Cleopatra's Daughter

The film talks about Keops , alias Nemorat . Keops was the second pharaoh of four dynasty from ancient Egyptian empire , and he made the great pyramid of Gyze that bears his name . He is succeeded by Kefren who built the sphinx Gyze and the pyramid of the same name . After goes on pharaoh Micerinos. Three pharaohs have pyramids on Gyze : Keops, Kefren and Micerinos.

The movie centers upon scheming Kefren ( Erno Crisa ) and his dark schemes to inherit Egyptian empire . Nemorat ( Conrado Pani )is poisoned , and his wife ( Debra Paget ) is doomed to die with him into the pyramid . Her lover ( Ettore Manni ) designs a plot to free her by means of a potion. Before he will have to face a lot of dangers and risks until obtain his objective . The film blends drama , adventures , love and hokey historical events . Direction by Fernando Cerchio is professionally made , he directed many ¨ sword and sandals¨ and epic films . Cinematography is well realized and Giovanni Fusco's musical score is good . Set design and Egyptian time production design are spectacular . Debra Paget is wonderful , support cast is nice , there are American actors as Robert Alda ,though mostly are Italian players as Andrea Bosic , Rosalba Neri..among others . Rating: 5,5/10 average but entertaining .

This is supposed to be the story of Cleopatra's daughter Shila, as she's called in this movie. The problem is that Cleopatra's real daughter Selene II lived between the years of 49- 6 BC. Her supposedly husband Nemorat/Khufu, as he's called if you look at the IMDb or the Wikipedia cast listings, lived between the years of 2589 and 2566 BC. This movie is supposed to be set during the reign of Khufu so somebody, somewhere, obviously made a mistake somehow or perhaps they chose Khufu because it was a royal name. The other problem there is that there was only one King Khufu ever listed. From a viewing point of view the only good thing about this movie was Debra Paget, the beautiful American actress who played Shila. On the other hand, the hypochondriac, idiotic Pharoah Nemorat/Khufu, who's mother told him women were dirty, and was forever complaining about bees and wasps getting into his ears to eat his brain, that's if they could find it, was beyond a joke. If Khufu was supposed to be the "real pharoah", you're talking about the same guy who commissioned the building of the Great Pyramid of Giza, one of the seven wonders of the world, which actually still stands in Egypt today. I'll give Peplum Studios something though, for an early movie of theirs, at least they chose to be in Egypt for a change. At the end of the movie, as Resi (Ettore Mani), and Slila (Debra Paget) ride off into the sunset, you're wondering, (from a historical point of view), what the he** the movie was all about. bcarruthers-76500

Cleopatra, after the civil war that followed the assassination of Caesar, met with Marc Antony in Assyria where they planned the defense of Egypt against the Romans.

Before leaving, Cleopatra entrusted her young daughter, Shila, to the rulers of Assyria to be brought up as their own.

After Marc Antony's defeat and Cleopatra's death, Egypt, for the next twenty years, was torn apart and ruled by a youthful Pharaoh, Nemorat, with his despot Queen Mother, Tegi, who desired to unite both kingdoms and strengthen her son's rule by conquering Assyria and making Shila, now a beautiful woman, his queen.

Sounds intriguing, right?

Not sure what the budget was for this period piece, but it's tedious

This is one of the most obscure movies I've watched in recent memory, and it deserves to stay obscure. It's not very good.

Cleopatra's Daughter is like historical fan fiction, following - shock horror - the daughter of Cleopatra. It feels a bit like when the monster movies of the 1930s and 40s would do "Son of x" or something. But also, the big Cleopatra movie from around this time came out later, so that doesn't really line up. I've never seen that one, but I maybe would be morbidly curious if it wasn't also four hours long.

At least Cleopatra's Daughter wasn't long. I kind of half-watched it at a point, though. There is something interesting about the star, Debra Paget, but the same can't be said about all her movies. She retired from acting more than 60 years ago, and is apparently still out there somewhere, or maybe not? Who knows - being reclusive is fascinating. Her Wikipedia article is interesting, partly because of how it just stops at about 40 years ago. She's like the Thomas Pynchon of Classic Hollywood actresses.

Anyway, reading the limited information about her is more interesting than the movie; I think that's what I was trying to get at.

After her role as Lilia opposite John Derek in Cecil B. DeMille's The Ten Commandments, roles started getting scarce on the big screen for Debra Paget who as I write this review is the last living of the major players left from that classic. Look at her credits, she did a lot of television after that and like so many of her contemporaries, mostly male though, went to Italy for big screen sand and sandal epics. But Cleopatra's Daughter is in no way like the Elizabeth Taylor classic that came out three years later.

For if you remember in that fairly historically accurate film, Cleopatra had no daughter with Julius Caesar or anyone else. She had a son who disappeared after her overthrow, but no daughter. Assyria as a kingdom was no more by Cleopatra's time and there were no more Pharoahs ruling Egypt. Other than all this, Cleopatra's Daughter is a film of great veracity, NOT.

Cleo's kid played by Paget goes to live with the Assyrian royal house who bring her up like their own, but now the new ruling house of Egypt, presumably the one left there by Augustus has conquered Assyria and to cement their usurping dynasty, the Queen Mother who really runs things wants Debra to marry her idiot Pharoah son who is a real Mama's boy.

Paget's got eyes for the royal physician Ettore Manni, but there's folks with designs on the throne. She's implicated in the poisoning of the Pharoah and sentenced to be put to death and buried in the great tomb of Cheops which he has constructed (another historical anomaly). Manni in a bit lifted from Romeo and Juliet gives Paget a potion that will fake death and his task is to get her out of the tomb once it's sealed up. Breaking in isn't easy and Manni gets some grave robbing professionals to help him do it.

If you think this is all ridiculous enough, it gets even worse, but I won't reveal any more. I think that most Hollywood performers who went to Italy to revive their sagging careers did their worst work there. Only Clint Eastwood made a career from spaghetti westerns, no one did it from gladiator films.

All that was needed was for June Allyson to come on doing a chorus of the Cleopatterer song that she did in Till The Clouds Roll By.