened To Baby Jane again. Wow! Now, it all feels slightly different, less campy more poignant. Joan Crawford as played by Jessica Lange - the best performance by an actress in many, many years - is a totally recognizable person, crazy or not. When George Cukor tries to convince Joan not to be so vindictive "you're better than this Joan" to what Crawford/Lange replies: "No George, I'm not" Fantastic! Like another user already mention, I agree What Ever Happened To Baby Jane and Feud will be feeding each other keeping each other alive for generations to come.
Two grand actresses, Bette and Joan, have their final screen showdown as--what else--retired show biz siblings. Bette's character achieves success early in vaudeville as Baby Jane Hudson, a child actress with a tendency for temper tantrums. As an adult Joan achieves tremendous success as film actress Blanche Hudson. Jane, however, is a horrendous actress, though Blanche makes sure that for every N pictures she makes, that Jane is featured in a film. If you look hard, you'll recognize the scenes from "Parachute Jumper" that the 30s studio execs are roasting in regards to Jane's performance.
A touch of Norma Desmond/Sunset Boulevard here--Bette as a delusional has-been who actually believes her career can be resurrected. Joan as the sister confined to a wheelchair as a result of a horrific car accident. In the drive-way. Supposedly run over by Baby Jane in the 1930s but never proven or prosecuted.
Fast forward to the 1960s, and Baby Jane takes it hard upon learning Blanche plans to sell their old stately mansion. She begins a systematic torture of Blanche that amounts to elder abuse in today's terms. Viewers who saw this film 60 years ago were frightened by the hair-raising dinner entrees given to Blanche: Her dead pet bird served up on a tray of tomatoes and the rat well-done. What doesn't hold up is Blanche's inability to bring attention to her imprisonment. For instance, her neighbor is outside below her window cutting flowers. Instead of screaming like a maniac for help, she writes a complicated note on a typewriter, balls it up, and throws it out the window. Of course, Baby Jane finds it. Duh. When the affected Victor Buono visits the house as a loony piano accompanist for Blanche, she could have screamed and yelled for help. She doesn't.
For all their competition, both Bette and Joan are good here and the ending is extremely ironic. Davis always claimed that Joan campaigned against her at Oscar time and that is why she didn't win. Davis certainly hadn't lost her willingness to look as unattractive as she needed to be in order to play the part. Overweight, dressed up like she is 10 not 55 with her hair in blonde curls and grotesque pancake makeup on, she is the ideal aged homicidal maniac of a Baby Jane doll. Joan's part requires much more subtlety to the point of not doing what she must to save herself. These two definitely make it a worthwhile watch.
A touch of Norma Desmond/Sunset Boulevard here--Bette as a delusional has-been who actually believes her career can be resurrected. Joan as the sister confined to a wheelchair as a result of a horrific car accident. In the drive-way. Supposedly run over by Baby Jane in the 1930s but never proven or prosecuted.
Fast forward to the 1960s, and Baby Jane takes it hard upon learning Blanche plans to sell their old stately mansion. She begins a systematic torture of Blanche that amounts to elder abuse in today's terms. Viewers who saw this film 60 years ago were frightened by the hair-raising dinner entrees given to Blanche: Her dead pet bird served up on a tray of tomatoes and the rat well-done. What doesn't hold up is Blanche's inability to bring attention to her imprisonment. For instance, her neighbor is outside below her window cutting flowers. Instead of screaming like a maniac for help, she writes a complicated note on a typewriter, balls it up, and throws it out the window. Of course, Baby Jane finds it. Duh. When the affected Victor Buono visits the house as a loony piano accompanist for Blanche, she could have screamed and yelled for help. She doesn't.
For all their competition, both Bette and Joan are good here and the ending is extremely ironic. Davis always claimed that Joan campaigned against her at Oscar time and that is why she didn't win. Davis certainly hadn't lost her willingness to look as unattractive as she needed to be in order to play the part. Overweight, dressed up like she is 10 not 55 with her hair in blonde curls and grotesque pancake makeup on, she is the ideal aged homicidal maniac of a Baby Jane doll. Joan's part requires much more subtlety to the point of not doing what she must to save herself. These two definitely make it a worthwhile watch.
क्या आपको पता है
- ट्रिवियाAccording to Bette Davis in her book "This N' That," the film was originally going to be shot in color. Davis opposed this, saying that it would just make a sad story look pretty.
- गूफ़In the 1935 time line (11 minutes into the film), Ben Golden (Bert Freed) and Marty McDonald (Wesley Addy) are walking past a row of buildings in the studio discussing Baby Jane's acting. There are window air conditioners in almost every upper floor window of the 2-story building behind them. But the first window air conditioner wasn't marketed until 1938, and it wasn't until 1947 that they were mass-produced.
- भाव
Blanche: Jane, do you remember when I first came back after the accident?
Jane: You promised you wouldn't ever talk about that again.
Blanche: I know I did. But I'm still in this chair. After all those years, I'm still in this chair. Doesn't that give you some kind of responsibility? Jane, I'm just trying to explain to you how things really are. You wouldn't be able to do these awful things to me if I weren't still in this chair.
Jane: But you *are*, Blanche! You *are* in that chair!
- इसके अलावा अन्य वर्जनThe original British release was cut in two places: in Reel Four, where Jane kicks Blanche only once instead of multiple times, and Reel Six, which eliminated some shots of Blanche tied up to the bed and writhing. Both cuts were mandated by the BBFC in order to receive an "X" certificate. Subsequent reissues restored the footage.
- कनेक्शनEdited into The Time That Remains (2012)
- साउंडट्रैकI've Written a Letter to Daddy
Music by Frank De Vol
Lyrics by Bob Merrill
Performed by Bette Davis
Also performed by Julie Allred (dubbed by Debbie Burton)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- बेबी जेन को कभी क्या हुआ?
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बॉक्स ऑफ़िस
- बजट
- $9,80,000(अनुमानित)
- दुनिया भर में सकल
- $4,451
- चलने की अवधि
- 2 घं 14 मि(134 min)
- रंग
- पक्ष अनुपात
- 1.85 : 1
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